The internet has undoubtedly revolutionized the way we live, work, and communicate. It has connected people from all corners of the world, making access to information and resources easier and faster than ever before. However, along with its many benefits, the internet also brings with it a curse that has infiltrated our lives, and one aspect of it is the palace curse. One might wonder what the palace curse is and how it relates to the internet. The palace curse refers to the negative impact and potential harm caused by the excessive use and reliance on the internet, particularly in relation to social media and online platforms. Just as a beautiful palace can have a hidden curse, the internet's allure and convenience can come with unseen repercussions.

Palace/Curse – The Internet, Steve Lacy, Tyler, The Creator

The final track on the album Ego Death is broken up into two sections. Palace is very funky and relaxed with a mix of singing from both Tyler and Syd. We are introduced to the second section called Curse by Tyler whispering that we're not supposed to hear this, in the second section the instrumental is slower and the shift in this song makes it so interesting and enjoyable to listen to. Within Curse, a demo written by Steve Lacy we hear Steve sing which is such a beautiful and nice surprise which flows well with Syd in this song.

Personally I prefer Curse, it is a song which is beautifully constructed with an old cassette tape vibe which gives it a nostalgic quality which I love in a song.

You can learn more about The Internet here:

You can learn more about Steve Lacy here:

You can learn more about Tyler, The Creator here:

Just as a beautiful palace can have a hidden curse, the internet's allure and convenience can come with unseen repercussions. Social media platforms, such as Facebook, Instagram, and Twitter, have become a prevalent part of modern life. They allow us to connect and interact with others, sharing aspects of our lives and seeking validation through likes, comments, and followers.

About The Curator - Ruth Burke

I'm a 23 year old originally from Ireland and now currently live in Liverpool after completing my undergraduate and postgraduate degrees in performance. I am not a believer that you can only like one genre of music, if a song speaks to me on another level or I just vibe with it; I'm listening to it.

I'm still trying to find my way around life so patience is my virtue!

I get myself involved in many other events and projects and also help my good friends, Go Off Sis Podcast by curating playlists for their platform.

TRACK BY TRACK REVIEW: ‘Ego Death’ – The Internet

Over the past year or two, we’ve slowly-but-surely been following the gradual dissolution of LA based hip hop collective Odd Future. Through a series of cryptic tweets from leader Tyler, The Creator at the end of May and Tyler later confirming “e veryone is focusing on their solo careers, but we’re still friends” in a recent interview with Slossfest, it became painfully clear to fans that although they haven’t ‘broken-up’ per se, OFWGKTA (Odd Future Wolf Gang Kill Them All) are certainly no longer the tight-knit crew that they used to be, since forming way back in mid 2006-2007. Reactions amongst fans were mixed; many were upset (me), many anticipated the dissolution and claimed they’d seen it coming for years (me), and many saw it as a breakthrough for each of the over ten musical acts of the collective to branch out, progress, and advance onto bigger and better projects which they’re all capable of achieving on their own (also me).

For Odd Future members Syd Tha Kyd, 23, and producer Matt Martians, 26, creators of soul/R&B band The Internet, steering away from a large part of the spotlight and controversies surrounding Odd Future is not something they’re new to. Despite the now 6-piece band preferring to keep relatively low key since their breakthrough in 2011, The Internet have garnered more and more recognition outside the OF fanbase – a label that seems almost impossible to disassociate with – earning a well deserved spot as one of the most interesting and promising acts in R&B/soul music today. Four years and three albums later, and The Internet have found their sound, their wings, and four new members. Patrick Paige II (bass), Christopher Allan Smith (drums), Steve Lacy (guitar) and Jameel Bruner (keys) joined Syd and Matt to complete the band for their recent third release, Ego Death , out now.

Album opener “Get Away”, a fast paced R&B track, kicks Ego Death off to a fiery start. Syd discusses the highs and lows of living a luxurious life, diving into issues such as a former lover who’s interest only becomes apparent again now that she’s successful, as well as detailing her own constant efforts to stay true to her roots and upbringing. The airy hook features simple lyrics: “roll up an L and light it / Let’s go to space / Be my co I’ll be the pilot / Lets get away” which I found remarkably similar to Odd Future affiliate Tyler The Creator’s “Pilot” and “Okaga, CA” from his latest release Cherry Bomb, which explores similar lyrical themes and metaphors relating to space, flying and even a track titled “Pilot”. The likeness already has me summoning all the willpower I can not to skip straight to final track, “Palace/Curse”, which features Tyler himself (see, the crew are all still cool!). “Get Away” is a flawless album opener, launching Ego Death into all of the R&B/soul glory that it is.

