The English rock band Savoy Brown is known for their blues-influenced sound. However, there is another side to their music that often goes unnoticed - an occult aura that gives their songs a witchy feeling. With their dark and mysterious lyrics, Savoy Brown creates an atmosphere of intrigue and mysticism. The band's founder, Kim Simmonds, has admitted to being influenced by the works of occultist Aleister Crowley, as well as the mysticism of the Tarot. This influence can be heard in songs like "Street Corner Talking" and "Witchy Feelin'", where the band delves into supernatural themes and the unseen realms. One of the key elements that contributes to the occult aura of Savoy Brown is their use of mysterious and ethereal guitar tones.
You can see the LP's track listing below.
The album features singer and guitarist, and founding member, Kim Simmonds backed by bassist Pat DeSalvo and drummer Garnet Grimm, Simmonds rhythm section since 2009. Besides the early success of their new album, Savoy Brown are also marking the 50 th anniversary of their debut album, Shake Down , which came out only in the U.
One of the key elements that contributes to the occult aura of Savoy Brown is their use of mysterious and ethereal guitar tones. Simmonds' guitar playing is often described as hypnotic, and his ability to create haunting melodies adds to the sense of otherworldliness in their music. This is particularly apparent in songs like "Louisiana Blues" and "She's Got a Ring in His Nose and a Ring on Her Hand", where the guitar solos take on an almost transcendental quality.
Savoy Brown Celebrate 50th Anniversary With New Album, ‘Witchy Feelin’
Veteran blues-rock band Savoy Brown have just released their latest album, Witchy Feelin’. And you can check out the song that opens the record, “Why Did You Hoodoo Me,” below.
Witchy Feelin’ has already gone to No. 1 on Billboard's blues chart and has topped iTunes’ Blues "Top Albums" list. The album features singer and guitarist, and founding member, Kim Simmonds backed by bassist Pat DeSalvo and drummer Garnet Grimm, Simmonds' rhythm section since 2009.
You can see the LP's track listing below.
This is the band’s fourth studio release on Ruf Records, following Voodoo Moon (2011), Goin’ to the Delta (2013) and The Devil to Pay (2015). The running theme of the albums' titles is no coincidence. “Blues has always dealt with themes of the devil, witchcraft and so forth, and I've always written along those lines,” Simmonds said.
Besides the early success of their new album, Savoy Brown are also marking the 50 th anniversary of their debut album, Shake Down, which came out only in the U.K. back when they were known as the Savoy Brown Blues Band. Over the years, Simmonds has seen many musicians come and go from the band, including future Foghat members Lonesome Dave Peverett, Tony Stevens and Roger Earl.
Simmonds, however, said he's more interested in the present and the future than dwelling on the past. “I'm amazed that I still have the energy inside me to play guitar, create music and write songs," he said. "I've been blessed in my life and I thank God for that. I've never been a believer in holding on to the past. I don't look over my shoulder and congratulate myself. I always want to climb the next mountain, and I'm very pleased with this new album."
Savoy Brown, 'Witchy Feelin’' Track Listing
“Why Did You Hoodoo Me”
“Livin' on the Bayou”
“I Can't Stop the Blues”
“Witchy Feelin'”
“Guitar Singer”
“Vintage Man”
“Standing in a Doorway”
“Memphis Blues”
“Can't Find Paradise”
“Thunder, Lightning And Rain”
“Close to Midnight”
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Witchy Feelin’ has already gone to No. 1 on Billboard's blues chart and has topped iTunes’ Blues "Top Albums" list. The album features singer and guitarist, and founding member, Kim Simmonds backed by bassist Pat DeSalvo and drummer Garnet Grimm, Simmonds' rhythm section since 2009.
In addition to their musical style, Savoy Brown's album artwork and stage presence also contribute to their witchy feelin'. Their album covers often feature dark and enigmatic imagery, such as tarot cards, mystic symbols, and witchcraft-related themes. This visual representation further reinforces the occult aura that surrounds the band. While Savoy Brown may be primarily known for their bluesy sound, their music possesses a certain occult aura that gives it a witchy feeling. It is this combination of dark and mysterious lyrics, haunting guitar tones, and enigmatic visuals that creates a unique and captivating experience for listeners..
Reviews for "The Enigmatic Witchy Feelin' of Savoy Brown's Occult Sound"
- John Smith - 2 stars - I was really disappointed with "Occult aura of savoy brown witchy feelin". The album lacked any structure or cohesion, and the songs all seemed to blend together into one unmemorable piece. The lyrics were hard to understand and didn't make much sense, and the overall production quality was quite poor. I had higher hopes for this album, but it just didn't deliver for me.
- Emily Johnson - 1 star - "Occult aura of savoy brown witchy feelin" was a complete letdown. The album lacked originality and sounded like a cheap imitation of other artists in the genre. The vocals were off-key and grating, and the instrumentals were repetitive and boring. I couldn't wait for the album to end, and I definitely won't be listening to it again.
- Andrew Thompson - 2 stars - I wanted to like "Occult aura of savoy brown witchy feelin", but it was just too strange for my taste. The songs were experimental to the point of being inaccessible, and it felt like the artist was trying too hard to be unique. The album lacked any memorable hooks or melodies, and it was hard to connect with the music on any level. Overall, it was a disappointing listening experience.
- Sarah Adams - 2.5 stars - "Occult aura of savoy brown witchy feelin" had some interesting moments, but overall, I found it to be a bit pretentious. The artist seemed to prioritize style over substance, and it resulted in a disjointed and confusing album. Some tracks had potential, but they were overshadowed by the self-indulgence and lack of direction. It's definitely not an album I would recommend to others.