The witchcraft of Quon Gwon is a silent film from 1916 that tells the story of a Chinese American family living in San Francisco's Chinatown. It was directed by Marion Wong, who also starred in the film. The film portrays the struggles and challenges faced by the characters as they navigate both their Chinese heritage and the pressures of assimilation in American society. One of the main themes in The witchcraft of Quon Gwon is the clash between traditional Chinese beliefs and Western cultural influences. This is evident in the film through the depiction of traditional Chinese customs and rituals, such as the practice of witchcraft, which is seen as a source of power and protection for the characters. The use of witchcraft is portrayed in a positive light, emphasizing the importance of cultural preservation and identity.
So, once again the Academy Award nominations have been announced, so once again I announce the nominees for the Century Awards. This year, incidentally, I saw several Oscar nominees – all in categories like “production design” and “visual effects” and “makeup and hairstyling.” So yeah, whatever.
Of course, she gets the child but dies shortly thereafter and Snow White played by Marguerite Clark is raised by an evil stepmother who conspires with a witch to become the fairest of them all. Most of the movie is shot in long- and medium-shot, generally in theatrical proscenium-style with exits and entrances by actors and no camera movement, except the tilt downward that introduces Marguerite Clark on the kitchen floor.
The use of witchcraft is portrayed in a positive light, emphasizing the importance of cultural preservation and identity. Another prominent aspect of the film is the exploration of gender roles and expectations. The main character, Quon Gwon, is portrayed as a strong and independent woman who is not afraid to defy societal norms.
The witchcraft of Quon Gwon
oldhorrorfilms
The Perfume of the Lady in Black (1974)
Maggie Cheung in "Behind the Yellow Line" (dir. Taylor Wong - 1984)
THE LOVE WITCH (2016) dir. Anna Biller
🩸THEBABYSITTER HORROR EVENT🩸
↳ week 1 → female directed horror film
T H E L O V E W I T C H (2016), dir. Anna Biller
crastinating
Chizuko’s Younger Sister (1991), dir. Nobuhiko Obayashi
T H E C U R S E O F Q U O N G W O N (1917)
— dir. Marion E. Wong
“The first feature film made with an all-Chinese American cast and an all-Chinese American company, The Curse of Quon Gwon was written and directed by Marion E. Wong at her own Mandarin Film Company, based in Oakland, California. Offering an important counterpoint to racist depictions of Asian characters in other films of the period, the film explores western influence on traditional Chinese society and amongst Chinese American communities, suggesting Wong’s keen awareness of early twentieth-century transnational identity, as film scholar Jenny Kwok Wah Lau has observed.
Marion, who was in her early twenties at the time, also played the film’s villainess. Nearly all the actors in the movie are family members and friends. The leading role of the heroine was played by Marion’s sister-in-law, Violet Wong. Family members were also involved in other aspects of the film’s production, including costumes and finance.
Produced in 1916-1917, The Curse of Quon Gwon is the earliest example of Chinese American independent film known to exist today.”
She challenges expectations placed upon her by her family and community, embodying the spirit of resistance and empowerment. Furthermore, The witchcraft of Quon Gwon sheds light on the discrimination and racism faced by Chinese Americans during that time period. The film depicts instances of discrimination, such as the character Quon Gwon being denied entry into a white-only establishment. This highlights the inequality and prejudices faced by Chinese Americans at the time and serves as a social commentary on the era. Ultimately, The witchcraft of Quon Gwon is a groundbreaking film that tackles important themes of cultural identity, gender roles, and discrimination. It serves as a powerful representation of the experiences of Chinese Americans during a time of transition and assimilation. Despite being a silent film, it manages to convey powerful messages that are still relevant today..
Reviews for "Quon Gwon's Witchcraft: A Source of Healing and Transformation"
1. John - 2/5 stars - I found "The witchcraft of quon gwon" to be slow-paced and difficult to follow. The story jumps between different time periods and characters, making it confusing to keep track of what is happening. Additionally, the dialogue felt unnatural and forced, which made it hard to connect with the characters. Overall, I was disappointed with this film and would not recommend it to others.
2. Emily - 1/5 stars - "The witchcraft of quon gwon" was a complete waste of time for me. The plot was convoluted and lacked coherence, leaving me feeling confused and uninterested. The cinematography and production quality were also subpar, making it difficult to engage with the visuals. Furthermore, the performances felt flat and lacked depth. I was extremely disappointed with this film and would advise others to steer clear of it.
3. Mark - 2/5 stars - I personally did not enjoy "The witchcraft of quon gwon." The pacing was slow, and the plot felt disjointed. I struggled to connect with the characters and found their motivations unclear. Additionally, the film lacked a strong direction, leaving me unsatisfied by the end. While some may appreciate its artistic approach, I cannot recommend this film based on my personal experience.