Wiccan goddess epithets are titles or names that are used to refer to specific goddesses in Wiccan practice. These epithets help to establish a personal connection and understanding with the different aspects and energies associated with the divine feminine. In Wicca, the goddess is often seen as a dual deity, embodying both light and dark aspects, and representing the cycle of life, death, and rebirth. The use of epithets allows Wiccans to connect with the different qualities and energies of the goddess, and to invoke specific aspects of her power and wisdom. Some common epithets used in Wiccan practice include "Mother Goddess," "Maiden Goddess," and "Crone Goddess." These epithets represent the different stages of a woman's life and are associated with youth, fertility, and wisdom, respectively.
The introduction largely concerns Mr Wick�s �philosophical� approach to writing Call of Cthulhu scenarios. While readable and even enjoyable, I do think that this takes up too much room (it takes about 2 and a half of the 24 total pages and some of these others are titles, full page illustrations and an advert for Act II) and I feel that that this could probably have been inferred from the content and would much rather that this had been removed from the document (perhaps to use on his website as promotional material for the whole series) in favour of material more directly pertinent to the running of the scenario. I feel this especially to be the case because he mentioned (on a thread on rpg.net) that he did have other material on running the �Man in Black� which we did not have room for.
I would have to say that the answer is yes; what Mr Wick has written is a memorable and rather nasty scenario which I thoroughly enjoyed running as a Keeper and which my players enjoyed playing. I used my own character sheets detailing personal equipment and prepared fuller briefings so that the characters all had notes on what they knew about the others - incorporating some of the information about what makes the characters tick from the Advice section to give the players more guidelines.
" These epithets represent the different stages of a woman's life and are associated with youth, fertility, and wisdom, respectively. By invoking these epithets, Wiccans can tap into the corresponding energies and qualities of the goddess. Additionally, there are specific goddess epithets that are associated with certain aspects of nature or specific roles.
Signs of aa cursee
�Digging for a Dead God� is a �one-shot� style Call of Cthulhu scenario; the first of a proposed three thematically linked scenarios. At the time of writing this review (9th October 2009) it is available via a 24 page pdf., though the author has stated his intention to make it available in printed form at some point.
This review will contain massive SPOILERS, so persons who potentially might end up playing a PC in the scenario should stop reading now.
As the author explains in his introduction, the key selling point of the scenario is that it is presented as a �sandbox� for the Keeper and players to run with. It is non-linear in structure, presenting a situation and 6 pre-generated characters (i.e. the PCs) currently involved in that situation. These characters have their own personal agendas which involve a huge amount of conflict with each other and these, combined with the decidedly supernatural discovery they are on the threshold of, provide the ingredients for the subsequent �action�. Presumably, this will be the basis for the subsequent �Acts� in this series as well.
In the first Act, we are told that it is May 1939, and that the characters are German soldiers overseeing the extraction of diamonds from a mine in some unnamed (though British occupied) African country. Five of the six pre-gens are S.S. officers and the other is a Sergeant of the regular Army/Wermacht who is just as unpleasant as the rest. Playing Nazis � most of which are described as especially nasty specimens of their type and who are currently engaged in ruthlessly exploiting a �native� workforce in the mines - may be considered problematic or perhaps even tasteless for some. Keepers will know their own groups best, and if they think an issue will arise in this regard then my advice is to pass this one over and play one of the many other Call of Cthulhu scenarios out there.. Personally I had no issues and neither did my group.
As I have hinted already, the scenario opens when the Nazi officers are informed that their soldiers/mine workers have discovered something �unusual�. How the scenario plays from then on in is firstly about how the players play their characters - almost needless to say there are grim and unsettling discoveries to be made in the mines - and then about how the Keeper portrays the supernatural and malicious figure they will almost certainly unleash. This unstoppable, incorporeal figure is the key to running the scenario � it knows all the secrets of the characters and will manifest to taunt them and goad them into action � driving them to utter ruin if the Keeper is doing his job correctly.
So, does the scenario succeed in achieving what it sets out to do ? I would have to say that the answer is yes; what Mr Wick has written is a memorable and rather nasty scenario which I thoroughly enjoyed running as a Keeper and which my players enjoyed playing.
However, I do have some concerns with how the scenario has been presented which I will now discuss.
