Picketty witch songs are a type of folk songs that originated in the British Isles. These songs were traditionally sung by women known as "picketty witches" who were believed to have magical powers. The songs were often sung during rituals and gatherings, and were said to hold the power to bring good luck or curse someone. The lyrics of picketty witch songs were often obscure and filled with symbolism. They touched on topics such as love, nature, and the supernatural. The melodies were simple and repetitive, with a haunting and mesmerizing quality.

Pickettywitch

Pickettywitch was a recording outfit that was very much of a piece with the Tremeloes, Edison Lighthouse, and Paper Lace, its history sandwiched directly between those renowned pop/rock outfits of the 1960s and 1970s. If they're not as well-known as those other outfits, then it's because they were never blessed with an international hit; but, in England, "That Same Old Feeling" -- a product of the Macaulay-Macleod songwriting team, best remembered for their work with the Foundations -- made the Top Five. Never really a "rock" band in the sense of having a terribly heavy or powerful sound, both the group and their records sounded like a cabaret act from the get-go. Their history dates back to 1969, with a disastrous effort at forming a mixed music-and-dance performing ensemble: vocalist Polly Browne (whose name is sometimes misspelled "Brown") and four of the other members of this outfit, guitarist Dave Martyr, bassist Martin Bridges, keyboardman Bob Brittain, and drummer Keith Hull, departed the rather Spartan and chaotic rehearsal conditions established by their would-be manager and decided to try and form a quintet. With a new manager aboard and vocalist Chris Warren added to the lineup, the sextet began months of rehearsals and auditions before potential record labels and producers, working out an act that included lots of highly choreographed moves. The name Pickettywitch came from a Cornish village through which Browne had passed with her sister. Pickettywitch was signed by producer John Macleod to Pye Records and got out a single, "You've Got Me So I Don't Know" b/w "Solomon Grundy," in July of 1969. It never charted, but led to appearances on the radio and on the television showcase Opportunity Knocks. Soon after, Martyr departed and Bridges' switched to guitar, with Mike Tomich taking over on bass. It was their second single, a Foundations number called "That Same Old Feeling," issued in November of 1969, that led to their breakthrough. Overcoming the competition of a rival version by Françoise Hardy, the single by Pickettywitch hit number five in England in early 1970. The group recorded a follow-up album that didn't sell, which wasn't surprising given that, in the custom of the time in England, the hit was left off of the LP. They saw further chart success in England with "(It's Like A) Sad Old Kinda Movie" (number 16) and "Baby I Won't Let You Down" (number 27); but also underwent a lineup change, as Bridges and Tomich left to pursue more sophisticated and progressive sounds, and were succeeded by Peter Hawkins and Brian Stewart. These membership changes didn't really have a great deal of effect on the group's sound, as their music involved a fair number of session players embellishing the sound (guitarist Terry Clarke of the early-'60s U.K. band the Eagles was even a contributor at one point), and the latter was largely built on Browne's lead vocals. At her best, she sounded like a slightly more soulful Karen Carpenter, though she has maintained that the recordings don't properly represent her as a singer, as Macleod seldom allowed her to experiment with soul phrasings. The group came close to a breakthrough in America -- where their music was released on the Janus Records label -- in 1970, when "Days I Remember" was picked up for radio play, but the single release never charted. Alas, by 1971, Pickettywitch had run out of steam as a hit-making outfit even in England. Further membership changes ensued, as Pete Hawkins and Brian Stewart left the group, to be succeeded by Paul Risi on guitar and Paul Riordan on bass. By that time, Polly Browne was under tremendous pressure, as the most popular member of the group (the sides with Chris Warren's lead vocals never having been as successful), to embark on a solo career, and this was precisely what she did in late 1972. The group hung on briefly in the studio, with Warren singing on one last release in 1973, but this was merely a final attempt to milk the group name. Farron later gave up performing, while Browne went on to a form a duo called Sweet Dreams, in partnership with Tony Jackson, enjoying a British hit with her cover of the ABBA song "Honey Honey." She later went solo and racked up an international hit with "Up In a Puff of Smoke" in 1974, which reached number 43 in England and got to number 16 in America, and was well-known in England throughout the disco era and beyond. Meanwhile, her old group manifested itself briefly in the mid-'70s with a fake stand-in outfit dubbed "New Pickettywitch," which enjoyed a very brief recording career before it became clear that the British public wasn't buying it. ~ Bruce Eder

HOMETOWN England FORMED 1969

Pickety witch songs

Polly Brown had a hit back in 1975 " Up Up Up in a Puff of Smoke ". She was also in a band called Pickety Witch. They had a song called " That Same Old Feeling ".
Starts off with:
I still get the same old feelings
tearing at this heart of mine
and telling me that i'm still getting over you.

