Mafic rocks, which are rich in magnesium and iron, often create distinctive tracks when they cross over or under a bridge. These tracks are known as mafic tracks with a bridge. Mafic rocks are a type of igneous rock that has a dark-colored appearance due to the presence of high levels of magnesium and iron minerals. They are commonly found in volcanic areas and are known for their high density and strength. When mafic rocks cross over or under a bridge, especially in areas where the rock is exposed, they can leave behind characteristic tracks. These tracks are created as the rocks move and rub against the bridge structure due to various factors such as tectonic activity, erosion, or strong currents.
In Along an African Border, anthropologist Sónia Silva examines how Angolan refugees living in Zambia use these divination baskets to cope with daily life in a new land. Silva documents the special processes involved in weaving the baskets and transforming them into oracles. She speaks with diviners who make their living interpreting lipele messages and speaks also with their knowledge-seeking clients. To the Luvale, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of jipelo articles drawn in configurations, interact with persons and other objects, punish wrongdoers, assist people in need, and, much like humans, go through a life course that is marked with an initiation ceremony and a special burial. The lipele functions in a state between object and person.
Access-restricted-item true Addeddate 2021-03-20 07 08 00 Associated-names Pemberton, John, 1928- Boxid IA40078906 Camera USB PTP Class Camera Col_number COL-658 Collection_set printdisabled External-identifier urn oclc record 1244862895 urn lcp insightartistryi0000unse lcpdf a1e855b9-027a-4a45-965a-1166c5eb2ae8 urn lcp insightartistryi0000unse epub f8b21b90-46ef-49b3-9228-7d1625a38ea9 Foldoutcount 0 Identifier insightartistryi0000unse Identifier-ark ark 13960 t1hj6ws6g Invoice 1652 Isbn 1560988592 9781560988595 1560988843 9781560988847 Lccn 99059622 Ocr tesseract 5. Severely disrupted by Church intervention, descriptions of calundu found in Portuguese Inquisition testimony join the published observations by European travelers as windows into the social history of Minas Gerais, an important yet often overlooked cultural territory of Brazil.
These tracks are created as the rocks move and rub against the bridge structure due to various factors such as tectonic activity, erosion, or strong currents. Mafic tracks with a bridge can vary in size and shape depending on the specific rock and bridge structure involved. They can range from small indentations or scratches to large grooves or channels.
The PDF format of the book focused on African divination
Calundu was an African-derived religious practice known in colonial Brazil, most widely recognized in Minas Gerais during and following that region’s early eighteenth-century gold rush. Drumming, chant, and dance channeled healing and divinational powers brought about primarily through trance possession. Severely disrupted by Church intervention, descriptions of calundu found in Portuguese Inquisition testimony join the published observations by European travelers as windows into the social history of Minas Gerais, an important yet often overlooked cultural territory of Brazil. This region of gold, diamonds, and coffee formed one of the most intense, highly populated slave operations known in the Western Hemisphere. Calundu’s practitioners, its musical worlds and social spaces, promote the parallelism argument that contrasts theories of syncretism and creolization. Calundu’s fatal narrative as an independent system of thought paralleling Catholicism forms a chapter in the African Diaspora’s vital history.
Author Biography
Jonathon Grasse is a professor of music at California State University, Dominguez Hills, and has authored articles, reviews, and book chapters on issues of Brazilian music and the influence of Indonesian gamelan on American composer Lou Harrison. His current book project focuses on music and regional identity in Minas Gerais, Brazil, several topics from which have formed conference presentations for the Society for Ethnomusicology. He is a composer and improvising musician active in Los Angeles.
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Recommended Citation
Grasse, Jonathon (2017) "Calundu's Winds of Divination: Music and Black Religiosity in Eighteenth and Nineteenth-Century Minas Gerais, Brazil," Yale Journal of Music & Religion: Vol. 3: No. 2, Article 3.
DOI: https://doi.org/10.17132/2377-231X.1080
Since September 30, 2017
Jonathon Grasse is a professor of music at California State University, Dominguez Hills, and has authored articles, reviews, and book chapters on issues of Brazilian music and the influence of Indonesian gamelan on American composer Lou Harrison. His current book project focuses on music and regional identity in Minas Gerais, Brazil, several topics from which have formed conference presentations for the Society for Ethnomusicology. He is a composer and improvising musician active in Los Angeles.
The tracks are often visible on the surface of the bridge and can be studied to understand the geological processes that have taken place in the area. The presence of mafic tracks with a bridge indicates the interaction between mafic rocks and the bridge structure. This interaction can impact the stability and durability of the bridge over time. It is important for engineers and geologists to study these tracks to assess any potential risks or damage that may occur. In addition to their scientific significance, mafic tracks with a bridge can also have aesthetic value. They can add a unique and visually appealing element to the bridge, highlighting the natural beauty of the rocks and creating a connection between geology and engineering. Overall, mafic tracks with a bridge are a fascinating geological phenomenon that can provide valuable insights into the interaction between rocks and man-made structures. They serve as a reminder of the ever-changing nature of our planet and the importance of understanding geological processes for engineering and infrastructure development..
Reviews for "The Influence of Mafic Tracks with Bridgf on Crustal Evolution"
1. John - 1/5 - I found "Mafic tracks with bridgf" to be extremely disappointing. The tracks lacked any sort of energy or catchy melodies, making them boring and forgettable. The overall production of the album was also questionable, with poor mixing and mastering. The lyrics were cliché and lacked any depth or creativity. I wouldn't recommend this album to anyone looking for engaging rock music.
2. Sarah - 2/5 - I had high hopes for "Mafic tracks with bridgf" based on the hype surrounding it, but unfortunately, it fell flat for me. The tracks felt repetitive and lacked originality. The band seemed to rely on the same formula for each song, making them all sound very similar. The lead vocals were lackluster and didn't have the power or emotion I was expecting. Ultimately, this album failed to leave a lasting impression on me.
3. Michael - 2.5/5 - While "Mafic tracks with bridgf" had its moments, I couldn't help but feel underwhelmed by the overall package. The instrumentation was solid, but the songwriting felt uninspired and generic. The lyrics didn't resonate with me and often felt forced. The album lacked a standout track that could capture my attention and make me want to listen to it again. Overall, I felt the band didn't take enough risks and played it safe, resulting in a mediocre album.
4. Emily - 2/5 - "Mafic tracks with bridgf" failed to live up to the hype for me. The vocals were off-key at times, and the melodies felt repetitive and uninteresting. The lyrics also left much to be desired, as they felt cliché and lacked depth. The album lacked any sort of innovation or originality that would make it stand out in a crowded music scene. Overall, I was left feeling disappointed and unimpressed with this release.