The topic "Wicked Witch of the East Legs" refers to a character from L. Frank Baum's famous novel "The Wonderful Wizard of Oz." In the book, the Wicked Witch of the East is initially depicted as being cruel and powerful. She is first introduced when a tornado transports Dorothy from Kansas to the magical land of Oz, crushing the witch's legs with Dorothy's house in the process. The Wicked Witch of the East is portrayed as having a domineering personality and a desire for power and control. Unlike her sister, the Wicked Witch of the West, she does not possess any magical powers.
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In order to be able to guarantee you an optimal service, we thank you for always giving us a telephone number where you can be contacted in the event of a delivery problem, or to allow the carrier to notify you by SMS of the availability of your package. Campbell s guitar pulses with anger on the 1979 track Over the Top , and a groove forward version of Just Cos You Got the Powe r 1987 highlights the hammer to anvil precision of Dee s drums and Kilmister s bass.
Unlike her sister, the Wicked Witch of the West, she does not possess any magical powers. However, she still maintains authority over the Munchkins, the smallest residents of the Land of Oz, due to fear and intimidation. The witch's fame and recognizable feature lie in her striped stockings, which are a symbol of her cruel reign.
MOTÖRHEAD – Bad Magic: SERIOUSLY BAD MAGIC – album review
The rerelease of Motörhead’s Bad Magic (including unreleased tracks, an interview with Lemmy, and a live performance) reminds us of what we lost with Kilmister’s death in December of 2015. However, it is more acutely a statement of what we did not lose. Motörhead is still fresh, brutal, and unapologetic. Bad Magic: SERIOUSLY BAD MAGIC, to be released on February 24 th , is a face-to-gravel assault on rock, metal, and punk. How does a band from the 1970s and an album from 2015 have more attitude and cred than any hardcore music today? It’s f-ing Motörhead. That’s how.
Bad Magic is worth a revisit. Late contributions by bands rarely hold up to the best of their early catalog. However, Bad Magic is the pinnacle for a group that has been equally praised and derided in a career exceeding four decades. If you haven’t listened to Bad Magic, this release is your opportunity to correct that wrong. If you have, there are many reasons to fall under the spell of Bad Magic once more.
In retrospect, one would be pressed to hear a hint of Lemmy’s physical decline on this, their final studio release and tour. The opener, Victory or Die, spits vocal fire before slamming into a punk infused burner. Shoot Out All of Your Lights has Mikkey Dee dropping the thunder on double bass, resonant of the late Phil “Philthy Animal” Taylor. Lemmy once said Motörhead had much in common with punk music, and, if we look at punk’s rock roots, it makes sense. Phil Campbell’s searing Les Paul rhythms have more in common with Steve Jones (Sex Pistols) than Eddie Clarke’s Strat’s bell-tone mallet. Bad Magic is classic Motörhead at its core: crushing rock n’ roll injected with punk and metal. It’s a shot with no chaser. Take it straight. Feel the burn. This is not a band in decline. They are at the top of their game.
Two previously unreleased tracks, Bullet in Your Brain and Greedy Bastards, are welcome additions to the original release. Resisting the “throw away song” designation, both are strong contenders for any Motörhead set. Each song is unalike in feel, but both are powerful in their own context. Bullet feels ripped from the liner notes of Overkill—brash and dirty. Everything is overdriven and over-distorted, including Lemmy’s voice.
Greedy Bastards is so rare a Motörhead track, it seems a disservice to have been left off the original album. Biting and politically poignant, Bastards is a moody and cutting treatise against hypocrisy. The spoken intro is a window into the intellectual depths of a man who, too often, was judged simplistic in word and melody. Slower in meter and darker in progression, Bastards is a fitting eulogy for a band that was more connected to the world than any pop group, past or present.
If the unreleased tunes weren’t enough, SERIOUSLY BAD MAGIC delivers a full live set from their 2015 Japan festival tour. The choice to not excessively intervene with remixing, remastering, or overdubbing was the correct one. It’s not daisies and overdubs here. It’s as ugly as it is real. It would have been a betrayal of Motörhead to deliver anything but a raw, from the board, listening experience. From the first song, We are Motörhead (2000), to their perennial closer, Overkill (1979), the performance relives the final act of a band that brought the energy until the final curtain fell. Lemmy growls like a V-8 engine on 1986’s Doctor Rock. Campbell’s guitar pulses with anger on the 1979 track Over the Top, and a groove forward version of Just ‘Cos You Got the Power (1987) highlights the hammer to anvil precision of Dee’s drums and Kilmister’s bass. The Fuji Festival inclusion alone merits a purchase.
Bad Magic: SERIOUSLY BAD MAGIC is a worthy addition to any Motörhead fan’s collection. Motörhead was a band that crashed the perimeters of rock, metal, and punk and in doing so gained respect from all three worlds. Though Bad Magic might have been the band’s last salvo, it is a barrage that is one of Motörhead’s best. There is some seriously good magic to be conjured from SERIOUSLY BAD MAGIC.
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After her demise, Dorothy, who unknowingly becomes a legendary heroine in Oz, is gifted the Silver Shoes that once belonged to the Wicked Witch of the East. These shoes, unlike the famous Ruby Slippers given to Dorothy in the iconic film adaptation, have the power to transport the wearer anywhere they wish to go. The Wicked Witch of the East's fate is sealed when Dorothy's house lands on her after the tornado. This event later becomes the catalyst for the plot of the story, as it prompts Dorothy's journey to the Emerald City in search of the Wizard of Oz in hopes of finding a way back home. The witch's death signifies the new beginning for Dorothy and her companions, as they embark on their adventures in the fantastical Land of Oz. Overall, the Wicked Witch of the East's legs serve as a symbol of her dominion over Oz and represent the power dynamics within the story. Despite her demise early in the narrative, her presence resonates throughout the book, showcasing the impact of her reign on the characters and the Land of Oz..
Reviews for "The Wicked Witch of the East's Legs: An Analysis of Body Image in Literature"
1. John - 1 star
I found "Wucked Witch of the East Kegs" to be extremely disappointing. The storyline was weak and the characters were poorly developed. The plot felt disjointed and lacked coherence. Additionally, the writing style was amateurish, filled with grammatical errors and awkward phrasing. Overall, I would not recommend wasting your time on this book.
2. Sarah - 2 stars
I had high hopes for "Wucked Witch of the East Kegs" but unfortunately, it fell flat for me. The pacing was slow, making it difficult to stay engaged with the story. The characters lacked depth and I couldn't connect with them on any level. The attempts at humor felt forced and often missed the mark. While the concept had potential, the execution left much to be desired. I would suggest looking for better options in the genre.
3. Michael - 1.5 stars
"Wucked Witch of the East Kegs" was a complete letdown. The writing was mediocre at best, with cheesy dialogue and unimaginative descriptions. The plot twists were predictable, leaving no room for surprises or a sense of suspense. The world-building was underdeveloped, leaving me confused about the setting and its rules. The book lacked originality and failed to deliver on its promise. I would advise readers to avoid this book and search for a more compelling read elsewhere.
4. Emily - 2 stars
I struggled to finish "Wucked Witch of the East Kegs". The writing felt rushed and unpolished, with numerous typos and grammatical errors. The characters were one-dimensional and lacked complexity. The plot was predictable, offering no surprises or twists. Furthermore, the dialogue felt forced and unnatural, making it hard to immerse myself in the story. Overall, I was disappointed and would not recommend this book to others.