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Visitors who secure an invitation from an academy member can dine, drink and watch magic acts at the castle. The invitation carries with it a strict dress code that notes: “When in doubt, err on the side of being overdressed.”
The Magic Castle, a familiar sight on Hollywood s Franklin Avenue, is an Edwardian manor with French and Gothic elements built in 1908 by Rollin Lane, a Redlands financier and orange grower, and his wife, Katherine. Joseph Furlow, general manager of the Academy of Magical Arts, has resigned two weeks after a story by The Times detailed allegations of sexual misconduct, racism and other issues at the Magic Castle, the famed Hollywood club for magicians.
In addition to its impressive image quality, the Black magic ursa 4i offers a number of professional-grade features. It has built-in ND filters, which can be invaluable when shooting in bright lighting conditions. The camera also supports a wide range of lens mounts, making it compatible with a variety of lenses.
A Brief And Enchanting Visual History Of Los Angeles' Iconic Magic Castle
A death-defying trick: Bill Larsen, Sr. enlists an audience members for a death-defying trick utilizing the Thayer head chopper, while Geraldine (in mock horror) and Milt look on, circa. 1940. "I grew up in a kind of Alice in Wonderland world," Milt Larsen said about his upbringing on the road in a family Vaudeville act.
T he Magic Castle, one of Los Angeles' most prized (and private) landmarks, is the headquarters of a members-only club that is intensely dedicated to the art of magic. Called the Academy of Magical Arts, the castle doors opened in 1963, but its history goes back much, much farther.
AdvertisementThe 1910-era Gothic Renaissance chateau sits in the middle of what is now historic Hollywood and was originally the personal residence of a wealthy banker, Rollin B. Lane. The mansion fell into disrepair by the late 1940s, even serving for a time as a boarding house, before Bill Larsen Jr. and his brother Milt Larsen purchased the property to breathe life into their parent's lifelong dream of opening a magic club.
The Lane Mansion under construction, 1909-1910: The Lane Mansion, which would later be rented by the Larsen brothers, was originally called Holly Chateau. It was built amidst the famous orange groves of Hollywood, California in 1910. The brothers secured the property in 1961 on nothing more than a handshake.
The Larsen family is a true magic dynasty. William Larsen, Sr. and Geraldine Larsen were pioneers in the field of magic. Geraldine was one of the rare female magicians of the day -- at a time when women were magician’s assistants (being sawed in half), not magicians themselves. She also became the first woman to perform magic on television in the late 1930s.
Geraldine Larsen performs one of her signature tricks: Geraldine Larsen, often referred to as "the First Lady of Illusion,” performs with Peterkin the rabbit -- an act that is re-enacted on stage today by her great granddaughter, Liberty Larsen, in a contemporary, live magic show.
AdvertisementOn top of all that, in 1936, the Larsens launched Genii, the longest, continually running magic magazine in the world, which is still published today. During the Depression, the family, including sons Bill, Jr. and Milt, began touring as the “Larsen Family of Magicians,” playing upscale, resort hotels all over Southern California.
Today, guests from all around the globe travel to the castle to see its high quality magic shows. The AMA’s membership includes entertainment’s most preeminent magicians and illusionists, including Penn and Teller, Lance Burton, David Blaine, and Siegfried and Roy. There is a strict formal dress code and one can only visit if already a member (or, as the plus one of a member for the evening).
The Larsen Boys: Bill Larsen, Sr. teaches young sons, Bill, Jr. (left) and Milt, the ropes of magic and an escape trick, circa. 1930.
Back in the day, Hollywood royalty like Cary Grant and Johnny Carson visited often, and today, Johnny Depp, Jimmy Kimmel, Sarah Silverman and Katy Perry are frequent guests. This year, Perry rented the whole castle out for her costumed birthday party.
The Magic Castle combines illusion and mystery with a kitschy history of Hollywood. Much of the ornate decor was rescued from wrecking balls on construction sites or from Hollywood studio sets before they were dumped into the trash. Secret doors and panels hidden all over the castle lead to the 13 different performance stages.
AdvertisementThe Huffington Post acquired vintage photos directly from the Academy of Magical Arts (many have never before been published) to see what magic used to look like.
The Larsen Family of Magicians: Bill Larsen Jr., Bill Larsen Sr. and Geraldine Larsen pictured performing the ubiquitous balls and cups trick. The family appeared at Southern California’s finest resort hotels at the time performing full, evening magic shows.
A call for members: Advertisement in Genii magazine in May 1962, soliciting membership, eight months prior to the club’s opening.
1963 issue of Newsweek: On Jan. 14, 1963, Newsweek magazine ran a story about the opening of the Academy of Magical Arts and the Magic Castle. In the article’s accompanying photo, magician Mark Wilson levitates his wife, Nani.
Jay Ose's close-up: Late magician Jay Ose (1911-1967), one of the AMA-Magic Castle’s first resident magicians, performs close-up in the mid-1960s. While the mansion was being renovated in stages, Jay lived upstairs for a time, in a room that had not yet been remodeled.
AdvertisementMilt Larsen performing his “Illusion-Delusion” effect: Larsen in in the 1970s during his signature carpenter’s magic show. The Illusion-Delusion was performed by three generations of the Larsen family.
Lane Mansion in 1920: For 30 years, Holly Chateau was one of the most recognized addresses in Hollywood and was a popular destination for the area’s social elite. Katherine Lane was a renowned hostess and hundreds of newspaper articles attest to the elegant and elaborate luncheons, teas, musicals and lawn parties held for artists, orphans, community leaders and world travelers.
Renovations for the Magic Castle begin in 1962.
The Magic Castle today.
Captions, in part, provided by the Academy of Magical Arts.
Filmmakers can choose between EF, PL, and B4 lens mounts, depending on their specific needs and preferences. Another notable feature of the Black magic ursa 4i is its large and intuitive touchscreen display. This allows for quick and easy access to camera settings and controls, giving filmmakers more control over their footage. The camera also has a built-in audio monitoring system, allowing users to monitor audio levels and make adjustments as needed. Furthermore, the Black magic ursa 4i is designed to be modular and customizable. It features multiple expansion ports, allowing filmmakers to attach additional accessories and expand the camera's capabilities. This includes options for adding on external viewfinders, wireless transmitters, and more. Overall, the Black magic ursa 4i is a powerful and versatile camera that is well-suited for professional filmmakers. Its impressive image quality, professional features, and modular design make it a reliable option for capturing high-quality footage in a variety of settings..
Reviews for "Tips for Shooting Professional-Quality Interviews with the Blackmagic Ursa 4i"
1. John - 1 star - I was extremely disappointed with the Black Magic Ursa 4i camera. The image quality was subpar and lacked the sharpness and clarity I was expecting. The camera also had several technical issues, including overheating and constant firmware updates. Overall, it felt like a cheaply made product that did not live up to its price tag. I would not recommend this camera to anyone looking for professional-grade equipment.
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4. Emily - 1 star - The Black Magic Ursa 4i was a complete waste of money for me. The camera had constant issues with overheating, even with minimal use. The battery life was also very poor, lasting only a short amount of time before needing to be replaced. The camera's autofocus was sluggish and often failed to lock on to subjects properly. I had to deal with these frustrations repeatedly during shoots, and it significantly impacted my work. I would not recommend this camera to anyone in the professional photography industry.