Susie Small Occult School is a unique institution that focuses on the study and practice of occult arts. It offers a wide range of courses and programs for individuals interested in delving into the mystical and esoteric realms. The main idea of this school is to provide a comprehensive and in-depth education in occult practices. At Susie Small, students have the opportunity to learn from experienced and knowledgeable occult practitioners who teach various subjects such as astrology, tarot reading, spellcasting, divination, and metaphysics. The primary goal is to empower individuals with the knowledge and skills necessary to navigate the spiritual and mystical aspects of life. Susie Small Occult School is dedicated to fostering a supportive and inclusive community where students can freely explore their spiritual interests and exchange ideas with like-minded individuals.
Susie Small Occult School is dedicated to fostering a supportive and inclusive community where students can freely explore their spiritual interests and exchange ideas with like-minded individuals. The school encourages students to embrace their own personal spiritual journeys and discover their unique gifts and abilities. In addition to theoretical knowledge, Susie Small emphasizes practical training and hands-on experience in their coursework.
An Interview with Abdulaziz Al-Qahtani
Abdulaziz Al-Qahtani: I wanted to move away from Islam, because I do not like to classify based on religion. I do this because I feel as though everyone is spiritual, and that is the best way to be in touch with your inner self. I also wanted to steer clear of stereotypes.
MMW: While the hijab was not a focus of your work, it was still featured. What was it meant to symbolize, or what was its role?
AQ: I showed a hint of everything—religion, belief, culture. Hijab is just a part of what many people wear. I am not really concerned with the political issues around hijab, I just used it in a playful way. The hijab was supposed to represent being Arabian or Middle Eastern.
MMW: What was the central message to this particular exhibition?
AQ: I wanted to critique the double standard that exists. People are expected to follow cultural rules and guidelines like sheep, yet they believe that they are open-minded because they wear ‘cool clothing’. Some believe that things such as drinking or wearing different clothing makes you “progressive” but I disagree with this.
MMW: One criticism I had of the exhibition was that you state that this is meant to represent the Middle East, but I felt as though it might be more representative of the Gulf (your own background). What is your response to that?
AQ: I was critiquing gender roles in general. While there might be a Gulf based theme, I feel as though many of the ideas can be applied to the entire Middle East, such as arranged marriages, or gender roles and responsibilities within a marriage.
MMW: What was your motivation for this particular exhibition?
AQ: Throughout the years, I’ve seen so much. Many of the double standards or taboos are seen, but not spoken about in a formal way. Usually spoken about in whispers, and so I was trying to show the human side of the Middle East, through a visual critique.
MMW: So, the divide between public and private played a large role in your work?
AQ: Yes, I wanted to bring such things out in the open, because they should be discussed.
MMW: So from what you are saying, you seemed to have a particular aim for visitors from Middle Eastern backgrounds. What was your intended impact on non-Middle Eastern visitors?
AQ: I wanted to address an issue. Terrorists are the minority, and there are other people in the Middle East. People are still human, and still impacted by pop culture—and many of the same struggles and cultural experiences.
MMW: Earlier, we spoke a bit about double standards. Could you elaborate on some of these double standards in relation to Islam?
AQ: I am critical of how people allow traditions to change and manipulate religion. Some can make religion appear to be harsh because they read what they want from their respective holy books, and do not look at the entire picture. When religion is manipulated according to tradition, that is when I think many misunderstandings occur, and abuse of religious texts for personal gain. As I mentioned before, I do not like to delve into religion, because I think it is far more important to be spiritual within yourself, rather than focusing on classifying oneself within a particular religion.
MMW: What is the future direction of your work?
AQ: In the future, I will be doing a more photographic series, featuring film and illustrations. I have a controversial perspective that I use to make my argument, and this will be central to my future work.
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MMW: What was the central message to this particular exhibition?
Students have the chance to apply what they learn in real-life situations and develop their skills through practical exercises and projects. This approach ensures that students not only gain a solid understanding of occult theories but also acquire the ability to apply them in practical situations. Susie Small Occult School also provides resources for students to further enhance their learning experience. The school has a reference library, online forums, and regular guest lectures by experts in the field. These resources allow students to deepen their understanding and stay up to date with the latest developments in the occult arts. Overall, Susie Small Occult School is an exceptional educational institution that offers a comprehensive and practical education in the occult arts. It provides a supportive and inclusive community for individuals to explore their spiritual interests and develop their skills. Whether someone is new to the occult or seeking to deepen their knowledge, Susie Small is an excellent choice for anyone interested in the realms of the esoteric..
Reviews for "Summoning Spirits: The Spirit Communication Course at Susie Small Occult School"
1. John - 2/5 stars - "Susie Small Occult School was a disappointment for me. The plot felt disjointed and the characters lacked depth. The main character, Susie Small, had potential as a relatable protagonist, but her development fell flat. The pacing was also inconsistent, with some chapters dragging on while others felt rushed. Overall, I was left feeling unsatisfied with this occult-themed novel."
2. Sarah - 1/5 stars - "I really did not enjoy Susie Small Occult School. The writing style was incredibly boring and uninspiring. There was no excitement or intrigue to keep me engaged. The story felt predictable and lacked any originality. I found the characters to be one-dimensional and uninteresting. I would not recommend this book to anyone looking for a gripping occult-themed tale."
3. Michael - 2/5 stars - "Susie Small Occult School failed to capture my attention. The story started off promising, but quickly became repetitive and predictable. The plot twists were lackluster and did not add any excitement to the narrative. The writing itself was mediocre, lacking the descriptive language necessary to immerse the reader in the occult world. Overall, I was left underwhelmed and unimpressed by this novel."
4. Emily - 2.5/5 stars - "While Susie Small Occult School had its moments of intrigue, the overall execution left much to be desired. The pacing felt off, with certain sections dragging on and others too rushed. The character development was insufficient, leaving me indifferent to their fates. The occult theme had potential, but it was not explored fully or with enough depth. Overall, I found this book to be average at best."