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Magical Nails Princess is a popular trend in the world of nail art. It combines the glamour of princesses with the magical touch of fantasy. This nail art style is characterized by its intricate designs, vibrant colors, and shimmering details. The Magical Nails Princess trend has gained a lot of popularity due to its ability to transform ordinary nails into works of art. It allows individuals to express their creativity and imagination through their nails. From gem-encrusted crowns and tiaras to whimsical unicorns and fairies, the possibilities are endless.

In many patriarchal religions of the world, masculine forces are said to be the creators of our reality. However, there are religions and cultures where the divine feminine is said to have an equal or greater part in the creation process. In Native American mythology, Grandmother Spider, weaving her webs, thought the universe into existence. In Chinese mythology, Nuwa is said to be the mother goddess who created humanity. In some sects of Hinduism, Shakti is said to be the diving energy that created the entire universe. In fact, she is said to be the energy that animates all living beings and is often called “Primordial Inconceivable Energy”.

To broaden your horizon and understand the sheer amount of qualities that you as a woman can embody, you can learn about myths and culture of ancient and contemporary societies, such as African, Latin American, Mexican, Roman, Greek, and Indian cultures. Female power is often associated with nature, and like nature itself, a wall text informs us that goddesses and female spirits can be creative and destructive at once.

From gem-encrusted crowns and tiaras to whimsical unicorns and fairies, the possibilities are endless. To achieve the Magical Nails Princess look, nail technicians use a variety of techniques and tools. They may use nail decals, glitter, rhinestones, and even tiny pieces of jewelry to create the desired design.

Feminine power: goddesses, demons and warriors

People talk of being at a crossroads, a state the ancient Greek goddess Hekate knew well. According to myth, the goddess of witchcraft stood between life and death at the entrance to the underworld. Early representations on Greek vases show a single figure in a long robe holding flaming torches, while later Roman statues depict her in triple form, with three bodies back-to-back, keeping watch in all directions. She is a goddess of transition. A beacon of light and a harbinger of darkness. A multifaceted woman.

Marble Statue of Hecate Trimorph

1768–1805, pen & brown ink with traces of graphite underdrawing by Richard Cosway (1742–1821)

'Feminine power: the divine to the demonic' takes as its starting point goddesses and sorceresses from different faiths, cultures and times. Bringing together old and new artefacts, sculptures and artworks created to either honour or represent such spiritual beings, the exhibition, which runs at the British Museum until 25th September, explores shifting perspectives on femininity, feminine authority and gender across the ages.

Co-curated by Belinda Crerar and Lucy Dahlsen, the show unfolds in five themed sections and melds art history with the contemporary spiritual perspective of religious communities and the personal responses of five guest contributors. Throughout, complex questions are posed about power, desire, magic, justice and compassion. We're told not to expect simple answers.

'Are sex and desire what underpin civilization or what terribly disrupt it?' asks one contributor, the classicist Mary Beard. Sheela-na-gigs, stone carvings of female figures with conspicuous vulvas, adorned churches and secular buildings across medieval Ireland, Britain, France and Spain.

Some believe they were Christian warnings against lust, while others understand them to be symbols of fertility. Near the Sheela-na-gig at the British Museum, a Roman statue shows Venus, goddess of passion, stepping out of her bath. Whether she's trying to shield her naked body or to draw attention to it is also up for debate.

c.100–150, marble statue after a lost Hellenistic Greek original statue

Female deities and spiritual figures have been alternatively worshipped and vilified on account of their passion. It's only recently that Lilith, identified in Jewish demonology as the first wife of Adam, has been fêted as an icon of female independence.

John Collier (1850–1934)

Atkinson Art Gallery Collection

The story goes that when Adam insisted she lie beneath him during sex she refused and fled from the Garden of Eden. A 1994 bronze by Kiki Smith shows her with piercing blue eyes, crouching high up on a wall, out of reach of the male gaze. She is, Smith says, 'an early figure of defiance, a spirit that wreaks havoc and refuses to be subjugated'.

1994, bronze & glass by Kiki Smith (b.1954)

One of the earliest surviving images of the Fall is a tiny Roman gemstone carved between AD 200 and 400 showing Eve plucking the forbidden fruit from the tree. Beside it is The Fall of Man (c.1500–1515) by Lucas Cranach the elder, which captures Eve being tempted by the serpent.

