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Black Matic Pabing is a term that refers to a type of vehicle that has gained popularity in recent years. This type of vehicle, commonly known as Pabing, is a modified version of the original jeepney, which is a popular mode of transportation in the Philippines. The term "Black Matic" is used to describe the color of the vehicle, which is usually black. This color choice is significant as it gives the vehicle a sleek and modern look, distinguishing it from the traditional jeepney. The modifications made to the original jeepney to create a Black Matic Pabing are quite extensive. The most noticeable change is the conversion of the original engine to an automatic transmission, hence the term "Matic.

I am clear. If I were any such person, you should know it.

Unfortunately, Oliver s estate carried with it crushing debt and the following years would see Bridget doing everything she could to manage the encroaching threat bestowed upon her. Many say that it was her flashy taste in dress, her smooth and flattering manner with men, and the questionable gaieties that had gone on in her two taverns, which led to people gossiping about her as a witch as far back as King Philips War.

The most noticeable change is the conversion of the original engine to an automatic transmission, hence the term "Matic." This modification makes the Black Matic Pabing easier to drive and more comfortable for both the driver and passengers. Additionally, the interior of the Black Matic Pabing is often upgraded to provide a more luxurious and comfortable experience.

Bridget Bishop
Written By Sarah-Nell Walsh

Actress Rebekah Clinard as Bridget Bishop in History Alive production of 'Cry Innocent,' by Mark Stevick, Salem, Summer, 1999.

Bridget Bishop has developed into a colorful character in the legendary history of Salem Village. As the first woman tried and executed as a witch during the Salem witchcraft trials, she has attracted a lot of imaginative speculation about her character and behavior.

The Bridget Bishop that is most commonly portrayed is one who kept a house of refreshment for travelers, and a shuffle board for the entertainment of her guests. She generally seemed to have exhibited certain behaviors and appearances that exposed her to some scandal. She wore a showy costume for the austere Puritan times -- a red bodice. Her freedom from the severity of Puritan manners and disregard of conventional decorum in her conversation and conduct brought her into disrepute, so the tongue of gossip was generally loosened against her. She is portrayed as a folk heroine in Salem's story. A spirited, feisty, buxom, and lusty woman who flaunted Puritan morals with a happy public house where drinking and gambling occurred. Many say that it was her flashy taste in dress, her smooth and flattering manner with men, and the questionable gaieties that had gone on in her two taverns, which led to people gossiping about her as a witch as far back as King Philips War.

This, however, is not the same Bridget Bishop of history. Research done by historian David Green indicates that scholars and writers have confused Bridget Bishop of Salem with Sarah Bishop, a tavern keeper in Salem Village. Bridget Bishop lived on a small piece of property in Salem Town and was between fifty-five and sixty-five in 1692, when she was accused of witchcraft. The account below follows the more historically accurate description of Bridget Bishop's life, taken from Bernard Rosenthal's book Salem Story.

In 1666, the widow Bridget Wasselbe married Thomas Oliver and had a daughter named Christian. This marriage was less than idyllic. In 1678, Bridget was accused of calling her husband names on the Sabbath, and both she and her husband were sentenced to stand gagged in the market place for their offenses. In January 1679, Bridget and Thomas were both sentenced to be whipped for fighting. It was not unusual for Bridget's face to be battered during her marriage to Thomas Oliver. In 1680, she was accused of witchcraft. This accusation could have been facilitated by Thomas' claim that "she was a bad wife . . .the devil had come bodily to her . . . and she sat up all night with the devil." (Charles Upham, Salem Witchcraft). This accusation occurred after her husband died without leaving a will, and seems to be the classic case of a vulnerable, propertied woman being accused of witchcraft. She posted bond, and there is no record of any punishment. In 1687, she was charged with stealing brass objects. Her record then remains clean until she is brought up on witchcraft charges again in April 1692.

On April 19, 1692 at her examination, Bridget Bishop began her testimony with courtesy and deference. This deferential attitude soon gave way to anger as she realized that denying her involvement was not an effective strategy. The afflicted girls were in the courtroom swooning in response to the imagined spectral advances of Bridget Bishop. Magistrate John Hawthorne unleashed his loaded questions, asking, "How is it that your specter hurts those in this room?" Bridget replied, "I am innocent to a witch. I know not what a witch is." Hawthorne turned this answer to his advantage by asking, "How can you know, you are no witch, and yet not know what a witch is." She replied, "I am clear: if I were any such person you should know it." Although it is not clear what Bridget meant by this comment, Hawthorne clearly took it as a veiled threat and replied, "You may threaten, but you may do no more than you are permitted" (Salem Witchcraft papers). No one can know for certain if this bold interchange earned Bridget Bishop the distinction of being the first hanged on the gallows.

On May 27, Phips established a special court of Oyer and Terminer to try those accused of witchcraft. On June 2, Bridget Bishop was the first person tried in the new court, perhaps because her previous witchcraft accusation made her a likely candidate. In her trial, spectral evidence was given an unprecedented status. She was charged with "tortur[ing], afflict[ing], pin[ing], consum[ing], wast[ing]: & torment[ing] her victims," Abigail Williams, Ann Putnam Jr., Mercy Lewis, Mary Walcott, and Elizabeth Hubbard. Bridget vehemently denied the charges at her trial, believing that to be the only way to avoid execution. She did not realize that her only hope lay in confessing to witchcraft. When Cotton Mather wrote of the evidence against her in his book Wonders of the Invisible World, he included preposterous stories that could best be called gossip. One such story recounts that Bishop cast a glance upon Salem meeting house, while walking under guard. This "look" caused a board, which had been fastened with nails, to be removed to another portion of the house. Her case served as a model for future cases to come, following a very predictable pattern. The "afflicted" persons made their accusations, which were denied by the accused; members of the community told of past acts of witchcraft by the accused; and one or more confessors validated the claim of the accusers. The court used spectral evidence as the primary legal basis to convict Bridget Bishop. Hanged on June 10, her death warrant emphasizes only the harm done to her accusers, primarily on the day of her examination, as the legal justification for the execution.

David Green, "Salem Witches I: Bridget Bishop," The American Genealogist, Vol. 57, No. 3. 1981: 130-138.

Charles Upham, Salem Witchcraft, 1867.

Bernard Rosenthal, Salem Story,1997.

Bridget’s trial for witchcraft in 1692 was held in the town house only steps from her home. One block in the opposite direction and a few blocks north stood the old wooden 1684 jail (now corner of Federal and St. Peter streets), from which Bridget was carted to Proctor’s Ledge (7 Pope Street) and unjustly hanged for witchcraft on 10 June 1692.

The seats are usually upholstered with high-quality materials, and air conditioning systems are installed to ensure a pleasant ride, especially during hot weather. The Black Matic Pabing also features modern amenities such as USB charging ports, entertainment systems, and WiFi connectivity to cater to the needs of passengers who are constantly connected. The exterior design of the Black Matic Pabing is also given great attention. It is common to see vibrant and eye-catching decals, often showcasing local culture or personal messages. These decals, along with the black color, help the Black Matic Pabing stand out on the roads. One of the main reasons for the popularity of the Black Matic Pabing is its ability to offer a unique and modern transportation experience while still retaining the cultural heritage of the original jeepney. It combines the traditional elements that Filipinos have grown to love with the conveniences and comforts of modern technology. In conclusion, the Black Matic Pabing is a modified version of the original jeepney that features extensive upgrades and modern amenities. It is characterized by its black color and sleek design. The popularity of the Black Matic Pabing is a testament to its ability to provide a unique and comfortable transportation experience while still honoring the cultural significance of the original jeepney..

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