The witch rating is a concept that emerged from folklore and fairy tales, where witches were often depicted as either good or evil, powerful or weak. It is a way to categorize and measure the abilities and characteristics of witches. In many stories, witches are ranked based on a scale of power, with the most powerful witches being at the top of the rating. The factors that contribute to a witch's rating can vary. It could be based on their magical abilities, such as the spells they can cast or the potions they can brew. Some witches are known for their ability to communicate with animals or control the elements, while others possess healing or divination powers.
This gives the film a verisimilitude that essentially slowly accustoms the audience to stranger and stranger things, so that viewers very quickly accept what should otherwise raise their eyebrows. It all looks real, and we feel like innocent bystanders as we watch the family slowly turn against each other. So it must be real, even if part of the story revolves around a potentially evil goat.
The premise is quickly established devout ex-pat Northerner William Ralph Ineson or Finchy if you prefer and his family wife, five kids, including newborn baby are banished from their village for their killjoy religious fervour. It won t be for everyone it s slow, the dialogue recreated from 17th-century transcripts is occasionally impenetrable, and gorehounds will be disappointed.
Some witches are known for their ability to communicate with animals or control the elements, while others possess healing or divination powers. The more skills and abilities a witch has, the higher their rating may be. Additionally, a witch's moral alignment can also affect their rating.
The Witch Review
In their new home, by a wood in 17th-century New England, a God-fearing English family experience a run of tragic misfortune. Is a witch to blame for their woes?
Published on 07 03 2016 Release Date: 11 Mar 2016 Original Title: The WitchOn paper, a horror film starring Finchy from The Office and a goat called Black Phillip doesn’t seem especially promising. But Robert Eggers’ astonishing directorial debut is the kind of horror that favours creeping dread over cheap jump scares. Eggers, whose next film is a Nosferatu remake, is one to watch.
Gorehounds will be disappointed, but rarely has a film this oppressive been so impressive.
The premise is quickly established — devout ex-pat Northerner William (Ralph Ineson — or Finchy if you prefer) and his family (wife, five kids, including newborn baby) are banished from their village for their killjoy religious fervour. They forge a life from the unforgiving land and their menagerie, including the aforementioned intransigent goat Black Phillip. It’s tough but manageable, until their baby boy mysteriously disappears. Intriguingly, Eggers shows from the off that the family is being targeted by a witch but crucially, his characters are kept in the dark. It leaves them grasping at bitter accusations, counter-allegations and hysterical detours into blind faith. As Eggers escalates the tension, his cast respond admirably. Ineson’s guttural Yorkshire snarl has never been better employed, as William finds fault in anyone but himself, while Kate Dickie is typically intense as his grieving wife. However, it’s the newcomers who impress most. Harvey Scrimshaw, as the oldest son, whose awakening sexuality seems to act as a beacon for the witch, gives one of the best child performances in years. But it’s Anya Taylor-Joy, as teenage daughter Thomasin, who commands the attention. Marked out as the witch due to an ill-advised remark, she’s a blend of disarming guilelessness and wide-eyed innocence, but with a bitter edge that could, in the right light, be mistaken for malevolence. As this powder keg of a family unit explodes, Eggers displays admirable control. One sequence, in which Eggers and DP Jarin Blaschke hold the shot for what seems like forever, as the witch manifests as a seductress, is unbearably tense. It won’t be for everyone — it’s slow, the dialogue (recreated from 17th-century transcripts) is occasionally impenetrable, and gorehounds will be disappointed. But rarely has a film this oppressive been so impressive.
Thomasin (Anya Taylor-Joy) is forced to confront some of her most deeply held beliefs. A24
Witches who use their powers for good or to help others might be considered more highly than those who use their powers for evil or personal gain. This notion of a witch's reputation for good or evil deeds plays a role in the rating system. Throughout history, the witch rating has been depicted in various forms of media, such as books, movies, and television shows. Characters like the Wicked Witch of the West from "The Wizard of Oz" or Hermione Granger from the "Harry Potter" series are examples of witches whose ratings differ. The Wicked Witch of the West is often seen as a powerful and evil witch, while Hermione Granger is known for her intelligence, bravery, and proficiency in magic. It's important to note that the witch rating is a fictional concept and should not be taken as a real measure of someone's abilities or character. In reality, witches are individuals who practice various forms of witchcraft and paganism, with their abilities and beliefs varying greatly. The rating system in folklore and fairy tales serves as a tool for storytelling and entertainment, adding depth and complexity to these mythical characters..
Reviews for "The Role of Witch Ratings in Modern Society"
- Sarah - 2 stars - I found "The Witch" to be slow-paced and confusing. The storyline seemed promising, but the execution fell short. The character development was lacking and I struggled to connect with any of the characters. Additionally, the jump scares felt forced and predictable, and the ending left me feeling unsatisfied. Overall, I was disappointed with this film and wouldn't recommend it to others.
- John - 3 stars - "The Witch" had its moments, but overall it failed to deliver a truly scary experience. The cinematography was visually stunning and the period setting was well done, but the story dragged on and lacked a clear direction. I also found the dialogue to be difficult to understand at times, which made it hard to fully immerse myself in the film. While there were some eerie scenes, they were overshadowed by the lack of a compelling plot. I wouldn't consider this a must-watch horror movie.
- Jessica - 2 stars - I was really looking forward to "The Witch" based on the hype, but it turned out to be a major letdown. The pacing was incredibly slow and I found myself losing interest in the story. The characters were poorly developed and I couldn't connect with any of them. There were some creepy moments, but they were few and far between. Overall, "The Witch" was underwhelming and failed to live up to its potential as a horror film. I would recommend skipping this one if you're looking for a truly scary movie.