The **A Notable Magical Index Virtual Festival** is an annual event that gathers magic enthusiasts from all over the world to celebrate and showcase the wonders of the magical world. This festival, which takes place online, offers a unique virtual experience that allows participants to immerse themselves in a world of magic and wonder. One of the highlights of the festival is the **Virtual Exhibition**, where renowned wizards and witches display their most extraordinary artifacts, spellbooks, and magical creatures. Participants can browse the exhibition and interact with the artifacts through the use of advanced virtual reality technology. This allows them to experience the magic as if they were actually there, making it a truly immersive and unforgettable experience. Another key feature of the festival is the **Spellcasting Competition**.
The film is in fact a very biblical and religious fairy tale and Carol Laure is not only a perfect angel but she is the Virgin Mary and Suzanne all wrapped up into one brunette Marianne. A modern fairy tale lost and forgotten in a Quebec winter.How odd in the Age of Beyonce and Lady Gaga and COVID to think that a film like this could ever be made.And yet it was.Another era.In 1964 Leonard was at the perfect age and the perfect time. And in the perfect country; Trudeaus Canada the land of peace.Hope and brilliance were in the air.One day in 1965 my old friend then young now-deceased Alex Gottlieb announced to me that Leonard was writing songs and singing.At the University of Toronto, we knew him only as a poet a protege of Irving Layton.Alex put on the scratchy disk.”Susanne takes you down to her place by the river/ you can hear the boats go by/ you can hear the river answer…”What?An awful voice tuneless like fingernails on a chalkboard…..hopeless he was. There was no future for this unknown Canadian poet. Who the hell wants to hear songs about razor blades in the age of the Midnight Rambler? Alleluia. It’s ironic and fitting that Night Magic which he wrote with Lewis Furey should remain unknown hidden in the amnesiac snows of Canadian Cultural History. Like all things Canadian which do not exist until they exist in the outside world until they are recognized and lauded by the Americans or the British or God forbid the French. Night Magic disappeared into the night. I feel guilty about Night Magic and this article is by way of an apology to make amends to this little gem of a film playing that singing poet. I feel guilty because I did not go to Cannes when the film was accepted into the Directors Fortnight Category. I feel guilty for not walking the red carpet with the paparazzi screaming “Over here! Over here!”. I feel guilty because I helped bury the film by not suiting up and showing up. Because you see, this film is a gorgeous work of art musically and visually imaginative and more than deserves to be remembered. The film is about lost love and love found and lost again and the egocentric selfishness of the artist and his obsessions with himself and the consequences thereof. In the context of the larger picture I was perfect for the part at the time. My Salad days though slightly wilted.When Carol asked me to star in it while shooting Bobby Roths Heartbreakers with Peter Coyote I balked.I’m neither a singer nor a dancer and Michael was both. Stage fright paralyzed me.” I know you can do it” Carol told me. We had worked together on several films going back to the time of John Hirch’s CBC and Gille Carl. So I took the leap.Rehearsals began in Montreal a month before principal photography and that time I learned to sing and dance. Somewhat. I did it all by the numbers with much help from some marvelous people.But my voice was to be Lewis. I had done this sort of dubbing thing before when I filmed the rock star in “Blame it On the Night” original story by Mick Jagger. I gave a concert for 3 days at the San Diego Sports Arena singing in Ted Neeleys Voice ( Jesus Christ Superstar) in a 4-octave range and blowing out my voice in front of 10,000 people I was on stage with Billy Preston and Mary Clayton. Faking it. Pretending. An actor’s utter madness. But no risk no gain. And here’s the kicker.No gain means no fame and vice versa. Cosmic law in showbiz.And as Charlton Heston once told me while shooting a film called Motherlode with Kim Bassinger directed by Heston and written by his son Fraser: ” The trouble with showbusiness is that its business that is show and show that is business.” Ya cant win unless you get the loot.Leonard never cared much about the loot.
I gave a concert for 3 days at the San Diego Sports Arena singing in Ted Neeleys Voice Jesus Christ Superstar in a 4-octave range and blowing out my voice in front of 10,000 people I was on stage with Billy Preston and Mary Clayton. I say geniuses because there is no doubt that Leonard Cohen remains one of the great legends in music history, poetry, and writing in the latter part of the 20th century in the period known as the 60s.
Another key feature of the festival is the **Spellcasting Competition**. Participants can compete in various magical challenges, displaying their skills and creativity in spellcasting. The competition is open to all, from aspiring young wizards to seasoned magical practitioners.
