Practical Magic is a 1998 romantic comedy-drama film that centers around two sisters who are witches. Like many movies, the soundtrack plays a crucial role in setting the tone and enhancing the overall experience for the audience. The composition of the Practical Magic soundtrack is a standout aspect of the film. The soundtrack features an eclectic mix of songs that perfectly capture the magical and whimsical nature of the film. It includes a blend of genres such as pop, rock, folk, and R&B, creating a diverse and captivating listening experience. Notable songs on the soundtrack include "Amas Veritas" by Alan Silvestri, "If You Ever Did Believe" by Stevie Nicks, and "Coconut" by Harry Nilsson.
Vashti’s “Some Things Just Stick In Your Mind” was written for her by Messrs Jagger and Richards, while Glen Campbell’s “Guess I’m Dumb” was one of his earliest singles, written by Brian Wilson and Russ Titelman, who later forged a career as a major producer.
Where some feel their album or some 45 is really valuable, keep in mind it is only valuable to someone familiar with the song and willing to pay for it. because collectors thought that MIKE OZ OSBORNE bass , vocals was the same person as singer OZZIE OSBOURNE of BLACK SABBATH fame since the MAGIC LANTERNS and BLACK SABBATH were both BRITISH GROUPS.
Notable songs on the soundtrack include "Amas Veritas" by Alan Silvestri, "If You Ever Did Believe" by Stevie Nicks, and "Coconut" by Harry Nilsson. One of the highlights of the Practical Magic soundtrack is the original score composed by Alan Silvestri. His compositions perfectly capture the enchanting and mystical atmosphere of the film.
Ingmar Bergman > Quotes
“I understand, all right. The hopeless dream of being - not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even wiped out. Every inflection and every gesture a lie, every smile a grimace. Suicide? No, too vulgar. But you can refuse to move, refuse to talk, so that you don't have to lie. You can shut yourself in. Then you needn't play any parts or make wrong gestures. Or so you thought. But reality is diabolical. Your hiding place isn't watertight. Life trickles in from the outside, and you're forced to react. No one asks if it is true or false, if you're genuine or just a sham. Such things matter only in the theatre, and hardly there either. I understand why you don't speak, why you don't move, why you've created a part for yourself out of apathy. I understand. I admire. You should go on with this part until it is played out, until it loses interest for you. Then you can leave it, just as you've left your other parts one by one.”
― Ingmar Bergman
“I'll tell you something banal.We're emotional illiterates.And not only you and I-practically everybody,that's the depressing thing.We're taught everything about the body and about agriculture in Madagascar and about the square root of pi, or whatever the hell it's called,but not a word about the soul.We're abysmally ignorant,about both ourselves and others.There's a lot of loose talk nowadays to the effect that children should be brought up to know all about brotherhood and understanding and coexistence and equality and everything else that's all the rage just now.But it doesn't dawn on anyone that we must first learn something about ourselves and our own feelings.Our own fear and loneliness and anger.We're left without a chance,ignorant and remorseful among the ruins of our ambitions.To make a child aware of it's soul is something almost indecent.You're regarded as a dirty old man.How can you understand other people if you don't know anything about yourself?Now you're yawning,so that's the end of the lecture.”
― Ingmar Bergman
“When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.”
― Ingmar Bergman
“I want to confess as best I can, but my heart is void. The void is a mirror. I see my face and feel loathing and horror. My indifference to man has shut me out. I live now in a world of ghosts, a prisoner in my dreams.”
― Ingmar Bergman, The Seventh Seal
But that’s very much an exception. How many of you have heard of The Aerovans? Their Beatlesque sound didn’t quite cut it at the time. Then there’s the original band to call themselves Nirvana. What about The 23rd Turn Off, The Parade, The Mad Lads, or Art? And we’re certain you’ve never heard Roger Nichols & The Smile Circle of Friends.
The score is both haunting and beautiful, utilizing instruments such as strings, piano, and chimes to create an ethereal and otherworldly sound. The soundtrack also includes iconic songs from renowned artists such as Joni Mitchell and Faith Hill. These songs not only add depth and emotion to the film but also serve as standalone tracks that can be enjoyed independently. The inclusion of these songs further emphasizes the overall theme of magic and love that runs throughout the film. The Practical Magic soundtrack stands out due to its masterful composition and selection of songs. It enhances the emotional impact of the film and transports the listener into the magical world of the movie. Whether listened to independently or as part of the film, the Practical Magic soundtrack is a captivating and enchanting musical experience..
Reviews for "Finding Magic Through Music: A Look Into the Song Selection for 'Practical Magic"
1. Jill - 2/5 - I was really disappointed with the soundtrack composition of Practical Magic. It felt unoriginal and cliché, with the same predictable melodies and instrument choices that have been used in countless other fantasy films. There was nothing unique or memorable about the music, and it failed to enhance the overall mood or atmosphere of the movie. It was just background noise that added nothing to the viewing experience. Overall, I was hoping for something more imaginative and innovative, but was left feeling underwhelmed.
2. Mark - 2/5 - The Practical Magic soundtrack composition was a missed opportunity in my opinion. The music lacked depth and complexity, feeling more like generic background noise than a truly immersive experience. The melodies were forgettable and repetitive, and I found myself losing interest in the music rather quickly. It didn't capture the essence of the film or its magical elements, and instead, felt like a disconnected collection of tracks that didn't fit together cohesively. Overall, I expected more from the soundtrack and was disappointed with the result.
3. Allison - 1/5 - I couldn't stand the Practical Magic soundtrack composition. It was cheesy and saccharine, with overly dramatic orchestration and simplistic melodies. The music felt forced and contrived, failing to evoke any emotional response or connection to the scenes it accompanied. It was distracting rather than enhancing, and I found myself cringing at the soaring strings and predictable chord progressions. Overall, the soundtrack felt like a cheap attempt to manipulate the audience's emotions, and it fell flat in its execution. I would not recommend it to anyone looking for a memorable film score.