“ Gabby” is a sultry R&B jam with funky head-bopping bass chords and dreamy vocals from R&B/soul musician Janelle Monae. “Gabby” marks the first collaboration between The Internet and Janelle, and with the way both ladies’ voices effortlessly complement each other, hopefully not the last. The pair blend so well that admittedly at first it was barely noticeable that Janelle and Syd were both harmonizing on the hook, and I found myself replaying the song a few too many times before actually making the connection. The last minute of “Gabby” sees the song change up to a faster paced beat, with angelic background harmonizing from Janelle and a final verse from Kyd, a dazzling soulful effort from the two.

3. “Under Control”

Categorizing music with different emotions and feelings is one of my favourite ways to describe a song, and next track “Under Control” feels instantly happy and warm. Kyd croons lyrics: “I need you to know, it’s under control, I got it” creating a chorus that’s a guaranteed bad-mood-changer. Kyd’s vocals are smooth and comforting, and the gentle guitar, drums and jazzy production makes for one of The Internet’s most soothing ‘feel goooooood’ tunes to date.

4. “Go With It”

“ Go With It” features one of my favourite rappers of the moment, up and coming Roc Nation signed Vic Mensa. In a recent interview with allhiphop, Syd discussed how the Vic Mensa collaboration came to be, saying “ We talked about working with Vic when we first met him. Then one day he was in L.A. We were at the studio and he came through. We played him the [“Go With It”] beat. I knew I wanted a rapper on it. We were originally going to get Tyler on that particular song, but we decided that we wanted to do a song with Tyler that he helped produced or produced himself. We wanted that side of him as well. So when Vic came through, I thought, ‘He would be perfect to put on this. It makes more sense.’” Vic’s verse is fun, natural and easy going, and with his verse at the beginning of the song he’s able to flawlessly set up the mood of the entire tune. The hook is packed full of good vibes, lyrics: ‘ girl, just go with it / lose control, just roll with it / take your time, you’re learning baby / oh girl, it’s all good’ are blissful and euphoric. The track isn’t complete before the beyond catchy bridge where Kyd repeats the addictive “ shake shake, shake shake ” over finger clicking and delicate chords, confirming “Go With It” to be one of Ego Death ‘s finest jams.

5. “Just Sayin/I Tried”

“ Just Sayin/I Tried” is a two part track, the first of which a catchy, empowering ‘don’t-give-a-fuck’ anthem. The lyrics of “Just Sayin” are sassy, blunt and full of attitude from Kyd, some stand outs being: “now I don’t even want you, can’t believe I wrote another song about you” and: “I don’t even want you, and I noticed that I’m better off without you / now that I got some cash flow, and I have everything I’ve ever asked for”. Naturally, Syd manages to make harsh words sound like heaven, her effortless flow over the lyric “you fucked up” making the phrase sound more like a compliment. The transition from “Just Sayin” to “I tried” is silky smooth, slowing the track into a nostalgic account as Kyd reflects on someone who is no longer in her life. I adore the metaphor Syd uses in verse three comparing the subject to flower petals, hoping that the two of them “blossom” once again instead of just being “fallen petals” in Autumn.

6. “For The World”

“ For The World” bursts straight into life, lyrics “Cigarettes and sex are on your breath again” opening the song to an electrifying and super jazzy feel. Syd’s voice arrangement reads like poetry floating on a page as she transitions from the first verse to the chorus, the hypnotic echoing on line “if not for me, for the world” is simple yet undeniably enchanting.

7. “Girl”

The albums second single, “Girl”, was already enough for Ego Death to completely capture my soul before even listening to the full length record. Produced by Haitian-Canadian producer Kaytranada, “Girl” is lustful and sexy à la first single “Special Affair”, even seeing hints of psychedelic-soul on the sensual track. Kaytranada’s hypnotic beat is impossible not to groove to, and I was pleasantly surprised to discover that the album version is 6:55 in length instead of the 5:21 music video. Kaytranada develops the extra one and a half minutes into an even more entrancing slowed down beat featuring his signature bass synths, complete with passionate background vocals and an extra verse from Kyd.

