In the novel "The Witch of Blackbird Pond," one of the central characters, Thomasin, plays a significant role in the story's plot. Throughout the book, Thomasin is depicted as a strong-willed and independent young woman who defies societal expectations and lives life on her own terms. One particular scene stands out when Thomasin decides to dress up in a witch ensemble during the Halloween festivities in the Puritan colony of Connecticut. This act of rebellion symbolizes not only Thomasin's defiance against the suffocating reign of the Puritan society but also her desire to break free from the constraints that dictate her every move. By donning a witch ensemble, Thomasin sends a clear message that she refuses to conform to the narrow-mindedness and judgmental nature of the community she resides in. Instead, she embraces her individuality and embraces the notion of embracing her true self.
Here is a taste of how the man prays: “It is my fault. And I confess it. Oh my God, I am foul. I am infected with the filth of pride. I am, I know it. Dispose of me how Thy wilt, yet redeem my children. … I beg Thee, save my children. I beg Thee, my Christ, why hast Thou damned my family?”
And with lead actress Anya Taylor-Joy taking a win at the 2021 Golden Globes for her performance in Netflix s The Queen s Gambit , revisiting her breakout role has never seemed more timely. Thomasin, for her part, is a mostly kind, hard-working teen who seeks to serve her family both her parents and her younger siblings despite accusations being hurled against her from both directions.
Instead, she embraces her individuality and embraces the notion of embracing her true self. This act of rebellion not only challenges the status quo but also empowers Thomasin to assert her own identity and desires. Throughout the novel, Thomasin's journey is one of self-discovery and liberation.
“THE WITCH”
THE STORY – In 1630 New England, panic and despair envelops a farmer (Ralph Ineson), his wife (Kate Dickie) and four of their children when youngest son Samuel suddenly vanishes. The family blames Thomasin (Anya Taylor-Joy), the oldest daughter who was watching the boy at the time of his disappearance. With suspicion and paranoia mounting, twin siblings Mercy (Ellie Grainger) and Jonas (Lucas Dawson) suspect Thomasin of witchcraft, testing the clan’s faith, loyalty and love to one another.
THE CAST – Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger & Lucas Dawson
THE TEAM – Robert Eggers (Director/Writer)
THE RUNNING TIME – 93 Minutes
Even now, as I write this, I’m still shaking. And trust me, you won’t be able to shake off the horror that is writer/director Robert Egger’s terrifying debut, “The Witch.” It’s easily the most disturbing yet artful film to come along in quite some time. The experience will render your blood cold and your mouth speechless. It’s the first great film of 2016 and a true breakout for the film’s director and star.
It’s the 17th century in New England, and a Puritan family has been outcast from their village due to their strong religious beliefs, which come into conflict with those of the village. The family’s patriarch, William (Ralph Ineson), has raised his family of 5 children to hold firm in the belief of God and his teachings through their savior Jesus Christ. His wife Katherine is aided in this firm upbringing (Played by the always deeply disturbed Kate Dickie). However, after their infant son Samuel mysteriously vanishes into the woods without a trace, they begin to suspect the devil’s work may be getting done in the form of witchcraft by their daughter Thomasin.
Eggers’ ensemble for this film is wholly committed to their roles, and all turn in truly unnerving performances. Anya Taylor-Joy, who plays Thomasin, is as much of a discovery as Robert Eggers and does a reasonably convincing job of taking us through the emotional journey her family suffers throughout the film. Kate Dickie is also maniacally troubled in her emotionally crazed role of a mother who can’t seem to find an answer in the faith provided by her husband for their family’s troubles. Though her role here may be compared to her work on HBO’s “Game of Thrones,” it’s still a passionate performance that teeters the line in how far to push emotional distress before it becomes nearly comical.
