When it comes to interior design, there are a plethora of styles and themes to choose from. One popular and captivating style is the witchy house interior. This intriguing design concept draws inspiration from witchcraft, mysticism, and the occult. The witchy house interior embraces dark and moody tones, creating an enchanting atmosphere. Rich shades such as deep purples, forest greens, and velvety blacks are often used to create a sense of mystery and allure. These colors are typically complemented by metallic accents like brass and silver, adding a touch of glamour to the space.
Son of a Witch is a great game for co-op. However, if you are looking for a pure versus game to fight it out, try my other game:
I mean, I was totally just like, yeah right, narcs and I snuck my way right in, but now there s all these enemies to defeat and items to use and pets to get, and that s only the tip of the iceberg. It was in late August when two of the most active afflicted girls in Andover, Martha Sprague and Rose Foster, claimed the specter of Mary Parker tormented them.
These colors are typically complemented by metallic accents like brass and silver, adding a touch of glamour to the space. In a witchy house, natural materials are often favored, connecting to the earth and its elements. Wood, stone, and leather are commonly used to create a rustic and primal ambiance.
Mary Parker Home, Site of
Mary (Ayer) Parker, a widow in her mid-50s in 1692, was the only accused person in present-day North Andover who was hanged for witchcraft.
5 Johnson Street, North Andover, MA, USA
5 Johnson Street, North Andover, MA, USA
More About Mary Parker Home, Site of
Of the forty-four Andover residents who were accused of witchcraft in 1692, three were hanged for the crime. The widow Mary (Ayer) Parker, in her mid-50s, was the only accused person from present-day North Andover to be executed.
By 1692, Mary Parker had been a widow for seven years. Her husband Nathan, one of the “original proprietors of Andover” and one of the original ten members of the First Church, died in 1685. It is believed Widow Parker was living with her son John, the oldest of the couple’s five living children, in the North End. The property, inherited from Nathan Parker, was near the Town Common in North Andover today. Mary’s sister Rebecca, who was married to another “original town proprietor,” John Aslebee, lived nearby.
The first witchcraft accusations in Essex County began in Salem Village in early 1692, but didn’t reach the town of Andover until late May, when Martha Carrier was accused. Carrier was a perfect target. She was blamed for bringing smallpox to town two years earlier, resulting in the deaths of thirteen townspeople. She frequently had altercations with her neighbors. Most importantly, her brother-in-law, Roger Toothaker, was already in jail, accused of witchcraft. Toothaker’s wife Mary (Martha’s sister) and daughter were accused and arrested at the same time as Carrier. People believed witchcraft ran in families, particularly among the women.
After Martha Carrier’s arrest, there was a quiet period in Andover of about six weeks. Then Joseph Ballard, who had an ailing wife that he suspected might be under the influence of witchcraft, invited two of Salem Village’s afflicted girls to Andover to confirm his fear. Their visit, in mid-July, set off what would become the largest witch hunt in any Massachusetts town. More and more people were accused and arrested, and most confessed, believing it was the only way to survive. By this time, it was clear those who maintained their innocence were hanged, while those who confessed were not.
It was in late August when two of the most active afflicted girls in Andover, Martha Sprague and Rose Foster, claimed the specter of Mary Parker tormented them. Parker was arrested, and shortly thereafter, so were her daughter Sarah, two of her nieces, and her grandniece.
Mary Parker was first examined by Salem Magistrates John Hathorne, Jonathan Corwin, Bartholomew Gedney, and John Higginson Jr. (son of Salem’s elder minister, Reverend John Higginson). The afflicted witnesses writhed in torment in her presence, and were “cured” after being touched by Parker. The touch test was used in Salem from May until the fall, the belief being that if a witch touched an afflicted person, the evil would flow back into its source and the torment would cease. It was thought to be an acceptable method to identify the guilty.
Mary Parker was stunned by the accusations against her and asked if it was a case of mistaken identity. There was another Mary Parker in Andover, perhaps they meant her? No, there was no mistake, said the witnesses. One witness who was present was Mary Warren from Salem, John Proctor’s servant. She had a fit during Parker’s examination, and came forward with a pin stuck in her hand and a bloody mouth, saying it was Mary Parker who was to blame. Parker was held for trial.
