Magic is a novel written by William Goldman. This book was first published in 1976 and has since become a popular work of fiction. The story follows the life of a magician named Corky Withers. Corky is a talented performer who is known for his exceptional skill and showmanship. However, Corky's life takes a dark turn when he becomes involved with a woman named Peggy Ann Snow. Peggy Ann is not what she seems, and Corky soon finds himself caught up in a web of deception and danger.
Peggy Ann is not what she seems, and Corky soon finds himself caught up in a web of deception and danger. Magic explores themes of obsession, manipulation, and the power of illusion. Goldman's writing is gripping and keeps the reader on the edge of their seat throughout the book.
Magic – William Goldman
When the sad news of Richard Attenborough’s death was announced, I’d just started reading William Goldman’s Magic.
Adapted for the screen in 1979, Magic proved to be an obscure footnote in Attenborough’s directing career, wedged into the cracks of a CV crammed with sumptuous epics such as Gandhi, A Bridge Too Far and Cry Freedom.
I remember some random images from the movie – mostly of the ventriloquist doll Fats, with those bulging dummy eyes, red cheeks and neat centre parting. Anthony Hopkins played the deranged protagonist a full decade before he was launched to stardom thanks to some similar onscreen lunacy.
At the time, William Goldman, the writer of Magic, both the book and the movie, was one of the first screenwriters to stick his head above the parapet. His non-fiction memoir/writing manual Adventures In The Screen Trade was an unlikely bestseller – and remains still one of the best books about the business.
This was the guy who wrote Butch and Sundance, All The President’s Men and Harper for the screen – and many others. But I remember as a kid being absolutely blown away by the first shocking chapter of his novel Control – a thriller which is, mind-bogglingly, out of print these days. He also adapted his own novels Marathon Man and, of course, The Princess Bride.
So I was interested to see what I made of Magic all these years later… and, hell, what a novelist that man was – sadly, Goldman’s last fiction was written in 1986. It’s almost impossible to discuss without giving some of the game away, so here goes…
Corky is a talented but failed magician, whose career only takes off when he incorporates a dummy called Fats into his act. When he’s offered a TV show, Corky goes on the lam, frightened that executives will discover that it’s Fats who increasingly calls the shots in Corky’s head. He heads back to the Catskills where he meets his old childhood crush Peggy Ann. Throw in Corky’s wizened agent and Peggy Ann’s oafish husband, and things start to get murderous in the woods as Fats’s true nature is revealed.
As you can tell, Magic is a book which is very much in the Psycho mould, a claustrophobic chamber-piece. It takes a couple of chapters to warm up, but when it does it really delivers as a portrait of a damaged personality. Despite his, er, homicidal issues (and some hints that he’s got previous in this area) Corky is a hugely empathetic character in the George Harvey Bone mould.
Fats gives Corky confidence, he gives him a voice, and he give him an act with which to present his beloved Magic. But one part of Corky’s brain is increasingly fighting a disastrous rearguard action against the other half. We root for Corky to pull himself together and yearn for him to find happiness with his lost love even as we know that the worst is yet to come.
As you’d imagine from a screenwriter, Goldman’s dialogue is to die for. It just zings off the page and straight into your brainstem. Magic is tight and focused and would make Ira Levin proud, with some nail-biting set-pieces, including one fabulous scene where Corky’s agent, alarmed by his relationship with the dummy, challenges Corky not to speak as Fats for five minutes, just five minutes…
If this book was written now, or filmed as a movie, the chances are, the publisher would want more shocks, more out-and-out horror moments, but like all the best horrors, Magic is absolutely rooted in character. And the biggest character of them all is Fats, a malevolent little guy with tiny wooden legs. His voice, charismatic and sarcastic, rings fully-formed in your head as you read.
Corky is a talented but failed magician, whose career only takes off when he incorporates a dummy called Fats into his act. When he’s offered a TV show, Corky goes on the lam, frightened that executives will discover that it’s Fats who increasingly calls the shots in Corky’s head. He heads back to the Catskills where he meets his old childhood crush Peggy Ann. Throw in Corky’s wizened agent and Peggy Ann’s oafish husband, and things start to get murderous in the woods as Fats’s true nature is revealed.
The character development in Magic is particularly strong, with Corky being a complex and multi-dimensional protagonist. As the story progresses, Corky's sanity is tested, and the boundaries between reality and illusion become blurred. The novel also delves into the world of magic and the secrets behind the tricks. Goldman's attention to detail in describing the magician's craft adds a layer of authenticity to the story. It is clear that the author has done his research and has a deep understanding of the world of magic. Overall, Magic is a captivating novel that combines elements of thriller, suspense, and psychological drama. William Goldman's writing is masterful, and his ability to create tension and suspense is commendable. The book is a must-read for fans of psychological thrillers and anyone interested in the world of magic..
Reviews for "The Universal Appeal of William Goldman's Magical Tales"
1. Samantha - 2/5 - I was really disappointed with "Magic William Goldmans". The writing felt disjointed and confusing, and I struggled to connect with any of the characters. The plot seemed to jump around without any clear direction, and the ending left me feeling unsatisfied. Overall, I just couldn't get into this book and wouldn't recommend it to others.
2. Michael - 1/5 - I have to say, "Magic William Goldmans" was a complete waste of my time. The story was convoluted and lacked any real depth. The characters were poorly developed and their actions often felt forced and unrealistic. I found myself constantly rolling my eyes at the predictable plot twists and shallow dialogue. It's rare that I feel this strongly about a book, but I would strongly advise against picking up "Magic William Goldmans".
3. Emily - 2/5 - I had high hopes for "Magic William Goldmans" based on the reviews I read, but it fell flat for me. The writing style was confusing and hard to follow, making it difficult to fully immerse myself in the story. The characters felt one-dimensional and I couldn't bring myself to care about their fates. The pacing was also off, with slow sections that seemed to drag on and abrupt shifts in the narrative that left me feeling disoriented. Unfortunately, this book just wasn't for me.
4. Jason - 2/5 - "Magic William Goldmans" was a letdown. The beginning showed promise, but it quickly deteriorated into a mess of clichés and poorly executed plot points. The world-building was underdeveloped and left me with more questions than answers. The main character lacked depth and growth, making it hard for me to invest in the story. Overall, I found this book to be forgettable and would not recommend it to others.