Lux Magical Orchid Body Wash is a popular bath and body product that offers a luxurious and delightful bathing experience. The body wash comes in a stunning purple bottle, enticing customers with its elegant design. As the name suggests, the key ingredient in this product is the magical orchid, known for its fragrant and calming properties. When using Lux Magical Orchid Body Wash, a small amount produces a rich and creamy lather that leaves the skin feeling soft, smooth, and rejuvenated. The enchanting scent of orchids lingers on the skin long after the shower, creating a pleasant and refreshing aroma. Not only does this body wash effectively cleanse the skin, but it also moisturizes and nourishes to keep it hydrated throughout the day.
“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.
I ve had my jukebox or as I like to call it the prehistoric iPod for a little over twelve years and in that time I d like to think that I ve perfected the mix of 45s within. With the passage of time, the record took on a different meaning, especially to the many African American troops who were stationed overseas in Viet Nam.
Not only does this body wash effectively cleanse the skin, but it also moisturizes and nourishes to keep it hydrated throughout the day. The luxurious formula is infused with essentials oils and skin-loving ingredients, working together to maintain the skin's natural moisture balance, leaving it feeling hydrated and supple. Lux Magical Orchid Body Wash is suitable for all skin types and can be used daily as part of a regular shower routine.
Song Of The Day by Eric Berman – The Jukebox Series #23 – Martha Reeves And The Vandellas: “Jimmy Mack” b/w “I’m Ready For Love” – Motown Yesteryear Series 45 RPM Single Y 455F (E3/F3)
“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.
I first discovered today’s jukebox classic not in its original guise by Martha Reeves and the Vandellas’, but from a cover performed by Laura Nyro and LaBelle on their classic 1971 album called Gonna Take A Miracle. When I first heard Nyro’s version, I didn’t make the connection between the song and all of the other great Vandellas hits I already knew from the radio. It wasn’t until my older sister picked up a copy of Martha and the Vandellas’ Greatest Hits album in 1972 that I finally came to fully appreciate the magic of, in my estimation, Motown’s finest girl group.
Martha and the Vandellas was one of the most successful girl groups to come out of Motown. Unlike The Supremes, the Vandellas’ sound was far grittier and more danceable than the sugary pop that catapulted The Supremes to fame. Their list of classic hits includes “(Love Is Like a) Heat Wave,” “Nowhere to Run,” “Come And Get These Memories,” “Quicksand,” “Live Wire,” “Wild One,” “My Baby Loves Me,” “You’ve Been In Love Too Long,” and their signature single “Dancing in the Street.”
The song was written and produced by the team of Brian Holland, Lamont Dozier and Eddie Holland and it was the group’s last American top-ten hit reaching #10 on the pop charts in 1967, and #1 R&B. It was also from the last batch of Martha and the Vandellas recordings featuring input from Holland-Dozier-Holland before they left the Motown fold. Not coincidentally, their departure from Motown aligned with the waning of The Vandellas’ popularity.
The impetus for the song came out of an industry awards dinner that Lamont Dozier attended. At the awards, Ronnie Mack won a posthumous award for composing the song “He’s So Fine.” His mother came up to accept the award on his behalf and Dozier decided he’d write the song in tribute to Ronnie Mack.
Lamont Dozier: “‘Jimmy Mack’ was about a kid who had written a song that was quite popular. When they called out his name there was something, along with the way his mother picked up the award, that kind of moved me and the name stuck with me. So when a melody came about that name seemed to spring up and fit well with the music we were writing at the time.” (NME 1984 via Songfacts)
Martha and the Vandellas originally recorded the song in 1964 as a typical teen anthem about lost love, but Motown’s quality control team rejected the recording leaving it unreleased in the Motown vaults. Three years later, Berry Gordy became aware of the recording and hearing a surefire hit made sure the song was released as a single. With the passage of time, the record took on a different meaning, especially to the many African American troops who were stationed overseas in Viet Nam.
