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Black Magic is a popular term used to refer to the use of supernatural powers and forces to manipulate or control events or people. In the context of this note, we will focus on the alleged use of black magic at a television studio. Television studios are places where various broadcast content is produced, ranging from news programs to entertainment shows. They are usually bustling with activity, as numerous people work together to create high-quality television. However, there have been reported instances of black magic being practiced or believed to be used within television studios. This belief may stem from superstitions or the mysterious nature of the entertainment industry itself.

It’s a great way to close the week in a good mood. Plus, the reps enjoy the time away from their phones to play. And the winning team gets to walk away with the prize and the championship title.

Categories can be related to the programs your supervisors run, company-related issues, company history, other supervisors, or various work-related topics. Sharon Wegscheider-Cruse, a respected expert in the field of addictions and codependency, identified six primary roles in an alcoholic family as a way to highlight the effects of alcoholism on the alcoholic s spouse and children.

This belief may stem from superstitions or the mysterious nature of the entertainment industry itself. Some people believe that certain practitioners of black magic are working behind the scenes, using their powers to influence the outcome of programming or gain advantages. Different forms of black magic, such as spells, curses, or rituals, may be associated with these alleged practices.

Why is addiction considered a family disease?

Alcoholism or any type of addiction affects everyone in the family in some way. Sharon Wegscheider-Cruse, a respected expert in the field of addictions and codependency, identified six primary roles in an alcoholic family as a way to highlight the effects of alcoholism on the alcoholic’s spouse and children.

I want to preface this article by saying that I know that labeling people doesnt usually feel good and often it isnt accurate. However, it can be useful in getting a general picture of the common dynamics in families dealing with addiction. Like anything else, please take the aspects of these family roles that apply to you and your family and leave the rest. Individuals and family systems are complex. In reality, people dont fall neatly into categories. You may have played more than one role at different times in your life or you may identify with a combination of these traits and coping strategies.

The most important takeaway that I hope to convey is that everyone in an addicted family is impacted by the addiction; everyone adopts coping strategies to deal with the stress of living with an addict and many of these coping strategies have lasting negative effects. In fact, these family dynamics persist even when the addict gets sober, dies, or leaves the family, and they are passed down generationally through modeling and family dynamics.

Children with an addicted parent often experience a chaotic or unpredictable home life which may include physical and emotional abuse. Even more common is emotional neglect, where the childs emotional needs are neglected due to the chaos and focus on dealing with the alcoholic and his or her problems. Children may feel embarrassed and ashamed, lonely, confused, and angry. Some children cope by trying to be perfect and others cope by cracking jokes and getting into trouble.

Family members have to walk on eggshells and quickly learn that the addict dictates the mood for the entire family. Family members dont have the opportunity to explore their own interests and feelings. Life is about keeping the peace, simply surviving, and trying to keep the family from imploding.

Addiction and the resulting chaos is a tightly held secret in most addicted families. Children are told overtly or covertly not to talk about whats going on at home. As a result, they feel shame a sense that theres something wrong with them, that they are somehow to blame for their parents addiction, stress, and erratic behavior.

The Addict

Addicts function and fulfill their responsibilities to varying degrees. For most, addiction progresses as the quantity and frequency of their drug or alcohol use increases. Drugs and alcohol become the primary way the addict copes with problems and uncomfortable feelings. Over time, addicts burn bridges and become isolated. Their lives revolve around alcohol and drugs getting more, using, and recovering. They blame others for their problems, can be angry and critical, unpredictable, and dont seem to care about how their actions affect others. One can also substitute other forms of addiction or dysfunction (sex addiction, gambling, unmanaged mental health problems) for drug or alcohol addiction and the dynamics are virtually the same.

The Enabler (Caretaker)

The enabler tries to reduce harm and danger through enabling behaviors such as making excuses or doing things for the addict. The enabler denies that alcohol/drugs are a problem. The enabler tries to control things and hold the family together through deep denial and avoidance of problems. The enabler goes to extremes to ensure that family secrets are kept and that the rest of world views them as a happy, well-functioning family. The enabler is often the addict’s spouse, but it can also be a child.

The Hero

The hero is an overachiever, perfectionist, and extremely responsible. This child looks like he has it all together. He tries to bring esteem to the family through achieving and external validation. Hes hard working, serious, and wants to feel in control. Heroes put a lot of pressure on themselves, theyre highly stressed, often workaholics with Type A personalities.

The Scapegoat

The family scapegoat is blamed for all of the family problems. A scapegoat child acts out and temporarily distracts attention away from the problems of the addict. Hes rejected by his parents and doesnt fit in.

The Mascot (Clown)

The mascot tries to reduce family stress through humor, goofing around, or getting into trouble. Hes seen as immature or a class clown. Humor also becomes his defense against feeling pain and fear.

The Lost Child

The lost child is largely invisible in the family. He doesnt get or seek attention. Hes quiet, isolated, and spends most of his time on solitary activities (such as TV, internet, books) and may escape into a fantasy world. He copes by flying under the radar.

No matter what role(s) you played in your dysfunctional family dynamics, its possible to overcome the effects of having an addicted parent and learn healthier coping strategies. Getting a clear and honest look at how your family of origin functioned is an important place to begin. Many adult children of alcoholics or addicts struggle with intimacy and trust in their romantic relationships and have difficulty expressing their feelings and loving themselves. I highly recommend working with a therapist who is experienced in working with adult children of alcoholics/addicts and codependency. There are also many excellent self-help books and groups available.

Another Chance by Sharon Wegscheider-Cruse

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2017 Sharon Martin, LCSW. All rights reserved. Photo by David Castillo Dominici at FreeDigitalPhotos.com.

Another Chance by Sharon Wegscheider-Cruse

People who believe in black magic often attribute any negative incidents or mishaps that occur within the studio to these practices. For example, if a live show experiences technical issues, someone may suspect that black magic was involved. It is important to note that there is no scientific evidence to support the existence of black magic or its effects. Beliefs surrounding black magic often rely on cultural or personal beliefs rather than empirical evidence. Hence, any claims or suspicions of black magic at television studios should be approached with skepticism. Despite that, allegations of black magic in television studios can create a sense of intrigue and mystery within the industry. Such stories may circulate among studio personnel, creating an even more intense working environment. However, it is crucial to maintain a rational and logical approach while evaluating these claims and recognize that they often arise from unfounded beliefs. In conclusion, black magic at television studios is a topic that arises from superstitions and the mysterious nature of the entertainment industry. While these beliefs may persist, there is no scientific evidence to support the existence of black magic. It is essential to approach these claims with skepticism and rely on logical reasoning when evaluating such allegations..

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