Surf Curse is an American indie rock band formed in 2013 in Reno, Nevada. The band consists of vocalist and guitarist Jacob Rubeck and drummer Nick Rattigan. They have gained a significant following for their dreamy and nostalgic sound, blending elements of surf rock, garage rock, and lo-fi indie pop. Surf Curse's music is characterized by its lo-fi production, with fuzzy guitars and hazy vocals creating a laid-back and slightly melancholic atmosphere. Their lyrics often touch on themes of love, relationships, and the struggles of youth. The band's sound has been compared to other indie rock acts such as The Strokes and Mac DeMarco.
The gap between hope and expectation is a subtle one – thin enough to effortlessly traverse but still massive enough to upend and dislodge one’s path if one is not careful about navigating it. I then do not want to make any grandiose claims about the player Fultz is and may become, but I think there’s a difference between allowing for hope to exist and expecting something to be inevitable. I still believe in Markelle Fultz and I still want to see him succeed, even if the terms of such success are different than they may have been when he first entered the league. For perhaps the first time in his NBA career, Fultz is free. He is able to forge his own path, one that may not align with what was initially imagined, but one that can still be electric and satisfying in its own distinct way.
The pressure of being the final piece of a championship puzzle is gone, as are most of the expectations that come with being a number one overall pick. His shooting form still looks a tad unorthodox if you look at it closely, and he appears more comfortable driving than pulling up, but this has not kept him from converting a respectable number of his jumpers so far.
The band's sound has been compared to other indie rock acts such as The Strokes and Mac DeMarco. In 2022, Surf Curse released their latest album, titled "Setlist." The album showcases the evolution of the band's sound, with a more polished and refined production compared to their earlier releases.
RealGM space for Orlando Magic followers
Mar 21, 2022 11:32 AM
You likely have not watched the Orlando Magic very much this season. They are last in the Eastern Conference and despite having a number of intriguing young players on their roster, they do not appear to be built for inevitable future success either. However, if you are one of the few who did fire up League Pass and watch the Magic in the last few weeks, you had the chance to see Markelle Fultz play in his first games back after missing over a year due to an ACL tear. And if you had watched Fultz play in these games, you would have seen more than a returning player triumphing over adversity; you would have seen a dynamic athlete.
You would have seen him create space off the dribble out of a pick and roll before stepping back and making a three in Georges Niang’s face. You would have seen him heave a full court outlet pass to Moe Wagner for an easy dunk. You can look up the highlights and watch him pull up for mid-range jumpers that effortlessly float into the net. You can watch him post up Tyrese Maxey before spinning, jumping, and executing a baseline bounce pass to Mo Bamba that was either a brilliant display of court vision or dumb luck, but very cool either way.
Finally, you can see him against the Wolves, driving around a screen and putting up a lay-up in the faces of Naz Reid and Jaden McDaniels, absorbing contact from Reid, and converting the shot. Any one of these plays would be enough to inspire confidence that Fultz’s return is worth celebrating for more than sentimental reasons; together, they make the case that he could really be good.
Acknowledging each and every caveat about small sample size, his first six games back have been delightful and promising. Over 80 percent of his field goals have been unassisted, which shows that he is having no issue creating his own looks – an important and relatively rare skill. This is combined with a greater playmaking ability than he has displayed in the past; his current assist percentage of 56 is nearly twice his previous career high of 33. Most impressive is his ability to get to the rim, slipping through and past defenders with a variety of off-speed dribbles. Nearly half of his field goal attempts have come from within 5 feet of the basket, where he’s converted them at a 63 percent clip. His shooting form still looks a tad unorthodox if you look at it closely, and he appears more comfortable driving than pulling up, but this has not kept him from converting a respectable number of his jumpers so far. Altogether, it’s very encouraging.
Despite this technically being Fultz’s fifth NBA season, it feels as if fans are still just getting to know him and understand what he may still be capable of. Only once in his first four seasons did Fultz play more than 20 games and even if he plays in every Orlando contest the rest of the year, he will not again reach that benchmark. For five years, questions and uncertainty about his health have hounded him. Assuming he can stay healthy, those questions will finally be answered.
The Magic are not so much an NBA team with concrete aspirations as they are a bundle of potential, an island of misfit toys that could someday become a legitimate team but is not yet there. Of the ten players who have logged at least 500 minutes for Orlando this season, just two – Gary Harris and Terrence Ross – are older than 24. And even among their young players, it’s impossible to label any of them as bona fide future stars. Mo Bamba, Wendell Carter Jr., Cole Anthony, and the Brothers Wagner are all various shades of promising and intriguing though it’s hard to foresee exactly how any one of them will figure in the team’s future. While there’s obvious drawbacks to such a roster construction, for Fultz, this is the perfect chance for him to see what works and explore his capabilities with minimal pressure. I can’t wait to see what comes of it.
