The SLR Magic Anamorphic Lens System is a series of lenses designed to bring the unique anamorphic look to filmmakers and photographers. Anamorphic lenses have a distinct quality that sets them apart from traditional lenses. They create a wide-screen, panoramic image with a shallow depth of field, flares, and bokeh that are highly sought after in the film industry. The SLR Magic Anamorphic Lens System is composed of various lenses, including the 1.33x, 2x, and 3.5x anamorphic adapters.
5x anamorphic adapters. These adapters can be attached to existing lenses to achieve the anamorphic effect. The 1.
SLR Magic Anamorphot 1.33x – 65 w/ Gears & new MicroPrime 18mm T2.8 – IBC 2018
SLR Magic have announced a new Sony E-mount full-frame MicroPrime 18mm T2.8 lens as well as showing a clever collabaration with PD Movie and the Fujinon MK zooms when using the SLR Magic Anamorphot 1.33x – 65 adapter.
The problem with front mounted anamorphic adapters is you need to focus both the adapter and the lens. This is time consuming and far from ideal. By teaming up with PD Movie they have come up with a cleverr solution so that can focus both the adapter and the the lens at the same time.
The anamorphic adaptor is optimised for the Fujinon MK zoom range of lenses but is also compatible with other lenses that have an 82mm front filter thread.
SLR Magic make a number of anamorphic prime lenses but no zoom anamorphic lenses so they aimed to create an adaptor for the Fujinon MK zoom lenses. The adaptor works through-out the range of the MK 50-135 but only from 30mm on the MK 18-55. While it is optimised for the Fujinon MK lenses, the adaptor can work with other lenses as long as the front glass element is no larger than 65mm like SLR Magic’s MicroPrimes.
Unlike a cropped “anamorphic” image obtained with a spherical lens, this adapter enables you to utilize the total area of your camera’s sensor.
The SLR Magic MicroPrime 18mm T2.8 is a manual focus only lens that has a minumum focus didtance of 17cm. It has 0.8 pitch gears which makes it suitable for use with manual and electronic follow focus systems. The lens is compact and eigh sin at just 580g (20.45oz).
SLR Magic Anamorphot 1.33x – 65 w/ Gears
Lens Type: Anamorphic adapter
Front diameter for Matte Box: Φ114
Objective front filter thread: Φ112
Objective rear filter thread: Φ82
Gears: 0.8 Pitch Gears
Lens Coating: Multi Coated
Close Focus: dependent on taking lens compatibility
Weight (oz./g): 780g
SLR Magic MicroPrime 18mm T2.8
Mount: E-mount Full-frame
Focus Type: Manual
Focal Length: 18mm
Maximum Aperture: T2.8
Minimum Aperture: T16
Minimum Focus Distance: 0.17m
Diaphragm Blades: 7
Front filter thread: Φ82
Lens Coating: Multi Coated
Lens Construction: 10 Elements / 9 Groups
Gears: 0.8 Pitch Gears
Dimensions: L 74.0mm x W 85.0mm
Weight (oz./g): 20.45oz / 580g
Pricing
The SLR Magic Anamorphot 1.33x – 65 w/ Gears is $1,499 USD, and the PD Movie follow focus system is around $900 USD. By the time you include the price of a MK zoom, an entire system is going to cost you around $6000 USD.
Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with over 30 years' of experience working in more than 50 countries around the world.
He is the Editor of Newsshooter.com and has been writing on the site since 2010.
Matthew has won 48 ACS Awards, including five prestigious Golden Tripods. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.
Matthew is available to hire as a DP in Japan or for work anywhere else in the world.
Mount: E-mount Full-frame
33x anamorphic adapter is ideal for filmmakers who want to capture a widescreen image without sacrificing image quality. It delivers a 2.35:1 aspect ratio when used with a 16:9 camera, giving videos a cinematic feel. The 2x anamorphic adapter is perfect for those who want a more pronounced anamorphic look. It delivers a 4:3 aspect ratio when used with a 16:9 camera, creating a classic widescreen image. This adapter also produces distinct horizontal flares and oval-shaped bokeh. The 3.5x anamorphic adapter is designed for filmmakers who want an extreme anamorphic look. It creates a 2.39:1 aspect ratio when used with a 4:3 camera, resulting in an ultra-widescreen image. This adapter also produces highly elongated flares and oval-shaped bokeh that create a dreamy and surreal aesthetic. The SLR Magic Anamorphic Lens System is compatible with various camera models, making it accessible to a wide range of filmmakers and photographers. The lenses are made from high-quality materials and offer excellent optical performance. In conclusion, the SLR Magic Anamorphic Lens System provides filmmakers and photographers with a versatile and high-quality way to achieve the anamorphic look. Whether wanting a subtle widescreen effect or an extreme anamorphic aesthetic, these lenses are a valuable addition to any creative toolkit..
Reviews for "Introducing the SLR Magic Anamorphic Lens System: A Game Changer for Filmmakers"
1. John - 1 star - I was really disappointed with the Slr magic anamorphic lens system. The image quality was extremely poor and blurry, making it difficult to capture clear and sharp footage. Additionally, the lens was very prone to flaring, which became a major distraction in my videos. I expected much better performance from a lens system at this price point. Overall, I found the Slr magic anamorphic lens system to be a complete letdown and regretted my purchase.
2. Sarah - 2 stars - I wanted to love the Slr magic anamorphic lens system, but sadly it didn't live up to my expectations. The lens lacked consistency and had issues with focus throughout the zoom range. It required constant readjustments and was a hassle to work with. The build quality also left much to be desired, as the lens felt cheap and not very durable. While it did produce a unique anamorphic look, the flaws outweighed the benefits for me.
3. Mike - 2 stars - The Slr magic anamorphic lens system was a disappointment for me. The lens was quite heavy and cumbersome to use, which made it challenging for handheld shooting. Furthermore, the lens suffered from significant distortion, particularly around the edges of the frame. This distortion made it difficult to achieve a consistent and professional look in my videos. I ended up returning the lens as I found it wasn't worth the investment for the subpar performance it offered.
4. Emily - 3 stars - I had high hopes for the Slr magic anamorphic lens system, but it fell short in some crucial areas. While the lens did produce a unique and beautiful anamorphic look, it had significant issues with focusing. It often struggled to maintain sharpness, especially at closer distances. Additionally, the lens was prone to flaring, which was distracting and took away from the overall image quality. It's a shame because with some improvements, this lens could have been a standout option in the anamorphic market.