sky scanmer

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A male witch, also known as a "male wotch," refers to a man who practices witchcraft. While historically witchcraft has predominantly been associated with women, there is an increasing recognition and acceptance of men practicing witchcraft in modern times. Male witches, like their female counterparts, may follow various paths within witchcraft, such as Wicca, traditional witchcraft, or other magical practices. They may engage in spellwork, divination, herbalism, ritualistic practices, and connecting with spiritual forces or deities. The term "wotch" is a playful alteration of the word "witch" specifically used to refer to a male practitioner. It is a creative adaptation that challenges the gendered language often associated with witchcraft.


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C Lily Patch - I am beginning to wonder if Hummie Mann was given a limit on the numbers of tracks he could have on the album, and this was his way of getting as much of the score in as possible. C Lily Patch - I am beginning to wonder if Hummie Mann was given a limit on the numbers of tracks he could have on the album, and this was his way of getting as much of the score in as possible.

Thonas and the magic railroas soundtrack

It is a creative adaptation that challenges the gendered language often associated with witchcraft. Just as with female witches, male witches draw upon their inherent spirituality and connection to nature. They may honor and work with the elements, seasons, stars, and moon cycles in their magical practice.

Thonas and the magic railroas soundtrack

Really Useful Engine - The poor SFX the film uses are used as an introduction for an unnecessary and truncated cover of a song from the original TV series where Steven Page sings over the original singers and an orchestra blares out the original synthesized tune. 2/5.

Shining Time - The tweeness of the film compared to the TV series is well known, but nowhere more obvious than this song. 2/5.

I Know How the Moon Must Feel - Rides the fine line and just manages to not become twee. It's threatening to though, and is poorly used in the film itself. 3.5/5.

Some Things Never Leave You - I am running out of things to say about these slow orchestral songs. Wasn't this cut from the film? 2.5/5.

Summer Sunday - Surprisingly melancholy. Then Thomas the Tank Engine shows up. 1.5/5.

The Locomotion - Atomic Kitten modernizes the classic pop song that's probably about sex. Merits come primarily from the original song and not their cover. 2/5.

Main Title - Moving into the album's selections from the actual score by Hummie Mann, we get an acceptably dramatic if somewhat twee intro, followed by an indifferent quoting of the TV Series' theme (in its only appearance, Mann preferring Really Useful Engine as the main theme for the film for some reason). The rest of the track is firmly beyond the main title, and is mainly brief pieces for specific events. 3/5.

Lily Travels to the Island of Sodor - Another quote from the film leads off this fairly dull piece of underscore. The brief quotation of IKHTMMF is fairly nice though. 2.5/5.

Burnett & Lady/Diesel 10 & Splodge - Two unrelated tracks are jammed together into one here. A decent instrumental rendition of STNLY leads off, showing how much of a problem vocals were to it, followed by some "mysterious" piano. The first track finishes with some dull orchestral stuff, while the second track is brief and repetitive. 2/5.

Diesel 10 Threatens Mr. C / Lily & Patch - I am beginning to wonder if Hummie Mann was given a limit on the numbers of tracks he could have on the album, and this was his way of getting as much of the score in as possible. The first track is generic "mild threat" music. The second track is fairly dull when not quoting IKHTMMF, but when it is it's probably superior to IKHTMMF. 3/5.

Through the Magic Buffers - Really generic. 2.5/5

The Chase, the Clue & the Happy Ending - No oxford comma. 0/5. In all seriousness, this is pretty generic action music followed by more generic orchestral. 2/5.

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They may also develop personal relationships with specific deities or spiritual entities, although each witch's individual beliefs and practices can vary greatly. It is important to note that male witches face their own unique experiences within the witchcraft community. Some may encounter skepticism or prejudice due to traditional gender roles and expectations. However, the witchcraft community has progressively become more inclusive and understanding, welcoming individuals of all gender identities and expressions. In recent years, there has been a growing interest in male witchcraft as more men feel empowered to explore and embrace their spiritual side. This has led to the formation of male-centric witchcraft groups or communities, providing a safe space for men to share their experiences and knowledge. Ultimately, being a male witch is about personal belief, connection to the divine, and harnessing one's magical abilities. It is a path that allows individuals, regardless of gender, to connect with the energies and mysteries of the universe and bring about positive change in their lives and the world around them..

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sky scanmer

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