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Magic Knight Rayearth is an underrated anime series that would go on to have a humble place in anime history. Not only was it one of the few high-fantasy anime in the ’90s to have female protagonists, but the series took a relatively simple premise and expanded on it. Here are a few reasons Magic Knight Rayearth is an adventure worth watching.
In the years since the premiere of Magic Knight Rayearth , the isekai subgenre has been booming, with the advent of anime such as Sword Art Online and That Time I Got Reincarnated As A Slime. It s certainly nothing on the level of Madoka Magica, but let s just say that as the plot progresses, things start to get darker and slightly more depressing.
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"Magic Knight Rayearth": The Quest To Save Cephiro!
Next year will mark the 20 th anniversary of the very first manga to ever get me into the world of Japanese animation. To celebrate I dusted off the Magic Knight DVDs and traveled back to the land of Cephiro with Umi, Fuu, and Hikaru. Magic Knight Rayearth was one the very first magical girl series, and has defiantly stuck with me throughout the years as one of my all-time favorites.
The story starts with three high school students, all from different schools, on a class trip to Tokyo Tower, when the cries of Princess Emeraude, the pillar of the world of Cephiro, summon them from Japan into her own world, to help save it from the evil reign of the Lord Zagato. Once there they team up with the Master Mage Clef and a small create call Mokona in order to save Cephiro and find the Princess. In this world, a person’s will-power gives them strength, and can alter the world. Evil will creates monsters, while good while creates miracles. The Princess is the pillar of the world because her will is stronger than any other, so she must pray for the world to keep it safe. The high priest Lord Zagato has her captive however, keeping her from praying for the world. The three girls are charged with finding and using the power of the ancient rune gods in order to defeat Zagato and restore order to the world.
While Rayearth may not have the shining new look of today’s manga, it still holds its own after nearly 20 years since its production. The magical girl theme may seem a bit stale in this day and age, to go back and see one of the very first of its kind is a whole different matter, but it is truly amazing to see the differences that have emerged throughout the years. It does have its obligatory cutesy moments with the girls in little chibi forms and cat ears, yet it still manages to maintain a level of gravity that most modern shows seem to forsake. The plot lines, no matter how big or small they all, are all very fleshed out and full of story. The girls meet a woman to forge their magical weapons which grow stronger with them, and find in her an almost mother figure in the harsh world of Cephiro.
In terms of honoring the story, the anime follows the manga during the first season almost perfectly, aside of the inclusion of one made-up character. The second season, however, has even larger discrepancies in terms of major plot points that can be a bit aggravating for fans of the manga. In general however, both seasons are still demanding of attention for holding to a time when the quality of shows was at a bit of a higher importance level. With modern shows sinking into more and more fan service and less and less plots, Rayearth is a classic. The classics will never be bad, just old, and they don’t suffer for it.
For anyone looking to go back in time and see what some of the classics truly are like, they should look into Magic Knight Rayearth.
FINAL GRADE:
Anime Version: 4.5 (out of 5)
Original Manga: 4.8 (out of 5)
Written by Saignement
The story starts with three high school students, all from different schools, on a class trip to Tokyo Tower, when the cries of Princess Emeraude, the pillar of the world of Cephiro, summon them from Japan into her own world, to help save it from the evil reign of the Lord Zagato. Once there they team up with the Master Mage Clef and a small create call Mokona in order to save Cephiro and find the Princess. In this world, a person’s will-power gives them strength, and can alter the world. Evil will creates monsters, while good while creates miracles. The Princess is the pillar of the world because her will is stronger than any other, so she must pray for the world to keep it safe. The high priest Lord Zagato has her captive however, keeping her from praying for the world. The three girls are charged with finding and using the power of the ancient rune gods in order to defeat Zagato and restore order to the world.
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Reviews for "A Journey through the Beyond: Navigating Magkcal Fantasua Bridgepory"
1. John - 1 out of 5 stars - This book, "Magkcal fantasua bridgepory", was an absolute nightmare to read. The plot was convoluted and confusing, and the characters were poorly developed. It felt like the author was trying to cram too many ideas into one story, resulting in a messy and disjointed narrative. Additionally, the writing itself was lackluster and filled with grammatical errors. I was constantly pulled out of the story by the numerous spelling mistakes and awkward phrasing. Overall, I would not recommend this book to anyone looking for a well-written and coherent fantasy tale.
2. Sarah - 2 out of 5 stars - I really wanted to like "Magkcal fantasua bridgepory" because I enjoy fantasy novels, but I found it extremely difficult to get into. The world-building was inadequate, leaving me confused about the setting and the rules of the magical system. The pacing was also a major issue; the story dragged on and lacked any sense of urgency. The characters were forgettable and lacked depth, which made it hard for me to care about their fates. I was disappointed by the lack of originality and the predictable plot twists. Unfortunately, this book fell short of my expectations and left me feeling unsatisfied.
3. Emily - 2.5 out of 5 stars - "Magkcal fantasua bridgepory" had an interesting premise, but it failed to deliver on its potential. The plot meandered without clear direction and lacked a cohesive structure. The dialogue felt forced and unnatural, making it difficult to connect with the characters. The world-building was superficial, leaving many unanswered questions. The writing style was also inconsistent, with moments of beautiful prose followed by passages that felt rushed and poorly edited. While there were moments that showed promise, overall, this book fell flat and left me wanting more substance and depth.