The introduction largely concerns Mr Wick�s �philosophical� approach to writing Call of Cthulhu scenarios. While readable and even enjoyable, I do think that this takes up too much room (it takes about 2 and a half of the 24 total pages and some of these others are titles, full page illustrations and an advert for Act II) and I feel that that this could probably have been inferred from the content and would much rather that this had been removed from the document (perhaps to use on his website as promotional material for the whole series) in favour of material more directly pertinent to the running of the scenario. I feel this especially to be the case because he mentioned (on a thread on rpg.net) that he did have other material on running the �Man in Black� which we did not have room for.
The pdf as released is clearly in need of editorial revision. Two points immediately illustrate this. Both relate to the character Missgunt who is described in the text as being in possession of Lockpick skill - which is not presented in the character sheet provided; and who is described as being in the process of blackmailing another character but who seems unaware of it himself. The first point is probably easily rectified but is one that simply should not have occurred in what is after all only a short document. As presented there is more than a little confusion about Missgunt � not only does his character sheet not inform the player that he is blackmailing someone (thus putting him on guard against action by that player) he is also described in the Keeper�s guidance text as knowing �everyone�s secrets� yet again nothing of this seems to have filtered through to the player information on the sheet.
There are other irregularities too. Hochmut has an Anthropology skill of 80%, and Occult of 80% explainable by his secret membership of the Ahnenerbe and the Thule society. Begierde, seemingly little more than an S.S. careerist, has been assigned an Anthropology skill of 90% and Archaeology 90% with no reason given whatsoever.
And then there are other contradictions: The Brass Cylinders contained in the Scroll Room give Cthulhu Mythos: None and �provide very little Mythos Lore� according to Page 12; yet on Page 13 we get �After all, reading the scrolls grants Cthulhu Mythos knowledge and that blasts their Sanity even further, driving them deeper into instability.�
Lastly there is the question of detail. I freely admit that this is a stylistic choice as much as anything and it is clear that Mr. Wick�s preferred style seems to be heavy on atmosphere and light on detail. In my experience and judgment most Cthulhu players like both � favoring atmospheric horror grounded in �real life� and interesting historical background / settings. Digging for a Dead God gives you just about enough to �go with the flow� and run an interesting scenario � but you will struggle to find some of the details that you might find in other products. You will find no information on what the characters possess. There are no stats on the NPC soldiers or villagers for instance, nor will you get much period information on guns, uniforms and equipment, or where exactly the mine is situated, that might further set the scene in the mind�s eye. This is an intentional choice by the author, as he admits, but one that potential purchasers should be aware of.
Now it must be said that none of these are major impediments to running the scenario and I must repeat after making the points above that my players and I did have an excellent time playing it - but it did mean that I ended up doing a lot more work than I should have had to - even given the �pick up an play� style aimed for and I do think that given the relatively small amount of scenario content that non-stylistic issues should have been identified and rectified before it was made available for purchase.
So how did it turn out ? Here�s what I did to prep and how the scenario played.
I used my own character sheets (detailing personal equipment) and prepared fuller briefings so that the characters all had notes on what they knew about the others - incorporating some of the information about what makes the characters tick from the Advice section to give the players more guidelines. (In my view this information should have been the bare minimum provided on the pre-prepared character sheets for this type of scenario).
Using another Keeper�s suggestion (�Tancred� of rpg.net) I used a specific locale (Tangynika) and fleshed out period info on the �jeeps� (Kubelwagens) and trucks (Opel Blitz) and expanded a little on the equipment . I don�t view this sort of stuff as essential but knew that my players would probably ask for it.
Though Mr. Wick very commendably provided a �jungle� noise soundtrack at his website to use during the scenario, I elected not to use it immediately as it contains a �surprise spooky noise� element about 10 minutess or so in which is then repeated later. I instead used another �jungle sound effect� track which I looped over and over, only to use the surprise �effect� later for greater impact. I also employed some Nazi era martial music for the players to listen to while they read their sheets and �got to know� their characters, and also used some �creepy dungeon delving� music from a well known CRPG for the mines/temples section.
As for the scenario itself it played out pretty well indeed � despite the fact that I lost two players at the last minute and thus only had four of the six PCs intended. I elected to make the Captain and Sergeant NPCs. (If necessary I would recommend that in the case of having 5 players then the Captain remain an NPC as I found him very useful at giving unsavory orders to the rest .) Exploration of the temple � after the Yellow Sign was removed to the Captain�s tent for �safekeeping�- was a halting, but creepy affair � with the group witnessing glimpses of a mysterious robed figure among the other disturbing archaeological riddles to be found.
