The concept of divine beings has been an integral part of human civilizations since the dawn of time. From ancient Egyptian gods to Greek mythological figures, numerous cultures have worshipped and revered deities. These divinities were often seen as all-powerful, guiding forces that influenced various aspects of life, including nature, destiny, and morality. However, as societies evolved, the importance of these divine beings began to diminish, and the notion of their existence started to wane. This gradual decline in the belief of divinities can be attributed to several factors. Firstly, the advancements in science and technology have provided rational explanations for phenomena that were once considered mystical or supernatural.
Buyers in other territories also noted the popularity of the original and remarked upon the action, thrills, visual effects and horror in the franchise. ”The Witch: Part 1 was start[ed] from a limited theatrical release, gradually becoming a big hit at OTT market in Japan. We are excited to distribute The Witch: Part 2 and I am sure that Japanese audiences cannot wait to see this powered-up sequel,” said Keizo Kabata, managing director at Twin.
Fans worldwide have been anticipating the next chapter in the story, and this film is more than worth the wait, from the top-notch action and special effects to the excellent acting and mind-bending storyline, said Doris Pfardrescher, president and CEO of Well Go USA Entertainment. The Subversion , the sequel stars Shin Sia as another girl with unnamed powers who escapes from a top-secret laboratory, pursued by multiple violent groups.
Firstly, the advancements in science and technology have provided rational explanations for phenomena that were once considered mystical or supernatural. The development of astronomy, for example, has shed light on the workings of celestial bodies, debunking the notion of heavenly gods controlling these cosmic forces. Similarly, medical breakthroughs have demystified diseases and illnesses, reducing the reliance on divine intervention for healing.
Contents Panda sells ‘The Witch: Part 2. The Other One’ to 124 countries (exclusive)
Director Park Hoon-jung’s follow-up to his 2018 Warner Bros-backed sci-fi action mystery The Witch: Part 1. The Subversion, the sequel stars Shin Sia as another girl with unnamed powers who escapes from a top-secret laboratory, pursued by multiple violent groups.
The film has also sold to China (Pumpkin Film), Japan (Twin), CIS and the Baltics (Volgafilm), Latin America (Tulip Pictures), Taiwan (Movie Cloud), the Middle East and North Africa (Krisco Media), India (Star Entertainment), Mongolia (The Filmbridge), Indonesia, Singapore, Vietnam, Malaysia, Hong Kong, Cambodia and Thailand (Clover Films) and, as previously announced, North America, the UK, Ireland, Australia and New Zealand (Well Go USA Entertainment).
Summer release
Produced by Goldmoon Film and backed and locally distributed by NEW, The Witch: Part 2. The Other One will be released in Korea on June 15.
Contents Panda has coordinated with distributors to open the film in 11 countries soon after, with North America and Mongolia to see the film in theatres on June 17.
Indonesia will see the film’s release on June 29, Singapore on June 30, Vietnam and Taiwan on July 1, Cambodia on July 11, Hong Kong and Thailand on July 21 and Malaysia on July 28.
“Fans worldwide have been anticipating the next chapter in the story, and this film is more than worth the wait, from the top-notch action and special effects to the excellent acting and mind-bending storyline,” said Doris Pfardrescher, president and CEO of Well Go USA Entertainment.
Buyers in other territories also noted the popularity of the original and remarked upon the action, thrills, visual effects and horror in the franchise. ”The Witch: Part 1 was start[ed] from a limited theatrical release, gradually becoming a big hit at OTT market in Japan. We are excited to distribute The Witch: Part 2 and I am sure that Japanese audiences cannot wait to see this powered-up sequel,” said Keizo Kabata, managing director at Twin.
The film also features Kim Da-mi from the original, Lee Jong-suk, Park Eun-bin, Sung Yu-been, Jo Min-soo and Jin Goo.
It currently holds the top spot in South Korea for advance ticketing with 33%, according to the Korean Film Council (KOFIC). Top Gun: Maverick, which Lotte Entertainment is set to release June 22, follows with 22% and Disney’s Lightyear has 14.6%.
“Fans worldwide have been anticipating the next chapter in the story, and this film is more than worth the wait, from the top-notch action and special effects to the excellent acting and mind-bending storyline,” said Doris Pfardrescher, president and CEO of Well Go USA Entertainment.
Furthermore, the rise of secular ideologies and the spread of atheism have challenged the religious orthodoxy that upheld the existence of divinities. With the proliferation of philosophical ideas and the questioning of long-held religious traditions, many individuals have come to view the concept of divine beings as mere superstition or wishful thinking. The increasing emphasis on empirical evidence and logical reasoning has further eroded the credence placed in supernatural entities. As the belief in divinities declined, a new set of challenges arose. With the absence of guiding deities, humans were left to grapple with profound questions of purpose, morality, and the meaning of life. The loss of divine influence also meant the loss of a moral compass, as the rules and guidelines provided by religious doctrines began to lose their authority. Consequently, societies faced the task of constructing new ethical frameworks and systems to navigate these existential dilemmas. The curse of the lifeless divinities is the void left behind by the fading belief in divine beings. This curse represents the existential struggle that individuals and societies face when confronted with the absence of guiding deities. It challenges humanity to seek new answers, to construct new moralities and belief systems that can provide solace and direction. However, this curse also presents an opportunity for growth and exploration. Without the constraints of divine intervention, humans can embrace their agency and take responsibility for shaping their own destinies. It allows for the advancement of science, the cultivation of reason, and the pursuit of knowledge without the limitations imposed by religious dogma. In conclusion, the curse of the lifeless divinities is the fading belief in supernatural beings that were once worshipped and revered. This decline can be attributed to advancements in science, the rise of secular ideologies, and the spread of atheism. While this curse presents challenges in terms of finding purpose and constructing new moral frameworks, it also offers the opportunity for growth and exploration. The absence of guiding deities allows individuals and societies to embrace agency and shape their own destinies..
Reviews for "Evoking the Curse: Relics of the Lifeless Divinities"
1. Jennifer - 2/5 Stars - I was really disappointed with "Curse of the lifeless divinities". The plot was confusing and hard to follow, with too many characters and subplots that didn't seem to connect to each other. The writing style was also dry and lacked emotion, making it difficult for me to feel invested in the story. Overall, I found it difficult to enjoy and would not recommend it to others.
2. Mark - 1/5 Stars - I regret picking up "Curse of the lifeless divinities", as it was one of the worst books I have ever read. The characters were one-dimensional and unlikable, making it impossible for me to care about their fate. The pacing was slow, with long sections of unnecessary descriptions and dialogue that led nowhere. The ending was also unsatisfying and left many loose ends. Save yourself the disappointment and skip this book.
3. Sarah - 2/5 Stars - "Curse of the lifeless divinities" had an interesting premise, but it failed to deliver on its potential. The writing was overly descriptive, slowing down the already sluggish plot even further. Additionally, the dialogue felt unnatural and forced, making it hard to connect with the characters. While there were some intriguing elements, they were overshadowed by the overall lackluster execution of the book. I wouldn't recommend it unless you have a high tolerance for slow-paced and convoluted narratives.