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In 1692, a series of witchcraft trials took place in the town of Salem, Massachusetts. These trials and executions, known as the Salem witch trials, were a dark and troubling chapter in American history. The events unfolded when a group of young girls in the town began exhibiting strange behavior, which was ultimately attributed to witchcraft. The hysteria surrounding witchcraft accusations quickly spread throughout the community, fueled by fear and paranoia. The girls accused several local women, and later men, of practicing witchcraft and engaging in Satanic rituals. The accusations were taken seriously by the Puritan authorities, who saw witchcraft as a serious offense that threatened their society.

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The accusations were taken seriously by the Puritan authorities, who saw witchcraft as a serious offense that threatened their society. The trials involved hearings and examinations of the accused individuals and relied heavily on spectral evidence, which was evidence based on dreams and visions rather than concrete proof. Many innocent people were accused, and some even confessed under duress or pressure to save themselves from execution.

Reich in Blackface: Oh Dem Watermelons and Radical Minstrelsy in the 1960s

This essay undertakes an examination of Steve Reich's music for Robert Nelson's film Oh Dem Watermelons (1965), which was originally conceived as part of the San Francisco Mime Troupe's controversial production A Minstrel Show, or Civil Rights in a Cracker Barrel of the same year. Reich's long-neglected soundtrack deserves reconsideration for its formative role in the development of the composer's musical style and quasi-liberationist aesthetic at the time, for its participation within what I term the “minstrel avant-garde” in the Bay Area during the mid-1960s and the postmodern revival of blackface minstrelsy more generally, and as a reference point in reflecting upon Reich's professional and political trajectory since its composition.

Type Research Article Information Journal of the Society for American Music , Volume 5 , Issue 2 , May 2011 , pp. 139 - 193 Copyright Copyright © The Society for American Music 2011
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The trials were highly influenced by religious beliefs and deeply ingrained superstitions of the time. Overall, the Salem witch trials resulted in the execution of 20 people, 14 women and 6 men, and the imprisonment of many others. The trials had far-reaching consequences, both in terms of the lives lost and the aftermath of fear and suspicion that lingered in the community. The events of 1692 continue to intrigue historians and serve as a cautionary tale about the dangers of mass hysteria and the importance of due process in legal proceedings..

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bbq bear me

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