michiyo murase

Residual 2 rings and amulets are powerful artifacts in the world of magic and mysticism. These items carry residual energy from their previous owners and possess unique properties and abilities. Rings and amulets have long been used as symbols of power and protection. They are worn on the fingers or around the neck, close to the body, to harness their magical properties. Residual 2 rings and amulets are particularly special because they retain the energy and essence of their past owners. The residual energy in these artifacts can be both positive and negative.

To accompany the exhibition, a 52-page catalogue was published, with an essay by Julie Crenn and an interview with Lassla Esquivel. Texts are in English and French. The publication was designed by Fraser Muggeridge Studio.

Imitating in trompe l oeil many such original tiles, I also use them as a departure point for my own imaginary ones, bringing imagery from other sources. Dickinson devoted at least 96 of her poems to images directly associated with the sea, to themes such as drowning, the tides, and the confrontation between sailors and their environments.

The residual energy in these artifacts can be both positive and negative. It depends on the history and experiences of the previous owners. This residual energy can enhance the magical abilities of the wearer or protect them from certain types of harm.

Alicia Paz

I am fascinated by how we find different versions of Delftware and other blue and white ceramic traditions in several parts of the world: originating in China and Persia, but also in Mexico, England, Holland, Portugal, Spain and Brazil. Imitating in trompe l’oeil many such original tiles, I also use them as a departure point for my own imaginary ones, bringing imagery from other sources. The resulting works represent tiled walls, figures, (some with speech bubbles), reflecting, across time and across cultures, a dialogue between women, their shared creativity and historical legacy. I use this series to claim a kind of matrilineage, paying homage to women I find inspiring, as well as placing emphasis on ceramics not only as a craft but as high art. The heavily textured ‘gold’ frames and outlines express not only a celebratory theatricality, but also, metaphorically, the notion of reparation, as in the Japanese Kintsugi, where broken ceramics are mended with gold junctions.

Detail of “Courage Calls to Courage Everywhere”

Juntas (Together), 2020, group of small format portraits, dimensions variable, oil and mixed media on canvas (ongoing series). The portraits are meant to constitue a reflection on the construction of identity, as a metaphorical self-portrait or personal “family tree”, representing women thinkers, writers, artists, and also cherished friends and family members who have inspired, influenced, and/or helped me over the years. I hope to claim a kind of matrilineage and sisterhood through this series, combining History (with a capital “H”) with personal narrative. I wish to humbly pay hommage to remarkable women, as a continuing, fluid, and growing ensemble of works. In this particular image, we see portraits of Mary Wollstonecraft, Anna Julia Cooper, Mary Shelley, Gabrielle Suchon, Sonia Delaunay, Olympe de Gouges, Harriet Taylor Mill, Angelina Grimké, Simone de Beauvoir, Ana Mendieta, and Germaine de Staël.

This series was presented in a solo exhibition at the Maison de l’Amérique latine in Paris in 2022, co-curated by Julie Crenn and Lassla Esquivel. The exhibit was supported by Fluxus Art Projects, Arts Council England, and Cité Internationale des Arts, Paris. A catalogue launch and various artist talks were held during the period of the show, also at the Mexican Cultural Institute in Paris.

Curated by Julie Crenn and Lassla Esquivel, accompagnied by a 52-page colour catalogue designed by Fraser Muggeridge studio

To accompany the exhibition, a 52-page catalogue was published, with an essay by Julie Crenn and an interview with Lassla Esquivel. Texts are in English and French. The publication was designed by Fraser Muggeridge Studio.

Pirates and Poets I, 2021, 190 x 130 cm, mixed media on canvas. Here, the silhouette of a female figure on the left holds up her hand to listen carefully to the multitude of voices she can hear, coming from many directions. Extraordinary poets such as Emily Dickinson and Sylvia Plath, iconic Blues singers such as Nina Simone and Billie Holiday, as well strange, mythological creatures, all “speak”, or are themselves spoken about. These artists intermingle across the canvas with historical female pirate figures such as Ching Shih, Mary Read, and Anne Bonny. Poetry, as an audacious, free exploration of the self, is akin to the brave and daring transgression of female piracy. So too, the depths of the human soul are as dark and mysterious as an ocean. Dickinson devoted at least 96 of her poems to images directly associated with the sea, to themes such as drowning, the tides, and the confrontation between sailors and their environments. Elsewhere in the painting, the recurring depiction of tulips refers to Sylvia Plath’s darkly metaphorical poem by the same name.

Pirates and Poets I (detail 2)

I am fascinated by stories of shared creativity. Aretha Franklin covered some songs by Carole King, who in turn was partially influenced by Gospel music. Here, the speech bubbles represent the intertwining of creative authorship.

Breaking Glass – Drop some silverware onto a metal tray for a sound like breaking glass. Beware – this is loud!

The process of creating a residual 2 ring or amulet involves imbuing the item with the energy of the previous owner. This can be done through rituals and spells, transferring the essence of the individual into the object. It is a complex and delicate process that requires powerful magic. The wearer of a residual 2 ring or amulet can benefit from the unique properties of the previous owner. For example, a ring once worn by a powerful sorcerer may grant the wearer increased magical abilities or knowledge. An amulet worn by a warrior may provide protection and strength in battle. However, wearing a residual 2 ring or amulet also comes with risks. The residual energy can contain traumas, negative emotions, or even curses from the previous owners. It is important for the wearer to be aware of their own magical capabilities and to learn how to harness and control the energy of the artifact. Additionally, the residual energy in these artifacts can fade over time, losing its potency. It is essential to recharge the item periodically, either by performing rituals or by tapping into one's own magical energy. Residual 2 rings and amulets are sought after by collectors and practitioners of magic. They are regarded as valuable and powerful items that can greatly enhance one's magical abilities and knowledge. However, they should be approached with caution and respect, as they are not to be taken lightly or used recklessly..

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