Occult hex paving is a mystical practice that involves the use of hexagonal paving stones to create a symbolic and energetic pattern. It draws on the belief that hexagons hold powerful and sacred energies that can be harnessed for various purposes. In occult hex paving, the arrangement of hexagonal stones is carefully chosen to create specific patterns, often resembling ancient symbols or sigils. These patterns are believed to hold specific energetic vibrations and can be used to manifest intentions, ward off negative energy, or enhance spiritual connections. The practice of occult hex paving is rooted in ancient traditions and occult knowledge. It is thought to have originated from various ancient cultures, including the Egyptian, Greek, and Celtic civilizations.
"King Henry III and the Cosmati work at Westminster Abbey" by David Carpenter in The Cloister and the World. 1996.
The pavement was thoroughly cleaned and conservation and consolidation work was carried out and it was re-dedicated by the Dean at a service on 21st May 2010. Jewellery and homewares inspired by the complex patterns and unique craftsmanship of the Cosmati pavement are available from the Westminster Abbey Shop.
It is thought to have originated from various ancient cultures, including the Egyptian, Greek, and Celtic civilizations. Each culture had its own unique symbols and meanings associated with these patterns. The use of hexagonal paving stones is significant in occult hex paving because hexagons are believed to be the most stable and harmonious shape in nature.
Cosmati Pavement
The great pavement in front of the High Altar of Westminster Abbey is a unique and remarkable object. The complexity and subtlety of the design and workmanship can be seen nowhere else on this scale.
About the Cosmati Pavement
It was laid down in 1268 by order of Henry III who had started re-building Edward the Confessor's Abbey in the new Gothic style in 1245. The workmen came from Rome, with a man called Odoricus at their head. The pavement belongs to a type of inlaid stone decoration known as Cosmati work, after one of the families of craftsmen who specialized in it and the technique is called opus sectile, 'cut work'. This differs from ancient Roman and earlier medieval mosaic work which consists of square stones of equal size. It is also abstract in design. There is an even bigger contrast with the other great 13th century pavement at the Abbey, that in the Chapter House which is a tiled floor in the English tradition.
The great pavement is 24 feet 10 inches (7 metres 58 centimetres) square, with dimensions calculated in Roman feet and consists of geometrical patterns built up from pieces of stone of different colours and sizes cut into a variety of shapes: triangles, squares, circles, rectangles and many others. The central roundel is made of onyx and the pavement also includes purple porphyry, green serpentine and yellow limestone. Also part of the original material are pieces of opaque coloured glass – red, turquoise, cobalt blue and bluish white. It lies on a bed of dark limestone known as Purbeck marble. This is a major departure from Italian methods, since at home the workmen used white marble as a base. The use of glass in a pavement also goes against Italian practice.
The design consists of a broad border with a rectangle in the middle of each side and five roundels between each rectangle. The border encloses another square set transversely with its corners pointing north, south, east and west. Between the inner border and the transverse square are four triangular spaces occupied by large roundels. Within the transverse square is a pattern known as a quincunx, with a large roundel in the very centre flanked by four roundels as if in orbit around the centre. The basic layout is a four-fold symmetry, but in detail the variations are endless. No two roundels are the same. Of the four 'orbiting' roundels one is circular, one hexagonal, one heptagonal and one octagonal. The infill patterns are all different.
They are found in beehives, snowflakes, and crystal formations, all of which are known for their intricate and balanced structures. The hexagon's inherent stability and balance are thought to enhance the energetic qualities of the paving pattern. Practitioners of occult hex paving often meditate or perform rituals on the paved patterns to connect with the energy they embody. This can be done through visualization, chanting, or other spiritual practices. The intention behind the paving, as well as the specific pattern, determines the desired outcome of the practice. Occult hex paving can be used for various purposes, depending on the practitioner's intentions and beliefs. Some may use it to attract abundance and prosperity, while others may use it for protection or spiritual growth. There are no strict rules or limitations on the use of occult hex paving, as it is a highly personalized and intuitive practice. In conclusion, occult hex paving is a mystical practice that utilizes hexagonal paving stones to create symbolic and energetic patterns. These patterns are believed to hold specific vibrations and can be used for manifestation, protection, or spiritual connection. The use of hexagons is significant due to their stability and balance in nature. Overall, occult hex paving is a deeply personal and powerful practice for those who engage in it..
Reviews for "The Magickal Properties of Occult Hex Paving"
- Sarah - 1 star - I was really disappointed with "Occult hex paving". The storyline was confusing and hard to follow, and the characters were uninteresting and poorly developed. The pacing was also off, with long periods of nothing happening followed by rushed and chaotic action scenes. Overall, this book just didn't live up to my expectations and I can't recommend it.
- Mark - 2 stars - I found "Occult hex paving" to be a rather boring read. The writing style was bland and lacked any real creativity. The plot was predictable and lacked depth, and the world-building felt incomplete. The descriptions were often repetitive and didn't bring the settings to life. I was really hoping for a captivating and immersive story, but unfortunately, this book fell short.
- Emily - 2 stars - I struggled to connect with the characters in "Occult hex paving". They felt one-dimensional and lacked any real personality. The dialogue was stilted and unnatural, which made it difficult to feel emotionally invested in their journeys. Additionally, the pacing was slow and dragged on, making it hard to stay engaged. Unfortunately, this book didn't leave a lasting impression on me.