The song was included in The Vandellas’ ballad-heavy 1967 album Watchout!, however the single version of this song opens with a drum intro that is not featured on the album cut. Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford and Annette Beard on background vocals, The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps on additional background vocals and instrumentation by various members of Motown’s session group The Funk Brothers, including Richard “Pistol” Allen on drums, Jack Ashford on vibes, Bob Babbitt on bass, Benny Benjamin on drums, Eddie “Bongo” Brown on percussion, Johnny Griffith on keyboards, Joe Hunter on keyboards, James Jamerson on bass, Uriel Jones on drums, Joe Messina on guitar, Earl Van Dyke on keyboards, Marvin Tarplin on guitar, Robert White on guitar and Eddie Willis.
The song was also covered by the likes of Karen Carpenter, Phil Collins, Sheena Easton (who scored a #65 chart hit with it in1986) and Bonnie Pointer. It was also cut by The Temptations for their 1967 album In A Mellow Mood.
The flip of today’s double A-sided single climbed up to the #9 position on the pop charts and rose to #2 on the R&B charts in 1966. The song was also written by Holland-Dozier-Holland and is a dead ringer for The Supremes hit “You Can’t Hurry Love” which they also wrote.
The track was also on The Vandellas’ Watchout! album and featured pretty much the same musicians as “Jimmy Mack,” except Betty Kelly sings background vocals instead of Annette Beard. The group also cut a Spanish version of the song under the title “Yo Necesito De Tu Amor.”
The song was included in The Vandellas’ ballad-heavy 1967 album Watchout!, however the single version of this song opens with a drum intro that is not featured on the album cut. Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford and Annette Beard on background vocals, The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps on additional background vocals and instrumentation by various members of Motown’s session group The Funk Brothers, including Richard “Pistol” Allen on drums, Jack Ashford on vibes, Bob Babbitt on bass, Benny Benjamin on drums, Eddie “Bongo” Brown on percussion, Johnny Griffith on keyboards, Joe Hunter on keyboards, James Jamerson on bass, Uriel Jones on drums, Joe Messina on guitar, Earl Van Dyke on keyboards, Marvin Tarplin on guitar, Robert White on guitar and Eddie Willis.
The invigorating and indulgent experience it provides is perfect for relaxation and self-care. In addition to its fantastic performance, Lux Magical Orchid Body Wash comes at an affordable price, making it accessible to a wide range of customers. It can be purchased in most supermarkets, online retailers, and beauty stores. In conclusion, Lux Magical Orchid Body Wash offers a luxurious and fragrant bathing experience that both cleanses and nourishes the skin. With its enchanting scent and moisturizing properties, it is a perfect addition to anyone's daily shower routine..
Reviews for "Lux Magical Orchid Body Wash: Treat Your Skin to Pure Indulgence"
1. Amy - 2 stars - I was really disappointed with the Lux Magical Orchid Body Wash. The scent was overpowering and artificial, leaving an unpleasant smell lingering on my skin long after I had finished showering. Additionally, I found that the body wash did not lather well, and I had to use a large amount of product to feel clean. Overall, I would not recommend this body wash as it did not meet my expectations in terms of scent and performance.
2. John - 1 star - The Lux Magical Orchid Body Wash was a complete letdown for me. The fragrance was too strong and gave me a headache every time I used it. It also left a sticky residue on my skin, which made me feel uncomfortable throughout the day. Furthermore, I noticed that this body wash did not effectively moisturize my skin as advertised. I ended up throwing away the bottle halfway through and switching to a different brand. I do not recommend this product, especially if you are sensitive to strong scents or have dry skin.
3. Sarah - 2 stars - I had high hopes for the Lux Magical Orchid Body Wash, but unfortunately, it did not live up to my expectations. The scent was too overpowering and synthetic for my liking, and it lingered on my skin for hours. The consistency of the body wash was also quite thick, making it difficult to spread evenly on my skin. Although it did leave my skin feeling clean, I did not notice any significant moisturizing effects. Overall, I would not repurchase this body wash and would advise others to try different options.