8. “Special Affair”

When first single “Special Affair” dropped, it was apparent almost right away that Ego Death would have low key pop components as well as the usual soul/R&B that we’re used to hearing from The Internet. In a recent interview with The Fader, Kyd admits that Special Affair was a bold move for her, stating ‘“ I bet this patron make you feel nice and comfortable” was actually a joke. I was stuck on the lyrics, I was spinning around in my chair, I was just being funny. I started laughing. She [a cowriter] was like, “Oh that’s tight!” And I was like, “No.” She was like, “Nah that’s dope for real!” Writing this album was a lot of me letting go and just saying, “Fuck it.” The single is a new sound to get adjusted to upon the first listen, but as expected, after just two plays I was already hooked on the mysterious, sultry “ I bet this patrone ” which fades out towards the end of the track, the deep bass throughout the tune and simple guitar strums added to the hook, which all make for a pretty fire first single.

9. “Something’s Missing”

Track 9, “Something’s Missing”, has me visualising sunset and long drives, the ideal song missing from everyones summer playlist. Appropriate beachy bongo-like drums introduce the tune with the first verse detailing a summer road trip setting, lyrics “T here’s nothing like a nice drive in the summer time / sunshine with the groove goin’ to help you move on / so get a move on, get your mood right to start a new life ” make for another classic uplifting Internet tune to add to the seemingly never ending list. At 3:37 an instrumental change occurs, the beat becomes slower and jazzier, and an unknown male vocalist repeats the heavenly “ she only wanna get down / when no ones around ” for the remaining three minutes of the song. And man, it is TOO. NICE. ON THE EARS. I’m convinced I could listen to the second half of this track on repeat forever.

10. “Partners In Crime Part Three”

Following tracks “Partners In Crime” and “Partners In Crime Part two” on two of The Internet’s previous releases Purple Naked Ladies bonus EP (2012) , and Feel Good (2013) , comes track 10, “Partners In Crime Part Three”. The three “Partners In Crime” installments are soulful love songs contrasting with badass lyrics, the first and second of which detail Syd imagining a life where her and her girl rule the world, and both songs are very similar in sound. Part Three, sound wise, is completely different from what we’ve heard on parts one and two, but focuses on similar lyrical content recounting the pair driving around, running from trouble, and yet again being partners in crime, this time on the run from police with “ kilo’s in the backseat ” and “ million in the breifcase ” . Syd uses weather as a metaphor for the trouble the two will get into if they’re caught out, my favourite of which being “ just me and my girl, it’s okay / I welcome the rain ”, symbolizing herself caring little about the rest of the worlds bullshit so long as her love stays by her side through it. A similarly effective metaphor, “ You stood beside me through the stormy weather / you know one little storm could last forever / and who would’ve thought we’d end up on the run, the run ”, can be heard on the bridge. “Partners In Crime Part Three” is a ‘ride or die’-esque anthem, an enthralling third chapter to the “Partners In Crime” trilogy.

11. “Penthouse Cloud”

“ Penthouse Cloud” explores something a little different than The Internet’s usual laid back, mellow lyrical themes. Over pretty chords, Syd delves into some not-so pretty topics, including life after death, God, heaven, and racial issues on Ego Death ‘s second to last track. “ Did you see the news last night? They shot another one down / does it even matter, why? Or is it all for nothing? ” The first verse is brief and to the point, Kyd referring to the many recent deaths among unarmed, innocent black youth in America, including the shooting of Michael Brown in Ferguson last year and the recent fatal Charleston church shooting just last month which both have yet to receive the justice that they deserve. Kyd questions God and his creations on the songs chorus, wondering if the world as it is today, substantial flaws and all, is what he had planned: “ Father, oh lord in heaven, is this how you saw it? When you made your creation / is this what you wanted? ” Syd’s voice is that of a whisper almost the entire track, adding to the agonisingly distinct heartbreak clear in her voice. “Penthouse Cloud” is emotional and raw, a break from the majority of upbeat feel-good songs featured on the album.

