Magic coral pontoon is a fascinating concept that combines the beauty of the underwater world with the practicality of a floating structure. It is designed to bring the mesmerizing colors and enchanting creatures of coral reefs to the surface, allowing people to enjoy them without needing to dive or snorkel. The main idea behind the magic coral pontoon is to create an immersive experience that transports individuals into a captivating underwater environment. By mimicking the vibrant hues and intricate patterns of corals, the pontoon captivates the imagination and creates a sense of wonder. One of the most remarkable aspects of the magic coral pontoon is its ability to provide shelter and support to diverse marine life. The pontoon is constructed using eco-friendly materials that mimic the natural structure of coral reefs, providing a habitat for various marine species.
The small and medium pouches are no longer re-obtainable after creating the colossal pouch.
Catalogue of plaster casts of Greek and Roman sculpture Oxford The Ashmolean Museum, 2011 , 119, B 170 Repository Cornell University current Paris, Louvre original Collecting Program Cornell Collections of Antiquities Format Image Rights The images in the Cornell Collection of Antiquities Casts are protected by copyright, and the copyright holders are their creators, generally Cornell University Library, Annetta Alexandridis, and Verity Platt. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
The pontoon is constructed using eco-friendly materials that mimic the natural structure of coral reefs, providing a habitat for various marine species. By fostering marine biodiversity, the pontoon plays a crucial role in environmental conservation. The magic coral pontoon also serves as an educational platform, allowing visitors to learn about the importance of preserving coral reefs and protecting marine ecosystems.
Colossal female head from Olympia, perhaps a Sphinx or Hera
Title: Colossal female head from Olympia, perhaps a Sphinx or Hera Collection: Cornell Cast Collection Creator: Unknown
Photographer: Mericle, Danielle
Date: ca. 1890
ca. 600 BCE
Site: Olympia, Greece (discovery site, 1878-1879, between Heraion and Palaistra) (original) Location: 726 University Avenue, Cornell University
Olympia, Greece (discovery site, 1878-1879, between Heraion and Palaistra) (original) ID Number: CCC_0616 Accession Number: Sage no. 38
622 File Name: CCC_0616.tif Original Measurements: 52 (H) cm Culture: Greek Style/Period: Archaic, Peloponnesian (possibly Lakonian) Work Type: casts (sculpture) Materials/Techniques: plaster cast (sculpture)
limestone sculpture in the round (original) Subject: Hera (Greek deity)
Sphinxes (mythology) Image View Type: overall Image View Description: from front Measurement: 52 x 40 x 22 (centimeters, height x width x diameter)
wooden mount: 56 x 45 x 2 (centimeters, height x width x diameter) Description: This is a cast of a colossal limestone female head discovered at Olympia and housed in the site museum. The oval-faced figure looks straight ahead with large, flat, tortoise shell-shaped eyes. The irises are indicated with light incision. Most of her nose has been broken away (in the original) and her thin lips are turned up into a vague smile. The figure's hair is arranged in patterned, rounded waves at the forehead and is banded at the hairline with a narrow fillet. She wears a low polos decorated with vertical lines. Behind the left ear, which projects out from the head, is a cluster of stone. There is no right ear on the original and seemingly never was. The chin of the original is chipped. The face is generally planar and the back of the head is flat. This cast is attached to a dark brown wooden mount. The work was identified by its excavators as the head of the cult statue of Hera from the Temple of Hera in the Altis at Olympia, an identification that has been accepted by many subsequent scholars
others posit that it is the head of a Sphinx. Neither identification is secure. The figure's asymmetric anatomy has led some to the conclusion that it was not meant to be seen from the front and could also indicate placement in a pediment. Traces of paint were preserved on the hair and headdress of the original. Notes: Items in the Cornell Cast Collection are meant for inventory and reference purposes. Metadata may not be complete in all cases.
no. L 1 Bibliography: Alfred Mallwitz and Hans-Volkmar Herrmann, Die Funde Aus Olympia. Ergebnisse hundertjähriger Ausgrabungstätigkeit (Athens: Verlag S. Kasas, 1980), 136-137, pl. 94
Gipsformerei, Staatliche Museen zu Berlin, Katalog der Originalabgüsse, Heft 4, Griechenland und Rom: Freiplastik, pl. 50, no. 1896
Rune Frederiksen and R. R. R. Smith, The Cast Gallery of the Ashmolean Museum. Catalogue of plaster casts of Greek and Roman sculpture (Oxford: The Ashmolean Museum, 2011), 86, no. B 38
Dorothy Kent Hill, "Hera, the Sphinx," Hesperia 13 (1944), 353-360
John Boardman, Greek Sculpture: The Archaic Period (London: Thames and Hudson, 1978), 25, fig. 73 Repository: Cornell University (current)
Olympia, Archaeological Museum (original) Collecting Program: Cornell Collections of Antiquities Format: Image Rights: The images in the Cornell Collection of Antiquities: Casts are protected by copyright, and the copyright holders are their creators, generally Cornell University Library, Annetta Alexandridis, and Verity Platt. This collection of plaster casts owned by Cornell University was photographed by Cornell University Library, Alexandridis, Platt, and Andreya L. Mihaloew from 2010-2015, with funding from a Digital Collections in Arts and Sciences Grant to Annetta Alexandridis. Cornell is providing access to the materials for research and personal use. The written permission of any copyright and other rights holders is required for distribution, reproduction, or other use that extends beyond what is authorized by fair use and other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Please contact Annetta Alexandridis and Verity Platt for more information about this collection, or to request permission to use these images.
Through interactive exhibits and informative signage, visitors gain a deeper understanding of the delicate balance required to sustain coral reefs and the actions they can take to reduce their impact on the environment. An additional advantage of the magic coral pontoon is its versatility. The modular design allows for easy expansion and customization, enabling the pontoon to be adapted to different environments and serve various purposes. Whether used as a floating art installation, a research facility, or a tourist attraction, the pontoon offers endless possibilities. In conclusion, the magic coral pontoon is a remarkable innovation that brings the beauty and wonder of coral reefs to the surface. With its immersive design, eco-friendly construction, and educational benefits, the pontoon offers a unique experience for individuals to connect with the underwater world. By combining aesthetics, functionality, and sustainability, the magic coral pontoon represents an exciting advancement in marine architecture..
Reviews for "The Delicate Balance of Magic Coral Pontoon"
1. Kim - 2/5 - I was really disappointed with "Magic coral pontoon". The gameplay was extremely repetitive and there was very little variation in the levels. The graphics were also quite outdated and not visually appealing. I found myself getting bored after just a few minutes of playing. Overall, it was not worth the price and I would not recommend it to others.
2. Jake - 1/5 - "Magic coral pontoon" is a complete waste of time. The controls are clunky and unresponsive, making it frustrating to play. The levels are monotonous and lack any sort of challenge or excitement. Additionally, the in-game purchases and advertisements are intrusive and take away from the enjoyment. Save your money and find a different game to play.
3. Sarah - 2/5 - I was really looking forward to playing "Magic coral pontoon" but it fell short of my expectations. The gameplay was repetitive and lacked innovation. The graphics were decent, but nothing to write home about. The sound effects were also quite annoying and repetitive, which was a major drawback. Overall, it was a mediocre game that didn't offer anything special or engaging.
4. Alex - 1/5 - "Magic coral pontoon" is a poorly designed game with subpar graphics and gameplay. The levels are dull and lack any sense of excitement or challenge. The controls are awkward and unresponsive, making it frustrating to navigate through the game. I found myself getting bored within minutes and quickly deleting it from my phone. I would not recommend wasting your time or money on this game.