It was at this point I think I identified the downside of having only four players � I think one or two more may have meant for more player separation and alliances/agendas � giving the MIB an opportunity to get at them �alone�. But as it was they stuck together so I was forced to use the NPCs to initiate things.
The Sergeant NPC was the fist to crack, wandering off on his own to stare in fascination at certain artifacts and then nodding at certain whispers from a shadowy form. He confronted the hated officers, shooting and wounding Begierede after making wild accusations to all and being himself shot down in a hail of bullets.
Things turned worse when the Captain demanded that the officers execute some native women and children to prove �their loyalty�. Faulheit in turn shot the captain, but was saved by Missgunt who assumed command based on seniority / age and who was looking for an ally against Begierede. He knew and explained that the Captain had been �touched� by the supernatural as he had seen him conversing with a terrifying robed figure alone in his tent.
Re-exploring the temple and being assailed with strange visions, Hochmut, to the delight of the dark demon, shot Begierede down in cold blood - while Missgunt and Faulheit drove off into the jungle with the Yellow Sign. Faulheit then executed Missgunt and turned back � driving furiously down the jungle track to get back to the camp to finish them all off.
He met Hochmut driving furiously in pursuit and as they desperately � and vainly - tried to avoid a head on collision, the ghostly form of Begierde manifested, pointing an accusing finger of doom at his murderer ! Hochmut was killed outright in the crash. Faulheit was knocked unconscious but (failing a Luck roll !) woke up just as the flames from the burning truck (loaded with fuel stolen from the supply tent !) began to roast him alive in the cab ! Quite fittingly for a CoC one-shot � a TPK !!
In summary then � this is a memorable and fun scenario let down a little by some issues which should have been identified by an editorial eye.
I�m scoring a 4 for �Substance� to reflect the fact that I love the core scenario presented and a 2 for �Style� because of the inconsistencies.
I do however like the artwork and design, which is nicely atmospheric and would score that as a 4 separately if possible.
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For example, there is the "Goddess of the Moon," who represents the lunar energies and cycles. There is also the "Goddess of the Hunt," who embodies the qualities of a hunter and protector of the wild. These epithets allow Wiccans to connect with specific aspects of nature and harness their corresponding powers. Furthermore, some Wiccan traditions have their own set of goddess epithets that are specific to their beliefs and practices. These epithets may be influenced by ancient mythologies, cultural traditions, or personal experiences. They help to create a unique and personal connection with the divine feminine within the framework of Wicca. In summary, Wiccan goddess epithets are used to establish a personal connection with different aspects of the divine feminine. They allow Wiccans to tap into specific energies, qualities, and roles associated with the goddess. Whether it's invoking the mother, maiden, or crone goddess, or connecting with specific aspects of nature, these epithets provide a way for Wiccans to honor and work with the goddess in their spiritual practice..
Reviews for "Balancing Energy: Harnessing Wiccan Goddess Epithets"
1. Jennifer - 2/5 stars
I was really excited to dive into "Wiccan Goddess Epithets" as someone who is interested in spiritual practices. However, I was quite disappointed with this book. I found the writing to be shallow and lacking depth. The author seemed to provide brief explanations with no real substance. Additionally, I felt that the organization of the book was poor, which made it difficult to follow along and understand the significance of the goddess epithets. Overall, I would not recommend this book to anyone seeking a deep and meaningful exploration of the Wiccan goddesses.
2. Brandon - 1/5 stars
As an avid reader of Wiccan literature, I was extremely disappointed with "Wiccan Goddess Epithets". The author seemed to rely heavily on outdated sources and theories, with no effort to provide any new perspectives or insights. The content felt repetitive and lacking in originality. Moreover, the writing style was dry and monotonous, making it difficult to stay engaged throughout the book. I would strongly advise against wasting your time and money on this uninspiring read.
3. Stephanie - 2/5 stars
Having been intrigued by the title and description of "Wiccan Goddess Epithets", I was hopeful that this book would provide a fresh perspective on Wiccan spirituality. Unfortunately, I found it to be quite underwhelming. The author seemed more focused on listing goddess epithets without providing any real context or analysis. It felt like a superficial compilation rather than a comprehensive guide. Moreover, the lack of references and citations made it hard to trust the information presented. Overall, I was left feeling unsatisfied and would not recommend this book to others.