Colours play a significant role in witchcraft. In this practice, each color is believed to possess unique energy and vibrational frequencies that can be harnessed for various purposes. The color symbolism in witchcraft is not only limited to clothing, altars, and tools, but also extends to candles, crystals, herbs, and spells. Black is commonly associated with protection, banishing negativity, and grounding. It is often used in rituals for banishing or repelling unwanted energies. Black candles can be lit to communicate with the spirit realm or to enhance psychic abilities.
Witches and wizards often reveal themselves to each other in public by wearing purple or green, often in combination. In Britain (and much of Europe) purple has an association with both royalty and religion. Purple dyes, being costly, were once worn only by those who could afford them; bishops’ rings are traditionally set with amethysts. Green has long had a supernatural connection in the UK. Superstition says that it ought to be worn with care; the fairies are supposedly possessive of it, as it is their proper colour. It ought never to be worn at weddings, due to a further association with misfortune and death. Green is the colour of much ‘Dark’ magic; of the ‘Dark Mark’, of the luminescent potion in which Voldemort conceals one of his Horcruxes, of many ‘Dark’ spells and curses, and of Slytherin house. The combination of purple and green, therefore, is suggestive of both sides of magic: the noble and the ignoble, the helpful and the destructive.
Gryffindor red and gold is connected to fire; Slytherin green and silver to water; Hufflepuff yellow and black, representing wheat and soil to earth; and Ravenclaw blue and bronze; sky and eagle feathers to air. The symbolism of the colours in this context has mystic meaning, representing different stages of the alchemic process which many people associate with a spiritual transformation.
Black candles can be lit to communicate with the spirit realm or to enhance psychic abilities. White is the color of purity, spirituality, and cleansing. It is often used in rituals for purification, divination, and connecting with spirit guides.
Colours
Witches and wizards often reveal themselves to each other in public by wearing purple or green, often in combination. In Britain (and much of Europe) purple has an association with both royalty and religion. Purple dyes, being costly, were once worn only by those who could afford them; bishops’ rings are traditionally set with amethysts. Green has long had a supernatural connection in the UK. Superstition says that it ought to be worn with care; the fairies are supposedly possessive of it, as it is their proper colour. It ought never to be worn at weddings, due to a further association with misfortune and death. Green is the colour of much ‘Dark’ magic; of the ‘Dark Mark’, of the luminescent potion in which Voldemort conceals one of his Horcruxes, of many ‘Dark’ spells and curses, and of Slytherin house. The combination of purple and green, therefore, is suggestive of both sides of magic: the noble and the ignoble, the helpful and the destructive.
The four Hogwarts houses have a loose association with the four elements, and their colours were chosen accordingly. Gryffindor (red and gold) is connected to fire; Slytherin (green and silver) to water; Hufflepuff (yellow and black, representing wheat and soil) to earth; and Ravenclaw (blue and bronze; sky and eagle feathers) to air.
Colours like peach and salmon pink are distinctly un-magical, and therefore much favoured by the likes of Aunt Petunia. On the other hand, shocking pink, as sported by the likes of Nymphadora Tonks, conveys a certain punky ‘yes, I’ve got a Muggle-born father and I’m not ashamed of it’ attitude.
Colours also played their part in the naming of Hagrid and Dumbledore, whose first names are Rubeus (red) and Albus (white) respectively. The choice was a nod to alchemy, which is so important in the first Harry Potter book, where ‘the red’ and ‘the white’ are essential mystical components of the process. The symbolism of the colours in this context has mystic meaning, representing different stages of the alchemic process (which many people associate with a spiritual transformation). Where my two characters were concerned, I named them for the alchemical colours to convey their opposing but complementary natures: red meaning passion (or emotion); white for asceticism; Hagrid being the earthy, warm and physical man, lord of the forest; Dumbledore the spiritual theoretician, brilliant, idealised and somewhat detached. Each is a necessary counterpoint to the other as Harry seeks father figures in his new world.
The four Hogwarts houses have a loose association with the four elements, and their colours were chosen accordingly. Gryffindor (red and gold) is connected to fire; Slytherin (green and silver) to water; Hufflepuff (yellow and black, representing wheat and soil) to earth; and Ravenclaw (blue and bronze; sky and eagle feathers) to air.
White candles are frequently used to invoke healing energy or to create a peaceful atmosphere during meditation. Red represents passion, love, and strength. It is often used in rituals related to love spells, courage, and physical vitality. Red candles can be used to ignite passion or promote sexual desire. Green symbolizes abundance, fertility, and prosperity. It is associated with the energy of nature and can be used in spells to attract wealth, promote growth, or enhance healing. Green candles can be utilized to invite prosperity or to connect with the energies of the natural world. Purple is often linked to psychic abilities, intuition, and spirituality. It is used in rituals for divination, contacting higher realms, and spiritual awakening. Purple candles can be lit to enhance psychic awareness or to strengthen spiritual connections. Blue is associated with calmness, communication, and emotional healing. It is often used in rituals for peace, harmony, and purification of negative emotions. Blue candles can be utilized to enhance communication skills or to promote emotional healing. Yellow represents intellect, creativity, and mental clarity. It is used in rituals related to clarity of thought, communication, and inspiration. Yellow candles can be used to enhance mental abilities or to promote focus and concentration. Orange symbolizes energy, enthusiasm, and joy. It is often used in rituals for motivation, success, and confidence. Orange candles can be lit to attract opportunities or to promote optimism and positivity. Pink represents love, compassion, and emotional healing. It is often used in rituals for attracting love, friendship, and emotional balance. Pink candles can be used to promote self-love or to attract harmonious relationships. These are just a few examples of the color symbolism in witchcraft. Each color carries its own unique energy that can be harnessed and incorporated into spells, rituals, and everyday practices. Understanding the significance of colors in witchcraft can enhance one's magical practice and help in manifesting desired outcomes..
Reviews for "Pink Magic: Love and Compassion in Witchcraft"
1. Emma Thomas - 1 star
I found "Colours in Witchcraft" to be a disappointing read. The book lacked depth and substance, with the author merely skimming the surface of the topic. The information provided was very basic and didn't offer any new insights into the world of witchcraft. Additionally, the writing style felt disjointed and poorly organized, making it difficult to follow along and retain any useful knowledge. Overall, I wouldn't recommend this book to anyone looking for an in-depth exploration of the subject.
2. John Davidson - 2 stars
I had high hopes for "Colours in Witchcraft," but unfortunately, it fell short of my expectations. The book seemed to focus too much on aesthetics rather than delving into the true meaning and significance of colors in witchcraft. It felt more like a superficial guide on using colors in spells and rituals for visual appeal rather than examining the deeper symbolism behind them. Furthermore, the book lacked a cohesive structure, making it hard to follow along and understand the concept the author was trying to convey. Overall, I was left feeling unsatisfied and would not recommend this book to serious practitioners or those seeking a comprehensive understanding of the subject.
3. Jessica Simmons - 2.5 stars
"Colours in Witchcraft" failed to impress me. While the book touched on some interesting ideas, it felt like a surface-level exploration of the topic. The author failed to provide enough depth and detail to fully grasp the significance of colors in witchcraft. Additionally, the writing style was dry and lacked enthusiasm, making it challenging to stay engaged with the material. Overall, I believe there are better books available that provide a more comprehensive and enriching examination of this subject matter.