12. “Palace/Curse”

Ego Death ‘s final track “Palace/Curse” is a two part collaboration between Syd, Tyler, The Creator and The Internet’s Steve Lacy (. ). The first song, “Palace”, is very 80’s-esque, with Tyler channeling a typical too-enthusiastic party host hyping up his guests at various points throughout the song. Tyler has stated before that he’d like to move away from rapping and sing more (he delves into this on latest release Cherry Bomb – songs such as “Fucking Young/Perfect” and “Okaga, CA”), and despite his disdain for his signature deep voice, we can clearly hear Tyler trying his hand at singing once again on “Palace”. Tyler’s verse explores a couple of themes that OF fans will be familiar with. T discusses a pretty girl that he’s attracted to, who he wants to come over to his place, hang out with him and just do cool shit together. The simple theme of hanging out with a girl is a common one for Tyler, but nevertheless, Tyler doesn’t fail to incorporate the seemingly ordinary topic with many intriguing concepts and storylines (see: “Analog”, “2Seater” and “Bimmer”). Another significantly reoccurring theme of Tyler’s which we hear on “ Palace” is ‘finding your wings’, which was one of the main themes throughout Cherry Bomb . With Syd and Tyler both harmonizing at the end of the verse, Tyler’s “ wings on my back if you wanna fly away ” is an ideal lyric to set up the floaty hook. Tyler is obviously continuing this ‘find your wings’ theme beyond his latest record, his uplifting spirit is extremely contagious and hard not to love. The songs hook see’s Syd inviting her own female interest into her palace, which just like Tyler explored in his verse, has “ everything you’ve ever wanted .” Syd’s vocals are dreamy and soulful as she builds on the the same themes of Tyler’s verse, their two personalities contrasting faultlessly. Tyler continues his party host persona on two interludes follow ing the hook, and on the second of which, he introduces second song, “Curse”, where he confesses in a whisper, “ Syd just sent me some new Internet shit that I’m not supposed to play / Alright, so imma play it real low cause we ain’t supposed to hear this shit. And when I play it don’t tell nobody cause I’ll get it in trouble. So we’ll play this song real low. This is a world exclusive .” Instrumentals become somber and slower in pace, and we hear guitarist Steve Lacy for the first time as he breaks into the gorgeous hook, the repetitive “baby I’m under your curse” haunting but strikingly beautiful. Curse’s outro features audio of member Jameel Bruner leaving a voice message on Syd’s phone, where he expresses his pure love and gratitude for her and everything she’s done for him over the course of their friendship. The Internet ending Ego Death on this note feels very candid and personal, displaying just how down to earth, level headed and genuine the band are.

S yd Tha Kyd’s bold, honest and relatable lyrical content alongside the instrumental talents of Matt Martians, Patrick Paige II, Christopher Allan Smith, Steve Lacy and Jameel Bruner, makes for a record which provokes the same feeling achieved after a long, hard session at the gym. Ego Death is euphoric, relieving and incredibly refreshing. Syd’s elating vocals and picturesque storytelling ability make for a compelling journey, while instrumentals from the band create the perfect blend of R&B/soul goodness, with crucial hints of jazz, pop and psychedelia appropriately incorporated into the mix. Ego Death is a step inside Syd’s diary, as well as a giant step forward from the band’s past two albums, putting The Internet on the map as one of the most badass current acts in the R&B/soul game today – and I am here for every bit of it.

Ego Death, Odd Future Records, is out now.

Palace Curse (feat. Steve Lacy & Tyler, The Creator)

Aye, y’all ain't never been to a party before?
I don’t know what to say
But I couldn't let you get away
I was admiring your pretty face
Come to my house you can get away
I got a pool
A tennis court if you wanna play
A couple ramps if you wanna skate
Wings on my back if you wanna fly away

Come into my palace, girl
Everything you’ve ever wanted
Come into my palace girl
Even if you don’t wanna stay
It’s okay
Come into my palace
Come into my palace, girl

Yeah, you havin’ a good time tonight y’all?
I said, you havin’ a good time tonight y’all?
We haven't had a party like this in a while
Yeah it’s that new internet right here
It’s called palace, aight?
Groove, now let’s

I don’t know what to say
But I know I had to get a taste
Pretty girl, it’s a pretty day
Come to my house, you can get away
I got a view
A little weed if you wanna blaze
Couple games if you wanna play
Wings on my back if you wanna fly away

Come into my palace, girl
Everything you’ve ever wanted
Come into my palace girl
Even if you don’t wanna stay
It’s okay
Come into my palace
Come into my palace, girl

