Unlocking the Secrets of Pat Travers' Magical Guitar Playing

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Pat Travers is a talented musician and guitarist known for his unique blend of hard rock and blues music. He has been actively making magic in the music industry for several decades. Travers was born in Toronto, Canada, and started playing guitar at a young age. He quickly gained recognition for his exceptional skills and musicality. In the 1970s, Travers formed the Pat Travers Band and released several successful albums that became fan favorites. His energetic performances and soulful guitar solos captivated audiences around the world.


Rather than gush on and on I'll list some points:

The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it s what separates PT from the pack. I don t see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn t recognized because he is lumped in with that kind of sound.

Pat travers makinv magic

His energetic performances and soulful guitar solos captivated audiences around the world. Travers' music stood out for its intense riffs, melodic hooks, and powerful vocals. His distinctive sound and style set him apart from his contemporaries.

PAT TRAVERS Makin’ Magic LP 1977 England UK 2383-436. Nicko McBrain (Iron Maiden) on drums. Glenn Hughes vocals + Brian Robertson guitar. Check audio (whole album) + official video + video review of the album!

5.0 out of 5 stars Pat Travers “Making Magic”,
What a revelation “Making Magic” was!! No one could have expected the wonderful music that was to come from this visionary Canadian guitarist. “Making Magic” just jumped off the vinyl through the speakers into my head like some sort of sonic train that I could ride on the rest of my life! The album starts off with the funky intense namesake song filled with snaking snarling leads & intricate time changes that were to become a Pat Travers signature. Next came “Rock’N’Roll Susie” & “You Don’t Love Me,” showing PTs roots in the blues, but faster & more high energy than most artist have ever dreamed of at that time or since. “Stevie” is a moving song dedicated to PTs little brother that shows what a sense of beautiful melody PT has & how he could sonicly build a song structure to epic proportion. “Statesoro Blues,” retools the old blues tune in everyway made famous by The Allman Brothers. “Need Love” & Hooked on Music” are the real crown jewels of this album for me. Killer, killer, fast funky rock that would inspire later bands like Extreme. “Need Love” starts with funk that is just pure groove & seamlessly runs into the fast & furious metal tinged funk of “Hooked on Music”! The all instrumental ending tune “What You Mean to Me” is another prime example of Pats melodic sense, & serves as a taste of even better songs to come on the next album, “Putting it Straight.”
5/5
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5.0 out of 5 stars Just in time,
If you like hard rock guitarists such as Jimi Hendrix, Robin Trower, Tony Iommi and Ritchie Blackmore, Pat Travers is written in the books with these rock guitar gods.
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5.0 out of 5 stars guitar hero,
this guy can play a guitar, if you like your blues with a slice of rock then pat is your man. if you can get the pat Travers album , then that is well worth it to.

Pat Travers – Makin’ Magic (1977)

Patrick Henry Travers (born April 12, 1954) is a Canadian rock guitarist, keyboardist and singer who began his recording career in the mid-1970s.

Pat Travers was born and raised in Toronto, Ontario. Soon after picking up the guitar at age 12, he saw Jimi Hendrix perform in Ottawa. Travers began playing in bands early in his teens; his first bands were the Music Machine (not to be confused with the Californian psychedelic/garage band of the same name), Red Hot, and Merge, which played in clubs in the Quebec area.

While performing with Merge, he was noticed by rock artist Ronnie Hawkins, who invited Travers to perform with him. In his early twenties Travers moved to London and signed a recording contract with the Polydor label. His self-titled debut album was released in 1976, and featured bassist Peter “Mars” Cowling, who would become a mainstay in Travers’ band for several years. An appearance on the German TV show Rockpalast in November 1976 was later released on DVD under the title Hooked on Music. This performance showcases an early version of Travers’ band featuring Cowling and drummer Nicko McBrain .

Personnel:
Peter “Mars” Cowling (bass)
Nico McBrain (drums, percussion)
Pat Travers (guitar, vocals
+
Roy Dyke (drums on 05.)
Glenn Hughes (background vocals on 04.) ALSO member of:
Trapeze
Deep Purple
Hughes/Thrall
Gary Moore
Black Sabbath
Phenomena
John Norum
Hughes Turner Project
Device
Michael Men Project
Black Country Communion
Kings of Chaos
California Breed
Joe Satriani
The Dead Daisies
Brian Robertson (guitar on 05.) ALSO member of Thin Lizzy (1974 – 1978), Motörhead (1982 – 1983), Wild Horses (1978 – 1981)
Peter Solley (keyboards on 03., 04. + 08.)

Tracklist:
01. Makin’ Magic 4.58
02. Rock ‘N’ Roll Susie 3.39
03. You Don’t Love Me 3.28
04. Stevie 7.14
05. Statesboro Blues 3.47
06. Need Love 5:04
07. Hooked On Music 6.19
B4 What You Mean To Me 4.34

All songs written by Pat Travers,
except 05, written by Blind Willie McTell

He's been around since the late 70's. Great rockin' blues kinda stuff. Loved the band when Pat Thrall and Tommy Aldridge were playing with him. Saw him a few times back then and twice in the last couple of months at clubs locally. Go For What You Know is just a killer live album. My band still plays Snortin' Whiskey!
Pat travers makinv magic

Travers' ability to fuse elements of hard rock and blues proved to be a winning formula. His songs such as "Snortin' Whiskey" and "Boom Boom (Out Go the Lights)" became anthems for rock enthusiasts. Travers' guitar playing skills were often compared to the likes of Eric Clapton and Jimi Hendrix, earning him praise from critics and fellow musicians. Over the years, Travers continued to evolve his sound and experiment with different musical genres. He released albums that showcased his versatility, incorporating elements of jazz, funk, and even reggae. This willingness to explore new musical horizons demonstrated Travers' commitment to pushing boundaries and staying relevant in a constantly changing industry. Travers' live performances are legendary and have earned him a dedicated fan base. His electrifying stage presence and skillful guitar work have made him a favorite among rock music lovers. Whether performing in small venues or on larger stages, Travers always delivers a high-energy performance that leaves audiences wanting more. In addition to his musical accomplishments, Travers is also a respected songwriter, penning lyrics that resonate with listeners on a deep level. His songs often tackle themes of love, loss, and life's struggles, showcasing his ability to connect with his audience on an emotional level. Despite his success and longevity in the music industry, Travers remains humble and grateful for the opportunities he has been given. He continues to make magic through his music, constantly challenging himself as an artist and pushing the boundaries of his creativity. In conclusion, Pat Travers is a true musician who has made a significant impact on the world of rock and blues music. His unique sound and exceptional guitar skills have earned him a special place in the hearts of fans worldwide. Through his constant innovation and dedication to his craft, Travers continues to make magic and inspire generations of musicians..

Reviews for "The Spellbinding Artistry of Pat Travers: Examining His Unique Playing Style"

1. John - 1/5 stars
I was extremely disappointed with "Pat Travers Making Magic." The album lacked originality and creative songwriting. Each track felt like a repetitive, generic rock song with no unique elements or memorable hooks. Travers' guitar skills were undoubtedly impressive, but unfortunately, that was the only redeeming aspect of this album. Overall, it left me feeling bored and unengaged.
2. Sarah - 2/5 stars
While "Pat Travers Making Magic" had a couple of decent tracks, overall, the album failed to leave a lasting impression on me. The songs felt predictable and lacked the energy and excitement I usually associate with Travers' music. Moreover, the production quality seemed subpar, with the vocals often getting drowned out by the instrumental backing. I expected more from an artist with Travers' reputation, but unfortunately, this album fell short of my expectations.

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