[One can see on the map created by the Andover and North Andover Historical Societies in 1992, the Plan of Andover in the Province of Massachusetts Bay, Essex County, 1692, that there was another Mary Parker in Andover, located in the home of Stephen Parker. The home is located on the Cochichewick River, on the “way to Haverhill.” According to Charlotte Helen Abbott’s Early Records of the Parker Family of Andover, available at Memorial Library in Andover, Nathan Parker’s brother, Joseph Parker, was married to Mary Stevens. Joseph died in 1678, leaving Mary a widow. Mary, one of the couple’s two sons, and some other boys in the Stevens line, are described as non compos mentis, meaning not sane or in one’s right mind, or, as in the annotated genealogy notes, “not all right.” Mary (Stevens) Parker died in 1695, so she was alive during the time of the witch hysteria. Joseph and Mary’s son Stephen Parker was also married to a Mary, Mary Marston, who died in 1693, so she was also alive. We’ll never be sure which other Mary the accused Mary Parker was suggesting – her sister-in-law, or her niece by marriage.]
What could have brought Widow Parker to the attention of the afflicted accusers? One event from the past, involving her husband Nathan Parker, may provide some explanation. More than thirty years earlier, in 1658, prominent Andover resident Thomas Chandler agreed to take on Job Tyler’s son, Hopestill, as an apprentice. The legal contract for this arrangement was held, for safekeeping, by Nathan Parker. Four years later, for reasons unknown, Job wished to break the contract. He arranged for his eldest son Moses Tyler to steal the document from the Parker home when Nathan and Mary were away. Their children and servants informed Goodman Parker about the theft and, in the ensuing trial, Parker testified against Job and Moses. The Tylers lost the suit. Thirty-four years later, as the witchcraft accusations increased, Martha Sprague was the first to accuse Widow Parker. Sprague was the stepdaughter of Moses Tyler. Perhaps there was lingering animosity.
Mary Parker was tried during the week of September 13, 1692. Two other accused Andover residents, William Barker Sr. and Mercy Wardwell, both of whom had confessed to witchcraft, claimed that they had seen Mary Parker afflict Martha Sprague and the ailing Timothy Swan. Parker claimed innocence to the end. She was hanged, along with Mary Easty, Alice Parker, Ann Pudeator, Martha Corey, Samuel Wardwell, Margaret Scott, and Wilmot Redd, on September 22 on Proctor’s Ledge at Gallows Hill. Reverend Nicholas Noyes was quoted as saying, “What a sad thing it is to see eight firebrands of hell hanging there.”
The location of Mary Parker’s remains is unknown. Perhaps her body was brought home by family members and buried on their property, as popular tradition holds for a number of the executed.
In November of 1692, Mary’s oldest sons, John and Joseph Parker, petitioned the governor regarding property wrongfully seized, saying that Sheriff George Corwin “seized our cattle, corn and hay, to a considerable value” and claimed that he had demanded an additional £10 when they complained.
In 1711, Mary Parker’s name was formally cleared of the accusation of witchcraft.
Like many seventeenth century women, little is known about Mary Parker’s early life. She was born circa 1637, most likely in England. Her father’s name was John Ayer. It is believed her mother, name unknown, died in England or onboard ship as the family emigrated to the colonies. Ayer and his seven children first settled in Salisbury, MA, and then moved to Haverhill, MA after Ayer remarried, possibly to Hannah Webb.
Nathan Parker and his brother, Joseph Parker, were among the “original proprietors of Andover,” arriving in Andover from Newbury, MA, in 1645. Nathan was a scrivener and Joseph was a wheelwright. According to Charlotte Helen Abbott’s Early Records of the Parker Family of Andover, Nathan married his first wife, Susan Short of Newbury, in 1648. They had one son, Nathan. Susan died in 1651. Nathan married his second wife, Mary Ayer, around 1653. The couple had ten children, not all of whom lived to adulthood. One son, James, was killed by natives at Black Point in 1677.