Night Magic
Night Magic is a 1985 Canadian-French musical film written by Leonard Cohen and Lewis Furey and directed by Furey. The film stars Nick Mancuso as Michael, a down-on-his-luck musician whose fantasies begin to come true after he meets an angel (Carole Laure). The film’s supporting cast includes Stéphane Audran, Jean Carmet, Frank Augustyn, Louis Robitaille, Anik Bissonnette, Nanette Workman and Barbara Eve Harris.
I starred in Night Magic. And I feel guilty about it. A marvelously original musical by two geniuses: Leonard Cohen and Lewis Furey. Take a listen. Find this lost Canadian film. I say geniuses because there is no doubt that Leonard Cohen remains one of the great legends in music history, poetry, and writing in the latter part of the 20th century in the period known as the 60s. As for Lewis well take a listen.
Carole Laure and Nick Mancuso in Night Magic
Leonard Cohen. A legend. Night Magic the unknown unsung movie he wrote starring myself, Carol Laure, Stephan Audron, Jean Carmet, directed by Lewis Feury ~ his first time at the bat. Cinematography by Philippe Selot. Choreography and dancing by Eddie Toussant Ballet de Montreal and Frank Augustine of the National Ballet of Canada.
A class act of a film and a complete flop. It reflected a time of mythic figures in cinema: Fellini, Kurosawa, Godard. And music: The Beatles, The Rolling Stones, Jim Hendrix, Jim Morrison, Bob Dylan, and from the frontier country of olden Canada… Leonard Cohen, Joni Mitchel, Neil Young, Gordon Lightfoot, and all the other illuminated crazies that infused my generation with the sheer force and hope for a shimmering bright new future. It reflected the echoes of a time that would once and all-time end the war to end all wars. And bring about a time of peace and love. To my mind at least this was the subtext of Night Magic. Yes, it was to be peace and love and this unknown little film spoke about it all. Success. Fame. Love. Immortality.
Night Magic is a 1985 Canadian-French musical film written by Leonard Cohen and Lewis Furey and directed by Furey. The film stars Nick Mancuso as Michael, a down on his luck musician whose fantasies begin to come true after he meets an angel (Carole Laure). The film’s supporting cast includes Stéphane Audran, Jean Carmet, Frank Augustyn, Louis Robitaille, Anik Bissonnette, Nanette Workman and Barbara Eve Harris.
Participants are given different tasks and are judged based on their spellcasting ability, originality, and knowledge of magical theory. The winners are celebrated and awarded prestigious titles and prizes. One of the most exciting aspects of the festival is the **Magical Creatures Showcase**. Here, participants can learn about and interact with a wide range of magical creatures, from the majestic unicorns to the mischievous pixies. Experts in magical creatures are on hand to provide information and answer questions, allowing participants to get up close and personal with these fascinating beings. The festival also features a **Magical Talks series**, where experts and scholars in the field of magic give lectures and presentations on various magical topics. Participants can learn about the history of magic, different magical practices, and the latest discoveries in the field. This provides an excellent opportunity for magic enthusiasts to expand their knowledge and engage in thought-provoking discussions. The A Notable Magical Index Virtual Festival is a truly unique event that brings together magic enthusiasts from all walks of life. By combining advanced technology with the wonders of the magical world, the festival offers a one-of-a-kind experience that allows participants to immerse themselves in a world of magic and wonder. Whether you are a seasoned magical practitioner or simply have an interest in the extraordinary, this festival is sure to captivate and delight..
Reviews for "Get Lost in the Magic: Exploring the Notable Magical Index Virtual Festival"
1. Name: Amanda
Rating: 2/5
Review: I was really disappointed with "A Notable Magical Index Virtual Festival". I had high hopes, as I am a big fan of the original series. However, this virtual festival felt like a cheap cash-grab. The virtual world was poorly designed and the graphics were subpar. Additionally, the storyline was weak and didn't live up to the engaging plots of the original series. Overall, I found it to be a lackluster experience and it left me feeling frustrated as a fan.
2. Name: John
Rating: 1/5
Review: I honestly can't find anything positive to say about "A Notable Magical Index Virtual Festival". The entire event felt like a blatant attempt to milk money from fans without providing any substantial content. The virtual festival lacked depth and creativity, and it felt like a rushed and poorly executed project. The dialogue was cringe-worthy, the animations were clunky, and the story failed to engage me in any meaningful way. I wouldn't recommend wasting your time or money on this disappointing virtual festival.
3. Name: Sarah
Rating: 2.5/5
Review: "A Notable Magical Index Virtual Festival" had such a promising concept, but unfortunately, it fell flat in execution. The graphics were decent, but the overall gameplay felt repetitive and uninspired. The missions lacked variety and became monotonous after a short while. The virtual festival also seemed to heavily rely on microtransactions, which was frustrating and affected the enjoyment of the game. While it had potential, the virtual festival failed to capture the magic of the original series and left me feeling underwhelmed.