Last night, I attended an exciting magic show that unfortunately took a disastrous turn. The magician, known for his extraordinary illusions and captivating performances, had promised to showcase his most impressive trick yet. The audience was buzzing with anticipation, waiting to be amazed. As the show began, the magician commanded the stage with his confident demeanor. He performed a series of flawless tricks, leaving the audience in awe. Each moment was filled with oohs and ahhs, as the crowd couldn't believe their eyes.
Jim Clash: What made you focus on harp rather than say, trumpet or sax?
The duo released a unique remake of James Brown s Papa s Got A Brand New Bag and later this month will tour on the Legendary Rhythm Blues Cruise with acts including Buddy Guy and Allen Toussaint. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we ll take care of it shortly.
Each moment was filled with oohs and ahhs, as the crowd couldn't believe their eyes. The atmosphere was filled with excitement and wonder. Finally, the time had come for the grand finale - a trick that was touted as the most dangerous and thrilling illusion ever attempted.
J. Geils Harp Legend 'Magic Dick' On Why He Never Lost His Magic
Dick Salwitz, known internationally to music fans as Magic Dick, is one of the most celebrated harmonica players of modern time. He just finished touring with his mates from The J. Geils Band, rocking crowds with favorites like Centerfold, a No. 1 hit from the early 1980s, and Whammer Jammer, a tune which features a blistering Salwitz on harp.
Salwitz also performs a more unplugged kind of live gig with celebrated acoustic guitarist Shun Ng, 25 (www.shunng.com). The duo released a unique remake of James Brown's Papa's Got A Brand New Bag and later this month will tour on the Legendary Rhythm & Blues Cruise with acts including Buddy Guy and Allen Toussaint.
I recently posed a series of questions to Salwitz, now 70, about his career. Sarcastic humor is evident in his responses, as is an ongoing passion for his craft.
Jim Clash: What made you focus on harp rather than say, trumpet or sax?
Dick Salwitz: I love the unique sound of the harp and how it can mimic the expression and tonal palette of both the sax and the trumpet, and the voice. Ever since beginning to play the trumpet at nine years old, I've been interested in all the horns. But the fact that you can engulf the harp and the microphone with your hands and shape its tone is the reason for my focus on it. It's become a sonic and tactile fixation, yielding a mental universe of associations of shapes and tones. Put simply, it makes me happy!
Dick Salwitz (aka "Magic Dick", left) still tours with J. Geils Band, but he also plays a . [+] stripped-down format with acoustic guitarist Shun Ng. (Photo courtesy of Dick Salwitz)
JC: A Rolling Stone critic once called you the "best white musician to play blues harmonica."
DS: I've always found that listening to such pronouncements takes me off my game. It is better to seriously address my own criticisms of my playing. I am my daily critic and coach.
JC: What did you think of Cream's late Jack Bruce as a harp player?
DS: I really liked Jack Bruce's bass playing and vocals. He was a competent harp player, but he did not influence my harp playing.
JC: How about a crazy story from the old J. Geils touring days?
DS: One Halloween in the early '70's somewhere in Canada, we thought we'd have some fun when we came out on stage to start our show. Our drummer, Stephen Jo Bladd, had a gorilla mask on and the rest of us had on old-man masks. We figured this would get a great laugh. We were met with silence.
JC: Contrast an acoustic performance with Shun Ng to one of The J. Geils Band.
DS: The musical experience with Shun Ng is very fresh, exciting and challenging. Each day we get together brings so much spontaneous playing and new ideas. With The J. Geils Band, my musical role is more narrowly defined.
JC: Do you watch America's Got Talent and such shows, and what do you think of them?
DS: Talent is everywhere. As a harp player, I don't have time to spend this way. Maybe I should watch these.
JC: Your advice to young aspiring musicians?
DS: Listen, and practice all the time. Do whatever it takes to stay strongly attracted to playing the harp. Be honestly critical. Use your imagination to advance your technique and improve your sound.
JC: Do you ever get tired of playing Whammer Jammer? How many times do you think you've played it?
DS: It's a constant source of stress, but it helps to keep my playing honed. I've performed it at every show I've played. My guess would be thousands of times not counting my own practicing. I still love it, and I'm working on improving it!
JC: Your best experience playing with an old-time blues musician?
DS: Jamming with John Lee Hooker was especially thrilling. This was around 1970 in Boston at a club called the Jazz Workshop. John Lee played mostly on one chord and, when he did change, it was not according to a standard formula like a lot of blues. This made accompanying him more difficult. One of the hallmarks of a great player is to be able to continually invent without relying on chord changes to carry interest. This is something I'm still working on.
JC: You have an interest in physics. Do you keep up with what's happening in the field?
DS: My interest in physics is cosmology and quantum mechanics. I'm grateful for a never-ending attraction to these matters. The connectedness of all things physical and spiritual is astounding.
DS: My interest in physics is cosmology and quantum mechanics. I'm grateful for a never-ending attraction to these matters. The connectedness of all things physical and spiritual is astounding.
The magician announced that he would be sawing himself in half, a trick that has been a staple in magic acts for years. However, he claimed to have perfected the illusion, taking it to a whole new level. The magician called upon a volunteer from the audience, an enthusiastic young man. He was strapped onto a table, legs and arms firmly secured. The magician theatrically showcased the "saw" - a large, gleaming blade that looked terrifyingly sharp. The lights dimmed, and the tension in the air was palpable. As the magician started the trick, the room fell into hushed silence. With expert movements, he glided the saw through the box, seemingly cutting the young man in half. The illusion was impeccable, as the two halves of the volunteer's body appeared to be separated. Gasps and nervous whispers reverberated through the audience, as they wondered how the magician had managed to achieve such an incredible feat. But suddenly, a look of panic crossed the magician's face. He tried to hide it, but it was unmistakable. Something had gone terribly wrong. In a desperate attempt to salvage the performance, he hurriedly finished the trick. But as the lights came back on, it became evident that the young man was not whole. He had been injured, and blood stained the once pristine table. The crowd erupted in shock and horror. Panic spread like wildfire, as paramedics rushed the injured volunteer offstage. The magician, still in shock himself, attempted to explain what had gone awry. He confessed that a malfunction in his equipment had caused the blade to extend further than it should, resulting in real harm to the unsuspecting volunteer. The once mesmerized audience quickly turned into a sea of anger and disbelief. The magician's reputation, once renowned, was now tarnished. His flawless performance had ended in a nightmare, and the consequences were far more real than anyone could have anticipated. In conclusion, what was intended as a daring spectacle turned into a horrifying mishap that not only left the audience shaken but also scarred the magician's career. It served as a reminder that even the most meticulously planned illusions can sometimes go disastrously wrong. Magic, at its core, is a delicate balance between awe-inspiring entertainment and potential danger, and this unfortunate incident exemplified the thin line between the two..
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