Additional note: Rebecca Johnson, Mary Parker’s grandniece, who was seventeen when she was arrested for witchcraft in 1692, married Joseph Ballard Jr. in 1698. Ballard was the son of the man who first triggered the massive witch hunt in Andover, when he invited two afflicted girls from Salem Village to visit his ailing wife Elizabeth.
According to the Plan of Andover in the Province of Massachusetts Bay, Essex County, 1692, a map created by the Andover and North Andover Historical Societies in 1992, Widow Parker was living with her son John in 1692, near the present-day North Andover Town Common, catty-corner from the North Andover Historical Society.
Another possible location is suggested in Charlotte Helen Abbott’s Early Records of the Parker Family of Andover: “Nathan’s estate was in North Parish on the site of the present Unitarian parsonage on Chestnut Street, and at his death, the widow Mary and son John are executors.”
So there we were, minding our own business in the forest. It was kinda idyllic, you know? Peace, happiness, harmony with nature, and OH YEAH, it was extra awesome because, get this, MY MOM IS A WITCH?! Well, I guess TECHnically she is, but she’s more like a Harry Potter witch than a creepy Witch Hazel type, ‘cause bless her heart, she always uses her powers for good. Anyway, she’s the best, but this is also exactly when things went wrong.
This connects the occupants with nature and its mystical elements, enhancing the overall witchy feel of the space. To further enhance the witchy vibe, patterned textiles and wallpaper featuring botanical, celestial, or mystical motifs are often incorporated. These patterns add a sense of magic and whimsy to the walls and furniture, creating a visually captivating environment. Candles and incense are essential in a witchy house interior. Not only do they provide ambient lighting, but they also create a sensory experience. The flickering lights and enchanting scents bring an ethereal feel to the space, further enhancing the mystical ambiance. Witchy house interiors often include various occult and witchcraft-inspired accessories. Crystals, tarot cards, spell books, and vintage trinkets are commonly displayed, adding a personal and spiritual touch. These elements help to create a space that feels connected to the supernatural while also reflecting the occupant's individual interests and beliefs. In conclusion, the witchy house interior style offers a unique and captivating approach to home design. It combines dark and moody tones, natural materials, mystical patterns, and occult accessories to create an enchanting and magical atmosphere. This style is perfect for those who are drawn to witchcraft, mysticism, and the intriguing world of the occult..
Reviews for "Spellbinding Furniture: Essential Pieces for a Witchy Home"
1. Jennifer - ★★★☆☆
I was really excited to visit the Witchy House Interior, but unfortunately, it didn't live up to my expectations. The atmosphere was definitely unique and eerie, but it felt a bit too dark and cluttered for my taste. The dim lighting made it hard to appreciate any of the decor, and there were so many objects and trinkets crammed into every corner that it felt overwhelming. Additionally, I found some of the witch-themed displays to be a bit tacky and cliché. Overall, while the Witchy House Interior may appeal to those who enjoy a dark and mystical ambiance, it just wasn't my cup of tea.
2. Mark - ★★☆☆☆
I have to say, the Witchy House Interior was a disappointment for me. The concept sounded intriguing, but the execution fell flat. The interior decor was definitely witch-themed, with lots of dark colors, mystical symbols, and eerie props, but it lacked coherence and finesse. It felt more like a mishmash of random Halloween decorations rather than a thoughtfully curated space. On top of that, the staff seemed disinterested and unenthusiastic, which didn't help create a welcoming or immersive experience. All in all, I expected a more refined and enchanting witchy ambiance, and unfortunately, this place missed the mark.
3. Samantha - ★★☆☆☆
While I appreciate the effort that went into creating the Witchy House Interior, it just didn't resonate with me. The overall atmosphere was too gloomy and eerie, which made me feel uncomfortable rather than intrigued. The dim lighting made it difficult to appreciate the details of the decor, and I found the abundance of cobwebs and dusty corners to be more off-putting than atmospheric. Additionally, the witch-themed displays lacked originality and felt cliché. I think this place might appeal to a certain niche, but it simply wasn't my style.