Irish Folklore and Celtic Witchcraft

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Celtic witchcraft traditions are a rich and diverse set of practices that originate from the ancient Celtic people of Europe. These traditions date back thousands of years and have been passed down through generations, enriched by the experiences and beliefs of each new practitioner. One key aspect of Celtic witchcraft is its strong connection to nature. The Celtic people had a deep reverence for the natural world and believed that everything in nature, from the trees to the animals, possessed a spirit. In this tradition, witches would often work closely with nature, using herbs, plants, and natural elements in their spells and rituals. They would also celebrate the cycles of the moon, the changing seasons, and the solstices and equinoxes as important markers of spiritual energy.

Geometric magic square

They would also celebrate the cycles of the moon, the changing seasons, and the solstices and equinoxes as important markers of spiritual energy. Another important element of Celtic witchcraft is the belief in the existence of the Otherworld, a realm inhabited by divine beings and ancestors. Witches would often seek guidance and assistance from these beings in their magical practices.

Geometric Magic Squares

The magic square, where an n x n grid is constructed with numbers in each cell that add to the same number across, up and down and diagonally, has long been a staple of recreational mathematics. The Lo Shu, a 3x3 magic square, originated in ancient China over 2,000 years ago and may be where the word “magic” was first associated with the squares. With this book, the field of magic squares is dramatically expanded.

Sallows uses geometric figures placed inside a grid so that the aggregation of the shapes forms the same structure as one moves across rows, down columns or diagonally. In some cases, the shapes across are not the sames as the shapes down, although all across are the same and all down are also the same. It is basically a repeated dissection problem.

The mathematics is elementary, basically simple addition of variables with cancellation. For example, in one construction, Sallows starts with squares and then defines a small set of attached structures, each of which is represented by a letter. If the structure protrudes, then it is assigned a plus and if it is recessed it is assigned a minus. Therefore, when a protrusion matches a recession, the two cancel out. If the base square is also assigned a letter and the auxiliary structures cancel, then the sum across or down is simply three squares. Using this representation, it is not difficult to apply the basic formula for the structure of a 3 x 3 magic square to create a geometric one that resembles a jigsaw puzzle.

Sallows uses many different shapes with colors to create a large number of geometric magic squares. Given the ease of understanding what is going on, even early elementary children can understand the positive/negative cancellation of of protruding/recessed shapes. This is a book that could be used by teachers at all levels of education as a resource for learning mathematics while having fun. It also introduces a new area of recreational mathematics.

Charles Ashbacher splits his time between consulting with industry in projects involving math and computers, teaching college classes and co-editing The Journal of Recreational Mathematics. In his spare time, he reads about these things and helps his daughter in her lawn care business.

Foreword
I Geometric Squares of 3x3
1. Introduction
2. Geomagic Squares
3. The Five Types of 3x3 Area Square
4. Construction by Formula
5. Construction by Computer
6. 3x3 Squares
7. 3x3 Nasiks and Semi-Nasils
8. Special Examples of 3x3 Squares
II Geometric Magic Squares of 4x4
9. Geo-latin Squares
10. 4x4 Nasiks
11. Graeco-latin Templates
12. Uniform Square Substrates
13. Dudeney's 12 Graphic Types
14. The 12 Formulae
15. A Type 1 Geomagic Square
16. Self-interlocking Geomagics
17. Form and Emptiness
18. Further Variations
III Special Categories
19. 2x2 Squares
20. Picture-Preserving Geomagics
21. 3-Dimensional Geomagics
22. Alpha-Geomagic Squares
23. Normal Squares of Order-4
24. Eccentric Squares
25. Collinear Collations
26. Concluding Remarks
Appendix 1. Formal Definition of Geomagic Squares
Appendix 2. Magic Formulae
Appendix 3. New Advances with 4x4 Magic Squares
Appendix 4. The Dual of Lo shu
Appendix 5. The Lost Theorem
Glossary
References

The geomagic square below has a triangle made of hexagons as its target. Since there are 15 hexagons making up the triangle, this is the geometric equivalent of the famous Lo Shu numerical magic square, in which the numbers 1 through 9 occupy the 9 grid boxes, and the magic sum is 15.
Celtic witchcraft traditions

They would also honor their ancestors and work with them to gain wisdom and protection. Celtic witches also practiced divination and prophecy. They believed that they had the ability to access hidden knowledge and gain insights into the future. Many Celtic witchcraft traditions include divinatory practices such as scrying, using tools like mirrors or water, or reading the patterns in the natural world, such as the flight of birds or the shapes of clouds. In addition, Celtic witchcraft emphasizes community and the importance of connection with others. Covens, or groups of witches, would come together to share knowledge, perform rituals, and support one another in their spiritual journeys. The wisdom of the elders was highly valued in Celtic witchcraft, and young practitioners would learn from their experienced counterparts. Today, Celtic witchcraft traditions continue to thrive and evolve. Modern practitioners draw inspiration from the ancient Celtic practices but also incorporate their own personal beliefs and experiences. Each witch adds their unique perspective to the rich tapestry of Celtic witchcraft, keeping these powerful traditions alive for future generations..

Reviews for "Celtic Knot Magic: Weaving Spells with Ancient Patterns"

1. Samantha - 2/5 stars - I was really disappointed with the Celtic witchcraft traditions. I was expecting something rich and ancient, but instead I found it to be superficial and lacking depth. The rituals and spells felt recycled and didn't have the same power and authenticity as other witchcraft traditions. I also found it frustrating that there wasn't much historical context provided, leaving me feeling like I was just going through the motions without truly understanding the significance of what I was doing.
2. Michael - 1/5 stars - I have to say, Celtic witchcraft traditions were a major letdown for me. The book seemed to be more focused on commercializing and romanticizing the whole concept of Celtic mythology and witchcraft, rather than providing any real substance or guidance. The information felt cherry-picked and lacking any true understanding of the complexities of Celtic culture. It felt like a cheap attempt to appeal to the modern witchcraft trend without any real authenticity or respect for the traditions.
3. Emily - 3/5 stars - While I didn't completely hate Celtic witchcraft traditions, I have to admit that it didn't live up to my expectations. The book had a lot of potential, but it lacked the depth and practicality I was looking for. The more I delved into it, the more I realized that the traditions presented were heavily influenced by modern interpretations rather than authentic ancient practices. It felt like a watered-down version of what could have been a fascinating exploration of Celtic magic.
4. Peter - 2/5 stars - I was really excited to learn about Celtic witchcraft traditions, but unfortunately, it didn't capture my interest. The content felt disorganized and lacked clear explanations, making it difficult to follow and understand. The rituals and spells were overly simplistic, and I didn't feel a strong connection to the practices. It left me feeling unsatisfied and wanting more substance and depth. Overall, I found it to be a shallow introduction to Celtic witchcraft traditions.

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