This is not your typical horror movie filled with foolish moments, and cheap jump scares, which incites laughter from the audience (A pet peeve of mine when watching any horror film). Audiences will eagerly await with tension warping their bodies for the inevitable jump scare, which allows them to release that tension with laughter. However, under the guidance of Robert Eggers, that laugh never came. There was also a lack of jump scares, save for a moment or two here and there. This is a cold and bleak film. Its pace is perfectly calculated, allowing for the overwhelming sense of dread to wash over you slowly. The best kind of horror films leave you feeling disturbed, and that is what “The Witch” does supremely well. Some films want to achieve this goal with an overabundance of blood and gore moments. Robert Eggers instead goes the thought-provoking route with his screenplay. Here, he is punishing the practice of religious fanaticism inhabited by the Puritan family and tackling strong ideas of faith in one’s religion and their loved ones. Egger’s idea of what pure evil really is and what forms it can take (Get ready for the dark goat known as “Black Phillip”) is petrifying and stunningly captured by cinematographer Jarin Blaschke.
Many have said that this is the best modern-day horror film, as it harkens back to 1973’s “The Exorcist” in how it conveys its horror in a frighteningly realistic and grounded manner. However, the film’s final scene did leave me scratching my head at how tonally odd and misplaced the moment felt compared to the rest of the film. And for the sake of spoilers, I don’t want to go much further into it. Perhaps another viewing will clear this one tonal misstep for me. But I can tell you right now that I don’t want to watch “The Witch” again as of this moment. I’m simply not over the first viewing experience. And I mean that as a compliment.
THE FINAL SCORE
THE GOOD – Bone chilling in its mood and atmosphere. Eerily convincing performances from the adults as well as the children. Robert Eggers shows firm control over his cast, writing and shot selection in what amounts to one of the most unnerving horror films in years.
THE BAD – The archaic language and ambiguous ending will certainly irk some.
THE OSCAR S – None
THE FINAL SCORE – 9 /10
William and Catherine scuffle, and she hits him in the face. William drags Thomasin harshly outside. Thomasin falls painfully off a horse. William has a gun backfire in his face.
The witch ensemble scene serves as a pivotal moment in her character arc, solidifying her resolve to live life on her own terms and not be confined by the expectations of others. Not only does this represent her rejection of the oppressive Puritan society, but it also reflects her transformation into a confident and resilient young woman. In conclusion, Thomasin donning a witch ensemble in "The Witch of Blackbird Pond" is a powerful symbol of her rebellion against societal norms and her quest for self-empowerment. This act of defiance highlights her determination to live life authentically and embrace her individuality, ultimately leading to her personal growth and liberation..
Reviews for "The Witch in the Woods: Thomasin's Costume as a Reflection of Nature"
1. Emily - 2/5 stars - I was really disappointed with "Thomasin in a witch ensemble". I thought the concept sounded fun and unique, but the execution fell flat for me. The plot was confusing and the characters lacked depth. Thomasin's portrayal of a witch was unconvincing and I found it hard to believe in her performance. Overall, I felt the movie was a missed opportunity and I wouldn't recommend it.
2. Michael - 3/5 stars - While "Thomasin in a witch ensemble" had its moments, I ultimately found it to be a mediocre film. The story seemed promising at first, with an interesting premise of a witch ensemble, but it never quite lived up to its potential. The pacing was off, and I often found myself losing interest. Despite some visually striking scenes, the lack of character development made it difficult for me to connect with the story. Overall, it was underwhelming and I wouldn't say it's a must-watch.
3. Sarah - 2/5 stars - "Thomasin in a witch ensemble" left me feeling confused and unsatisfied. The film lacked clarity in its storytelling, leaving many loose ends and unanswered questions. The concept of the witch ensemble was intriguing, but the execution fell short. Moreover, the acting was subpar, and I found it hard to become invested in the fate of the characters. Overall, I found the movie to be a disappointment and wouldn't recommend it to others.
4. Jonathan - 1/5 stars - I have to say that "Thomasin in a witch ensemble" was a complete waste of my time. The movie felt pretentious and had no clear direction. The plot was convoluted and hard to follow, and any attempts at creating suspense or tension fell flat. The acting was wooden and unconvincing, making it difficult for me to become engaged with the story. I regret watching this movie and do not understand the praise it has received. Stay away from it if you value your time.