Emperor Ramses II, also known as Ramses the Great, was one of the most powerful and celebrated pharaohs of ancient Egypt. During his reign, he accomplished many military victories and constructed numerous architectural marvels, such as the temples of Abu Simbel and the Ramesseum. However, there is a legend that circulates about a curse associated with Ramses' audacity. It is believed that Ramses' audacity in challenging the gods and not showing proper respect towards them led to the curse. The curse is said to bring misfortune and tragedy to those who disturb the resting place of Ramses or disrespect his memory. This curse has been a source of both intrigue and fear for many.
Nice and creepy. Interesting music choices, too. The pace isn't very fast, but there are definitely some cool scenes and a good finale.
This does however mark Mitton s first feature without co-writer director Jesse Holland, who worked alongside him on both We Go On and YellowBrickRoad a movie I enjoyed more, though it too botched its final moments. It isn t long though before neighbour and local electrician Louis Greg Naughton reveals some far from idyllic home truths about the house s previous occupant Lydia Carol Stanzione and it s rather chilling supernatural history.
This curse has been a source of both intrigue and fear for many. One notable incident related to the curse is the story of the "Curse of the Mummy's Tomb." In the late 19th and early 20th centuries, a wave of archaeological expeditions took place in Egypt, with many explorers seeking to unearth the treasures of the pharaohs.
Fantasia 2018 Review: THE WITCH IN THE WINDOW Terrifies and Surprises
I haven't yet seen director/writer/editor/composer Andy Mitton's previous two features, We Go On and Yellowbrickroad, but having watched his new film The Witch in the Window (formerly known as The Vermont House) at Fantasia 2018, I'm going to have to rectify that as soon as possible. The story follows New York City denizen and middle-aged dad Simon (Alex Draper) as he picks up his son Finn (Charlie Tacker) from his estranged wife Beverly (Arija Bareikis). The goal is to fix up a house in the middle of nowhere, Vermont, get Finn away from the Internet and city life, and to bond with some quality father-son time. Problem, is the fixer-upper in the countryside already has a resident of the permanent kind, Lydia. The issue with most haunted house stories is that they never tread new ground, exhausting the same plot points and tropes again and again. I'm thrilled to say that The Witch in the Window (coming to Shudder soon) has no such downside, and the premise of sprucing up an old house with a ghost in it will be where comparisons with this feature and Old Dark House stories end. The best part of watching films is the hunt for the elusive gem that surprises and surpasses expectations, and The Witch in the Window is it. When you think you know where the film is going, you won't. The interactions between the aggressive ghost Lydia and Simon and Finn are quite different from what we're used to seeing; they're scared, but they confront her head-on at times, even going right up to her when she's asleep in her favorite chair. Even better? There's one particular scene that gave me actual goosebumps --- and the other filmmakers I attended the screening with felt the same way. We rhapsodized on the effectiveness of that scene and its ability to absolutely surprise us. I'd love to be able to reveal the trick that Mitton used within his excellent trick, but it'd be evil of me to spoil such a beautiful, chilling scene. In fact, to say much more at all about the plot of the film does it a disservice. I'll say that this is a heady nightmare of real-world horrors and the poignancy of knowing that you really cannot protect the ones you love, no matter how much you try. The Witch in the Window is gloriously written, acted, and directed; it's a horror film set in mostly one location, but it's also a discovery into what you can really do on an independent film with a likely tiny budget and crew. Don't go into the film expecting the big budget ballast of Hereditary, but an indie completely different that doesn't show the supernatural so much as makes you feel it. At its, the The Witch in the Window is a study on the loss of those you love and hold most dear. Check this one out as soon as you can if you love quiet horror that burns slow until you don't know you're almost out of wick. Highly recommended.
The Witch in the Window
Director(s)
- Andy Mitton
Writer(s)
- Andy Mitton
Cast
- Arija Bareikis
- Alex Draper
- Charlie Tacker
- Carol Stanzione
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Simon and his prepubescent son Finn (Alex Draper & Charlie Tracker) depart to the countryside to renovate a picturesque country house that Simon has purchased with the plan being to flip it for a profit upon completion. It isn't long though before neighbour and local electrician Louis (Greg Naughton) reveals some far from idyllic home truths about the house's previous occupant Lydia (Carol Stanzione ) and it's rather chilling supernatural history. I mean this sort of formula has been done before a hundred times or more but it's refreshing to see a new take on things with writer/director Andy Mitton conjuring up scares where Lydia's willingness to not simply just loiter in the shadows or just off-screen doesn't make her any…
Among these tombs was the burial site of Ramses II. Legend has it that those who disturbed Ramses' resting place faced dire consequences. Mysterious deaths, accidents, and other misfortunes were attributed to the curse of the audacious pharaoh. This notion gained popularity and fueled the imagination of adventurers and historians alike. One of the most famous examples is the story of Lord Carnarvon, an English aristocrat who funded the excavation of Tutankhamun's tomb, which was also believed to be cursed by some. After the tomb was opened, Lord Carnarvon died unexpectedly, leading many to connect his death to the curse. While some dismiss these stories as mere coincidences, others believe that there is some truth to the curse of Emperor Ramses' audacity. It is important to note that curses and legends like these are often based on a combination of historical accounts, cultural beliefs, and religious practices. They serve as cautionary tales, reminding us to respect the past and the resting places of the deceased. In conclusion, the curse associated with Emperor Ramses' audacity is a legend that has intrigued and frightened people for centuries. Whether or not there is any truth to the curse, it serves as a reminder of the importance of respecting the beliefs and customs of ancient civilizations..
Reviews for "Emperor Ramses Curse: Is Boldness Rewarded or Punished?"
1. Jennifer - 1 star - I was extremely disappointed with "Emperor Ramses Curse Audacity." The story was convoluted and poorly developed, making it difficult to invest in the characters or their motivations. The acting was subpar, with wooden performances that lacked emotion. The special effects were also disappointing, with obvious CGI that took away from the immersion. Overall, this film felt like a cheap cash-grab and I would not recommend it to anyone.
2. Jason - 2 stars - I had high hopes for "Emperor Ramses Curse Audacity" but unfortunately, it fell short of my expectations. The plot was confusing and poorly executed, making it hard to follow along or care about what was happening. The pacing was also off, with moments of unnecessary filler and rushed resolutions. The dialogue was cheesy and unnatural, further detracting from the overall experience. While there were some visually appealing moments, they were not enough to salvage the film. I would suggest skipping this one.
3. Emily - 1.5 stars - "Emperor Ramses Curse Audacity" was a complete letdown. The story lacked originality and felt like a rehash of countless other generic adventure films. The characters were one-dimensional and their actions were predictable, leaving no room for surprises or excitement. The dialogue was cringe-worthy, and it often felt like the actors were struggling to deliver their lines convincingly. The CGI was particularly disappointing, with obvious green screen scenes that took away from the immersion. Overall, I found this film to be a waste of time and would not recommend it to others.