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A book about the Salem Witch Trials would be a captivating read for anyone interested in history, witchcraft, or the darker aspects of human nature. This tragic event took place in colonial Massachusetts in the late 1600s and left a lasting impact on American culture. The book would explore the events leading up to the trials, starting with the mysterious afflictions of several young girls in the town of Salem Village. These girls began to exhibit strange symptoms, such as fits, contortions, and accusations of being possessed by witches. The book would delve into the theories surrounding these inexplicable behaviors, including the possibility of mass hysteria, religious fanaticism, or even intentional deception. As the hysteria grew, the book would introduce the key figures involved in the trials, including the accusers, the accused, and the judges.

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But the real fuel to Stygian Bough Volume I was the BELL WITCH track, Rows of Endless Waves , which was not only Moggridge s first appearance with BELL WITCH but also a track that has deeply resonated with Desmond over the years. Inquisition - Before the Symbol of Satan We Bow and Praise Praise the symbol of Satan s might, bow before the darkest light Hold the torch and chant with pride, as the bells chime tonight we rise Dancing in shadows, casting dark spells.

As the hysteria grew, the book would introduce the key figures involved in the trials, including the accusers, the accused, and the judges. It would examine their motivations and the roles they played in perpetuating the witch hunts. The book would also shed light on the social and political climate of the time, exploring the deeply ingrained Puritan beliefs and the fear of the unknown that fueled the accusations.

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Track Listing: 1. The Bastard Wind 2. Heaven Torn Low I (the passage) 3. Heaven Torn Low II (the toll) 4. Prelude 5. The Unbodied Air Stygian Bough Volume I Vinyl Specs: Comes in a gatefold 2xLP jacket with a download card. Stygian Bough Volume I Vinyl Editions: *Glow In The Dark Blue Vinyl *Army Green/Dark Blue Colour Mix With Red Splatter *Aquatic/Clear Three Colour Stripe Vinyl *Aquatic Cloudy Effect Vinyl *Black Vinyl Genuine collaborations between two sets of artists are rare. For their new album, “Stygian Bough Volume I”, the members—Dylan Desmond (bass/vocals) and Jesse Shreibman (drums/vocals)—of doom duo BELL WITCH didn’t just team up (again) with dark folk elegist Erik Moggridge (guitars/vocals) of AERIAL RUIN, they fully integrated the two outfits. While Moggridge has been a part of BELL WITCH’s sonic fingerprint on all their prior records, perhaps most notably for his vocals on their previous full-length, “Mirror Reaper”, he’s now part of the very fabric that makes up the five hauntingly beautiful, strikingly heavy songs that comprise “Stygian Bough Volume I”. BELL WITCH and AERIAL RUIN are officially a trio on “Stygian Bough Volume I”. The addition of guitar to the bass and drum-only dynamic came naturally as the threesome discussed potential models for their joint effort. Ulver’s unorthodox folk album “Kveldssanger” came up as did Candlemass' milemarker “Nightfall”. But the real fuel to “Stygian Bough – Volume I” was the BELL WITCH track, “Rows (of Endless Waves)," which was not only Moggridge’s first appearance with BELL WITCH but also a track that has deeply resonated with Desmond over the years. With the approach in place, BELL WITCH and AERIAL RUIN collectively wrote five desolate yet mystical songs that defy categorization. From the mournful "The Bastard Wind" and the crepuscular “Heaven Torn Low I (the passage)” to the monstrous “Heaven Torn Low II (the toll)” and the liturgical gloom of “The Unbodied Air,” “Stygian Bough – Volume I” is an album of deep, dark undertows and careful respite. Lyrically, the themes explored by both BELL WITCH and AERIAL RUIN independently were tackled from different angles but were mainly from similar spaces. Whereas BELL WITCH plumbed the depths of purgatory—a place of atonement between life and death—across three full-lengths, Moggridge’s AERIAL RUIN have centered on the loss of the self and the spiritual places the vacancy ultimately leads to. For “Stygian Bough Volume I”, BELL WITCH and AERIAL RUIN topics of choice intersect and complement, continuing in spirit but with a broader vantage point where "Rows (of Endless Waves)” left off. “Stygian Bough Volume I” was recorded and mixed by Randall Dunn at Avast Recording Co. in Seattle. The result is a full-length of profound lows and delicate highs. The overall production fits BELL WITCH and AERIAL RUIN's quiet/introspective and heavy/loud dynamic well. One listen to "Bastard Wind" and instrumental piece "Prelude," and it's easy to understand the trio's sonic preferences, which fall somewhere between Roy Harper, Bert Jansch, Warning, and Candlemass. As for the triumvirate's next steps, they're planning on touring in support of “Stygian Bough Volume I” and eventually collaborating on music for Volume II.

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The book would extensively research the trial proceedings, detailing the testimonies, evidence, and arguments presented. It would raise questions about the fairness of the trials, the credibility of the evidence, and the role of the legal system in perpetuating injustice. The book would also discuss the consequences of the trials, including the impact on the families of the accused, the erosion of trust within the community, and the long-lasting stigma associated with witchcraft. Furthermore, the book would examine the aftermath of the trials and their place in American history. It would explore how the Salem Witch Trials have been portrayed in literature, film, and popular culture, shaping our perception of what happened and contributing to ongoing debates surrounding issues of belief, skepticism, and the power of fear. Overall, a book about the Salem Witch Trials would be a thought-provoking and informative exploration of a dark chapter in American history. It would delve into the complexities of human behavior, the fragility of justice, and the importance of learning from our past mistakes..

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