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The occult life tracker is a tool used in the field of occultism to monitor and record the activities and events within a practitioner's occult life. It is an important tool for those who are serious about their journey in the occult and want to keep track of their progress and experiences. The tracker serves as a diary or journal where individuals can document their rituals, spells, meditations, divinations, and any other occult practices they engage in. It helps practitioners maintain a record of their experiences, observations, and results, which they can refer back to for future reference or analysis. The occult life tracker can be in the form of a physical notebook or a digital application. Regardless of the medium, the tracker should be personal and private, allowing practitioners to freely express their thoughts, emotions, and experiences without any judgment or inhibition.

Following the thrilling Kennedy Center play of Long Way Down in 2019, another award-winning book from best-selling author Jason Reynolds becomes an exciting world premiere in a co-production with Theater Alliance. This faithful stage adaptation explores 10 tales of what happens after the dismissal bell rings.

The yellow-and-orange tinted grit of the film s dark photography, filmed by an often frantic lens and clumsy framing, feels similarly second-hand and under-realized. Almost 20 years after having created The Black Rider , in 2009, Robert Wilson directed Carl Maria von Weber s 19th-century romantic opera, The Freeshooter Der Freischütz , which was based on the same ghost story as this work.

Regardless of the medium, the tracker should be personal and private, allowing practitioners to freely express their thoughts, emotions, and experiences without any judgment or inhibition. In addition to documenting the practices, the tracker also encourages users to note their thoughts, feelings, and insights during and after their occult activities. This helps individuals gain a deeper understanding of their own psyche, spiritual progress, and any patterns or themes that may arise.

Spell

Set amid the familiar, gritty grounds of a backwoods thriller, “Spell” attempts to summon the terrors of “The Hills Have Eyes” in a “Misery” package, with little jolt and even less cinematic elegance to go around.

On paper, there is some appeal to the film’s shtick—a predominantly black cast telling the story of a captive man stranded in the Appalachian Kentucky suggests something fresh could come out of this well-worn formula of grimy witchcraft horror. But director Mark Tonderai (“House at the End of the Street”) and writer Kurt Wimmer (“Salt”) don’t show any interest in deconstructing a tried-and-true recipe. Instead, the duo indulges in various box-ticking elements that are at best serviceable: squeaky floorboards, rusty door hinges, sweat-soaked exertions towards an escape route and even a pair of truly grotesque scenes involving injured feet (just to earnestly make good with that “Misery” reference) are among the frequent offerings of “Spell.”

If that’s enough to pique your interest in a hoodoo horror aptly releasing the day before Halloween, cozy up under a blanket and lean in to follow the story of Marquis T. Woods, a thriving businessmen leading a happy family life in his luxury home, equipped with all the cutting-edge trimmings of an upper-class existence. “Spell” is quick to disclose to the audience that life wasn’t always peaches-and-cream for Marquis, however. Through overdone flashbacks, we learn that the self-made young man succeeded after leaving behind a troubled past and an abusive father somewhere in Appalachia. But that past finds him against the odds, leaving Marquis with little choice but to face it head on. Learning that his cruel father has passed away, he decides to take his family—his supportive wife Veora (Lorraine Burroughs) and two teenaged kids—on a trip to attend his dad’s funeral.

Conveniently enough, aviation happens to be among Marquis’ many sophisticated interests. Except this time, the private plane that he pilots crashes, leaving Marquis at the mercy of the kind and curiously friendly Eloise (Loretta Devine, delivering a freakishly polished performance in spite of her under-written character), who volunteers to nurse the survivor back on his feet. Though the shell-shocked, badly injured Marquis is quick to suspect something’s off when he wakes up in the old woman’s secluded attic tucked away deep in the woods. With his family gone missing without a trace and being offered a series of vague excuses for his off-the-grid situation—such as the remoteness of even the nearest hospital and lack of any modern devices like a phone— Marquis swiftly discovers he can only rely on his own instincts and survival skills to flee Eloise’s sinister plan while pretending to comply with her routine in the interim.

If only the script could have paced its revelation of Eloise’s menacing intentions better. But Wimmer spends far too long dwelling on stock anxieties that don’t add up to much, disclosing the characters’ secrets a little too late. Eloise seems to be a part of an occult, has a voodoo poppet with the power of causing real harm, and keeps feeding Marquis plates of suspicious food, but who knows (or cares) where any of this is going when the filmmakers prove more interested in a paint-by-numbers yarn than the lean and mean tale “Spell” could have told? In that regard, the film hazily hints at some social commentary around class and race, only to abandon its Jordan Peele-esque inspirations prematurely. The yellow-and-orange tinted grit of the film’s dark photography, filmed by an often frantic lens and clumsy framing, feels similarly second-hand and under-realized. (One pointless slow-motion moment towards the film’s cathartic finale seems especially out of place.) Underneath all that, “Spell” effectively conjures up a pair of gross-out moments and consequent screams, but the angst it spreads throughout feels all too mild and forgettable to cast an unnerving curse. You know, the kind you’d crave from a horror film with lasting scares.

If that’s enough to pique your interest in a hoodoo horror aptly releasing the day before Halloween, cozy up under a blanket and lean in to follow the story of Marquis T. Woods, a thriving businessmen leading a happy family life in his luxury home, equipped with all the cutting-edge trimmings of an upper-class existence. “Spell” is quick to disclose to the audience that life wasn’t always peaches-and-cream for Marquis, however. Through overdone flashbacks, we learn that the self-made young man succeeded after leaving behind a troubled past and an abusive father somewhere in Appalachia. But that past finds him against the odds, leaving Marquis with little choice but to face it head on. Learning that his cruel father has passed away, he decides to take his family—his supportive wife Veora (Lorraine Burroughs) and two teenaged kids—on a trip to attend his dad’s funeral.

The tracker may also feature additional sections or prompts for practitioners to explore specific areas of their occult journey. These can include sections to record dreams, synchronicities, omens, astrology readings, or experiences with spirits or supernatural entities. By regularly using and updating the occult life tracker, practitioners can identify growth, improvement, challenges, and areas that need more attention or exploration. It helps individuals stay accountable to their practices and goals, ensuring they are continuously evolving and advancing on their occult path. Overall, the occult life tracker is a valuable tool for those looking to deepen their knowledge, connection, and experiences within the occult. It serves as a personal record and guide, allowing practitioners to reflect on their journey, learn from their experiences, and refine their skills and understanding in the mystical arts..

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