Can anybody give me the whole lyrics to this song please.

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FORTUNES
That same old feeling

I still get the same old feeling
Tearing up this heart of mine
Telling me that maybe
I'm not really over you

I still get the same old yearning
Turning my heart inside out
Look there can't be any doubt
I'm still not over you

The oak tree where you carved my name
A year ago now
Somehow it doesn't look the same
I think it knows now
The places we would go
Still play the songs we used to know

I still get the same old feeling
Tearing up this heart of mine
Telling me that maybe
I'm not really over you

I still get the same old yearning
Turning my heart inside out
Look there can't be any doubt
I'm still not over you

The grotto where we used to meet
Is overgrown now
We'd dreamed we'd live there too someday
Just start our own now
The letters you wrote me
Still bring back sad old memories

I still get the same old feeling
Tearing up this heart of mine
Telling me that maybe
I'm not really over you

I still get the same old yearning
Turning my heart inside out
Look there can't be any doubt
I'm still not over you

I still get the same old feeling
Tearing up this heart of mine
Telling me that maybe
I'm not really over you

I still get the same old yearning
Turning my heart inside out
Look there can't be any doubt
I'm still not over you

That Same Old Feeling

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The melodies were simple and repetitive, with a haunting and mesmerizing quality. Picketty witch songs were passed down through generations through oral tradition. Each region had its own variations of these songs, with slight differences in lyrics and melodies.

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The songs were typically sung in small communities and were considered a way to connect with the spiritual realm. In some cases, picketty witch songs were used as part of magical practices, particularly in spellcasting and divination. The songs were believed to invoke the powers of the witches and aid in their magical work. Some of these songs were also associated with healing and protection. Over time, picketty witch songs have become less popular and less practiced. However, they still hold a place in the folklore and cultural heritage of the British Isles. Some folk musicians and enthusiasts continue to explore and revive these songs, keeping the tradition alive. In conclusion, picketty witch songs are an intriguing part of British folklore. These songs were sung by picketty witches and were believed to possess mystical powers. With their cryptic lyrics and enchanting melodies, these songs continue to captivate audiences and keep the tradition of picketty witch songs alive..

Reviews for "Magical Melodies: The Enchanting Soundtrack of Pickety Witches"

1. John - ★☆☆☆☆

I found "Pickety witch songs" to be incredibly boring and repetitive. The songs lacked any depth or meaningful lyrics, and the melodies were forgettable. It felt like the same tune was played over and over again, making it monotonous and uninspiring. Overall, I was disappointed by this album and wouldn't recommend it to anyone looking for engaging and well-crafted music.

2. Emily - ★★☆☆☆

While I appreciate the effort and creativity put into "Pickety witch songs", it simply wasn't my cup of tea. The songs were too whimsical and childlike for my taste, and I found myself getting irritated by the high-pitched voices and constant use of nursery rhymes. It felt more like a children's album rather than a collection of songs for adults. Although I understand the appeal it might have for some, it just didn't resonate with me personally.

3. Sarah - ★★☆☆☆

I was disappointed by "Pickety witch songs" as it lacked any substance or depth. The lyrics were simple and predictable, and the music was overly simplistic with repetitive melodies. It felt like the songs were trying too hard to be quirky and whimsical without actually delivering anything meaningful. I found myself losing interest quickly and struggling to connect with the music. Overall, I wouldn't recommend this album to those seeking thought-provoking and memorable songs.

4. Michael - ★★☆☆☆

"Pickety witch songs" didn't meet my expectations as I found the songs to be quite amateurish. The melodies were basic and lacked any complexity, while the lyrics felt forced and uninspired. It appeared as if they were trying too hard to create a unique sound without focusing on the quality of the music itself. I understand that some people might enjoy the childlike and whimsical nature of these songs, but personally, I found them lacking in substance and originality.

5. Laura - ★★☆☆☆

I was not impressed with "Pickety witch songs" as I found the album to be a bit too repetitive and predictable. The melodies were catchy to a fault, and after a while, each song started to sound the same. Additionally, the high-pitched voices used throughout the album became grating after a while, making it difficult to listen to. Overall, I couldn't find anything particularly enjoyable or memorable about this album, and I would advise others to approach it with caution.

Conjuring Up a Playlist: Essential Pickety Witch Songs