Aye, aye, aye, aye
Y'all havin’ a good time tonight y’all?
Yeah, yo
Can I get a: Hell yeah?
(Hell yeah)
Can I get a: Hell yeah?
(Hell yeah)
Can I get a: Fuck that shit?
(Fuck that shit)
Can I get a: Whoop that trick?
(Whoop that trick)
Aw, man, I hope y'all get home safe tonight, aight?
No drinking and driving
I know y'all niggas a’int got insurance with yo’ broke ass
Aw, man, I'm happy y'all came out tonight
Feel good, feel real good
Speakin’ of that listen, listen

Syd just sent me some new internet shit that I'm not supposed to play
Alright, so I'ma play it real low 'cause we ain't supposed to hear this shit
And then when I play it don't tell nobody 'cause I’ll get in trouble
So real low

Baby, you made me believe I can fall in love at first
Sight, how you stopped me with your
Body, I'm under your curse
Baby, I'm under your curse
Baby, I'm under your curse

Babe, baby, you're my
My baby
You’re my darlin’, sweet thing
Love is such a sweet thing
Maybe we should try it out
See what love is all about

Baby, you made me believe I can fall in love at first
Sight, how you stopped me with your
Body, I'm under your curse
Baby, I'm under your curse
Baby, I'm under your curse

My baby, my
Gotta me, baby
My baby, my baby
My, my, my, my

Baby, you made me believe I can fall in love at first
Sight, how you stopped me with your
Body, I'm under your curse
(Don’t worry darling)
Baby I'm under your curse
(You know I’d try, but there's something about you)
Baby I'm under your curse
(Maybe, maybe it’s all meant to be)
Baby I'm under your curse
(Maybe not, I don't know)
Baby I'm under your curse
(Yeah, yeah)

What’s up my nigga
Aye man I'ma tell you something now right now man
It’s all thanks to you – it’s thanks to you –
That I was able to handle a drunk person appropriately tonight
Man, dawg, I'm just lettin’ you know dawg
I appreciate you and love you very much, Syd
You, you, you shed a light, you shed a light, you shed a very beautiful light
You my nigga dawg, forever, and ever, no matter what, you my nigga
You, matt, chris, pat, no matter what my nigga
Patrick took me to my prom
Nigga, you took me to yours, with matt, I love, man
Aye yo, hit me up, I’ll see y'all tomorrow
Peace

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However, this constant validation-seeking and comparison culture can lead to feelings of anxiety, low self-esteem, and even depression. The pressure to maintain an online persona can be overwhelming, as people often curate their lives to present a picture-perfect version of themselves, further exacerbating these negative emotions. Moreover, the internet's curse extends beyond self-image issues. The phenomenon of cyberbullying has become widespread, with individuals hiding behind screens to attack and torment others. The anonymity and distance provided by the online world can embolden individuals to engage in harmful behavior they might not otherwise consider in face-to-face interactions. This has led to devastating consequences for many victims, highlighting the dark side of the internet's impact on personal relationships and mental well-being. The palace curse the internet possesses goes beyond individuals and affects society as a whole. The spread of fake news, disinformation, and conspiracy theories has become rampant, due to the ease of sharing and the lack of accountability online. This has led to a decline in trust and credibility in information sources, making it challenging to distinguish truth from falsehood. The consequences of this phenomenon can be seen in the erosion of democracy, polarization of societies, and the rise of extremism. In conclusion, while the internet offers undeniable advantages, it also carries the palace curse - a curse that can have profound negative effects on individuals, relationships, and society. It is important to recognize and navigate the potential pitfalls of the online world, working towards a more responsible and balanced use of technology. By being mindful of the curse the internet presents, we can strive to harness its benefits while mitigating the harmful impacts it can perpetuate..

Reviews for "Unmasking the Palace Curse: Tracing its Origins in the Internet Age"

- Sarah

Rating: 2/5

I had high hopes for "Palace curse the internet" after hearing so much buzz about it, but I was left extremely disappointed. The album lacks cohesion and feels disjointed. The songs sound like a mishmash of different genres and don't flow well together. The lyrics are also quite lackluster and don't offer much depth or originality. Overall, it just feels like a half-hearted attempt at making a statement, and I was left underwhelmed.

- Mike

Rating: 3/5

I can see why some people might enjoy "Palace curse the internet", but personally, it just wasn't my cup of tea. The production is slick and the musicianship is solid, but the songs themselves are forgettable. There's nothing that stands out or grabs my attention. It all feels a bit too generic and safe, lacking any real risk-taking or innovation. Overall, it's a decent album, but nothing special.

- Emma