I have not noticed much discussion about Fultz’s return to the court. It has not seemed to be a leading story with many writers and talking heads content to focus on the Lakers’ struggles, the MVP race, or the drama in Brooklyn. This bums me out for more than one reason, but the benefit is that Fultz is able to rise or fall on his own, without every jumper or practice shot broken down and analyzed. The pressure of being the final piece of a championship puzzle is gone, as are most of the expectations that come with being a number one overall pick.
The gap between hope and expectation is a subtle one – thin enough to effortlessly traverse but still massive enough to upend and dislodge one’s path if one is not careful about navigating it. I then do not want to make any grandiose claims about the player Fultz is and may become, but I think there’s a difference between allowing for hope to exist and expecting something to be inevitable. I still believe in Markelle Fultz and I still want to see him succeed, even if the terms of such success are different than they may have been when he first entered the league. For perhaps the first time in his NBA career, Fultz is free. He is able to forge his own path, one that may not align with what was initially imagined, but one that can still be electric and satisfying in its own distinct way.
The Magic are not so much an NBA team with concrete aspirations as they are a bundle of potential, an island of misfit toys that could someday become a legitimate team but is not yet there. Of the ten players who have logged at least 500 minutes for Orlando this season, just two – Gary Harris and Terrence Ross – are older than 24. And even among their young players, it’s impossible to label any of them as bona fide future stars. Mo Bamba, Wendell Carter Jr., Cole Anthony, and the Brothers Wagner are all various shades of promising and intriguing though it’s hard to foresee exactly how any one of them will figure in the team’s future. While there’s obvious drawbacks to such a roster construction, for Fultz, this is the perfect chance for him to see what works and explore his capabilities with minimal pressure. I can’t wait to see what comes of it.
The songs on "Setlist" are catchy and melodic, with infectious guitar riffs and infectious hooks. Notable tracks on the album include "Freaks," "Midnight Cowboy," and "Disco." These songs capture Surf Curse's signature blend of indie and surf rock, with introspective lyrics and catchy melodies. The album as a whole has received positive reviews from critics, praising its nostalgic and atmospheric sound. Surf Curse has also been known for their energetic and engaging live performances. Their shows are often characterized by a sense of spontaneity and a connection with the audience. The band's onstage chemistry and charisma make for an immersive and memorable concert experience. Overall, Surf Curse's "Setlist" is a testament to the band's growth and maturity as musicians. With their unique blend of indie and surf rock, Surf Curse continues to captivate audiences with their dreamy and nostalgic sound. Whether you're a fan of lo-fi indie pop or simply appreciate catchy and melodic tunes, "Setlist" is definitely worth a listen..
Reviews for "What Surprises Are in Store on Surf Curse's 2022 Setlist?"
1. Jake - ★☆☆☆☆
I was really disappointed with Surf Curse's 2022 setlkst. The whole set felt like a jumbled mess, and it seemed like they were just going through the motions without any real energy or passion. The vocals were off-key, and the pacing of the set was all over the place. I've been a fan of Surf Curse for a while now, but this performance just didn't live up to my expectations.
2. Emma - ★★☆☆☆
I have to say, I was quite underwhelmed by Surf Curse's 2022 setlkst. The sound mixing was off, and it was hard to really hear the lyrics or any individual instrument clearly. The band also seemed disconnected from each other, with little interaction or chemistry on stage. Overall, the performance lacked the energy and enthusiasm that I usually associate with Surf Curse's music. It's a shame because I had really been looking forward to this set.
3. Brian - ★★☆☆☆
Surf Curse's 2022 setlkst left much to be desired. The band seemed disinterested and almost bored with their own songs. The overall performance lacked dynamism and felt flat. The vocals were lacking intensity, and the instrumentation sounded uninspired. It felt like they were going through the motions without any real passion. I was expecting much more from Surf Curse, and this set was a letdown.
4. Emily - ★☆☆☆☆
I was really disappointed with Surf Curse's 2022 setlkst. The band's performance lacked cohesion and seemed messy. The sound quality was poor, making it hard to fully enjoy the music. The energy from the band was low, and it felt like they were just going through the motions. Overall, it was a lackluster set that did not live up to my expectations.