The Fall of Man

c.1500–1515, woodcut on paper by Lucas Cranach the elder (1472–1553)

'Although it isn't mentioned in scripture, the story has been embellished over the centuries and exaggerated to present Eve as a temptress who seduces Adam into sin,' says Dahlsen. In Cranach's print, the serpent is female, whispering to Eve as she hands the fruit to Adam, seemingly blameless. It is, adds Dahlsen, an image that emphasises 'innate female deviousness'.

Female power is often associated with nature, and like nature itself, a wall text informs us that goddesses and female spirits can be creative and destructive at once.

carved stone sculpture by Lukassie Kenojuak

The goodwill of Sedna, part-woman, part-seal, is said to be vital to the success of Inuit huntsmen; if her beloved sea creatures are disrespected, she will tangle them up in her tresses and keep them hidden.

Tiare Wahine (Pele)

2011, carved wood sculpture by Tom Pico (b.1950)

Pele, the fierce-tempered Hawaiian goddess of volcanoes, is said to create new life after an eruption – a scene replayed in Judy Chicago's The Creation (1985), which depicts a female deity giving birth to flora and fauna while her left breast erupts.

1985, coloured screen print on paper by Judy Chicago (b.1939)

'Whether she's nurturing or whether she's a warrior, she is active,' says the writer and comedian Deborah Frances-White. 'There's no passivity.' Kindness and care have long been associated with female figures, and today such traits are undervalued.

Isis, the Egyptian goddess associated with healing and protection in this life and the next, is represented in stone with her wings guarding the mummified body of Osiris, ruler of the afterlife.

Grey siltstone standing statue of the goddess Isis

c.590 BC–c.530 BC, siltstone, excavated in Karnak (Thebes), Egypt

A large bronze sculpture shows Guanyin, honoured in Chinese Buddhism as the bodhisattva (an enlightened being) of compassion, sitting on a lotus, head dipped in meditation. Hekate herself appears in the section devoted to magic and malice, alongside 'diabolical goddesses, female monsters, demons and witches' known for taking vengeance but also providing protection.

Bronze seated figure of the Bodhisattva Guanyin

Yuan dynasty, cast bronze sculpture by unknown artist

Circe, who in Homer's Odyssey (eighth century BC) used magic to turn men into animals, is represented in an 1891 oil painting by John William Waterhouse. Settled on a golden throne in a sheer blue dress, poisoned chalice in one hand, wand in the other, she's both alluring and menacing; two of Odysseus's crew, transformed into pigs, lounge at her feet. 'What I particularly like about Waterhouse's depiction is that he's chosen the moment in the story when Circe is unambiguously at the height of her authority,' says Crerar. 'She isn't trying to hide her power.'

John William Waterhouse (1849–1917)

The strength of women shines brightest in the figure of Kali, adored and feared for her power and aggression. The British Museum commissioned an effigy of the Hindu goddess by the Bengali artist Kaushik Ghosh, which shows her trampling Shiva. Wearing a necklace of severed heads and brandishing a bloodied sword, she stares at us, wide-eyed, scarlet tongue lolling out of her mouth. She is a warrior here to invoke justice and create change.

2022, fibreglass (resin-based) by Kaushik Ghosh

The exhibition looks to the past to define the future, connecting, for example, the fear of witchcraft that spread between the late 1500s and 1800 with the way in which women who transgress society's standards of behaviour are othered and shamed in the twenty-first century.

Engaging different cultures and spiritual traditions, 'Feminine power' demonstrates that a range of beliefs about the divine feminine have always existed. It presents a powerful – and powerfully diverse – image of femininity that is complicated, contradictory and ever-changing.

Chloë Ashby, freelance writer

'Feminine power: the divine to the demonic' runs at the British Museum, London until 25 Sep 2022

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These intricate details require a steady hand and a lot of patience. One of the key elements of Magical Nails Princess is the choice of colors. Pastel shades like pink, lavender, and mint green are often used to create a soft and feminine look. However, bolder colors like royal blue and deep purple can be incorporated to add a touch of drama. The Magical Nails Princess trend is not limited to a specific age group or occasion. It can be worn by anyone who wants to add a touch of enchantment to their overall look. Whether it's for a special event, a themed party, or just everyday wear, these magical nails are sure to make an impression. In conclusion, Magical Nails Princess is a delightful trend that allows individuals to embrace their inner princess and showcase their creativity. From intricate designs to vibrant colors, this nail art style has captured the hearts of many. So why not add a touch of magic to your nails and let your inner princess shine?.

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