The pagan symbol for female represents the divine feminine energy and power. It is often depicted as a circle with a cross extending downwards from the center, resembling a moon or a cup. This symbol is known as the Triple Goddess symbol and represents the three stages of a woman's life - maiden, mother, and crone. Each phase corresponds to a different aspect of the goddess, symbolizing youth, fertility, and wisdom. The pagan symbol for female is associated with the goddess and represents femininity, intuition, and the nurturing aspects of womanhood. It is often used in pagan and Wiccan rituals and ceremonies to honor the goddess and celebrate the power and strength of women.
On "Life Is A Highway," his burgeoning solo career, and the Rascal Flatts song he most connects with.
Eight years earlier on February 16th, 1960; the original version by the Drifters entered the Top 100, it peaked at 16 on March 28th, 1960 and stayed on the Top 100 for 11 weeks. It was a memorable enough device to be imitated by Phil Spector on his production of the Gene Pitney hit Every Breath That I Take, and, much more obscurely, on Lee Hazlewood s mid-1960s solo recording For One Moment.
It is often used in pagan and Wiccan rituals and ceremonies to honor the goddess and celebrate the power and strength of women..
This Magic Moment
"This Magic Moment" was one of the biggest and best Drifters hits on which Ben E. King sang lead, making #16 in 1960. The late-1950s and early-1960s Drifters records were very innovative in being among the first pop-rock hits to creatively use string arrangements, and "This Magic Moment" was an outstanding example. That's apparent right from the instrumental intro, in which strings shiver up and down the scale in ghostly glissandos. It was a memorable enough device to be imitated by Phil Spector on his production of the Gene Pitney hit "Every Breath That I Take," and, much more obscurely, on Lee Hazlewood's mid-1960s solo recording "For One Moment." Like several early Drifters hits, particularly those written by the team of Doc Pomus and Mort Shuman, there's a faint Latin dance beat to the seductive swing of "This Magic Moment," like a rooftop moonlight tango in Spanish Harlem. The Spanish tinge, as Jelly Roll Morton might put it, surfaces particularly strongly at the end of the verses, in which the mood becomes hushed and a brief burst of minor-key, flamenco-like guitar is heard. Stan Applebaum's arrangement makes the strings sound as if they're dancing in counterpoint to the lovers in the song, and the Drifters' backup harmonies have a swaying quality that's quite similar to the one they used in their previous hit, "Dance with Me." It's effective how the rhythm slightly changes to become more staccato, and hence tenser and more dramatic, in the final section. Overall "This Magic Moment" effectively conveys the dreamy thrill of suave youngsters falling in love under ideal circumstances. It would be redone in smoother and Whiter fashion by Jay & the Americans a decade later, giving them a Top Ten hit in 1969. But stick with the original if you know what's good for you.
The only cover of "American Pie" to chart is by Madonna, whose 2000 version was a minor hit in America but went to #1 in the UK.
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