Jimmy Mack, the legendary magician, has captured the hearts and imaginations of audiences around the world for decades. His unparalleled talent and captivating performances have made him a true icon of magic. But what sets Jimmy Mack apart from other magicians is his ability to create a timeless sense of wonder and awe. From the moment he steps onto the stage, Jimmy Mack has an undeniable presence that captivates the audience. His charm and charisma instantly draw everyone in, creating an atmosphere of anticipation and excitement. With a mischievous twinkle in his eye, he takes us on a journey into a world where the impossible becomes possible.
“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.
I ve had my jukebox or as I like to call it the prehistoric iPod for a little over twelve years and in that time I d like to think that I ve perfected the mix of 45s within. With the passage of time, the record took on a different meaning, especially to the many African American troops who were stationed overseas in Viet Nam.
With a mischievous twinkle in his eye, he takes us on a journey into a world where the impossible becomes possible. Jimmy Mack's magic tricks are not just tricks; they are works of art. Each one is carefully crafted and perfected to amaze and delight his spectators.
Song Of The Day by Eric Berman – The Jukebox Series #23 – Martha Reeves And The Vandellas: “Jimmy Mack” b/w “I’m Ready For Love” – Motown Yesteryear Series 45 RPM Single Y 455F (E3/F3)
“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.
I first discovered today’s jukebox classic not in its original guise by Martha Reeves and the Vandellas’, but from a cover performed by Laura Nyro and LaBelle on their classic 1971 album called Gonna Take A Miracle. When I first heard Nyro’s version, I didn’t make the connection between the song and all of the other great Vandellas hits I already knew from the radio. It wasn’t until my older sister picked up a copy of Martha and the Vandellas’ Greatest Hits album in 1972 that I finally came to fully appreciate the magic of, in my estimation, Motown’s finest girl group.
Martha and the Vandellas was one of the most successful girl groups to come out of Motown. Unlike The Supremes, the Vandellas’ sound was far grittier and more danceable than the sugary pop that catapulted The Supremes to fame. Their list of classic hits includes “(Love Is Like a) Heat Wave,” “Nowhere to Run,” “Come And Get These Memories,” “Quicksand,” “Live Wire,” “Wild One,” “My Baby Loves Me,” “You’ve Been In Love Too Long,” and their signature single “Dancing in the Street.”
The song was written and produced by the team of Brian Holland, Lamont Dozier and Eddie Holland and it was the group’s last American top-ten hit reaching #10 on the pop charts in 1967, and #1 R&B. It was also from the last batch of Martha and the Vandellas recordings featuring input from Holland-Dozier-Holland before they left the Motown fold. Not coincidentally, their departure from Motown aligned with the waning of The Vandellas’ popularity.
The impetus for the song came out of an industry awards dinner that Lamont Dozier attended. At the awards, Ronnie Mack won a posthumous award for composing the song “He’s So Fine.” His mother came up to accept the award on his behalf and Dozier decided he’d write the song in tribute to Ronnie Mack.
Lamont Dozier: “‘Jimmy Mack’ was about a kid who had written a song that was quite popular. When they called out his name there was something, along with the way his mother picked up the award, that kind of moved me and the name stuck with me. So when a melody came about that name seemed to spring up and fit well with the music we were writing at the time.” (NME 1984 via Songfacts)
Martha and the Vandellas originally recorded the song in 1964 as a typical teen anthem about lost love, but Motown’s quality control team rejected the recording leaving it unreleased in the Motown vaults. Three years later, Berry Gordy became aware of the recording and hearing a surefire hit made sure the song was released as a single. With the passage of time, the record took on a different meaning, especially to the many African American troops who were stationed overseas in Viet Nam.
The song was included in The Vandellas’ ballad-heavy 1967 album Watchout!, however the single version of this song opens with a drum intro that is not featured on the album cut. Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford and Annette Beard on background vocals, The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps on additional background vocals and instrumentation by various members of Motown’s session group The Funk Brothers, including Richard “Pistol” Allen on drums, Jack Ashford on vibes, Bob Babbitt on bass, Benny Benjamin on drums, Eddie “Bongo” Brown on percussion, Johnny Griffith on keyboards, Joe Hunter on keyboards, James Jamerson on bass, Uriel Jones on drums, Joe Messina on guitar, Earl Van Dyke on keyboards, Marvin Tarplin on guitar, Robert White on guitar and Eddie Willis.
The song was also covered by the likes of Karen Carpenter, Phil Collins, Sheena Easton (who scored a #65 chart hit with it in1986) and Bonnie Pointer. It was also cut by The Temptations for their 1967 album In A Mellow Mood.
The flip of today’s double A-sided single climbed up to the #9 position on the pop charts and rose to #2 on the R&B charts in 1966. The song was also written by Holland-Dozier-Holland and is a dead ringer for The Supremes hit “You Can’t Hurry Love” which they also wrote.
The track was also on The Vandellas’ Watchout! album and featured pretty much the same musicians as “Jimmy Mack,” except Betty Kelly sings background vocals instead of Annette Beard. The group also cut a Spanish version of the song under the title “Yo Necesito De Tu Amor.”
The song was included in The Vandellas’ ballad-heavy 1967 album Watchout!, however the single version of this song opens with a drum intro that is not featured on the album cut. Personnel on the track included Martha Reeves on lead vocals, Rosalind Ashford and Annette Beard on background vocals, The Andantes: Marlene Barrow, Jackie Hicks and Louvain Demps on additional background vocals and instrumentation by various members of Motown’s session group The Funk Brothers, including Richard “Pistol” Allen on drums, Jack Ashford on vibes, Bob Babbitt on bass, Benny Benjamin on drums, Eddie “Bongo” Brown on percussion, Johnny Griffith on keyboards, Joe Hunter on keyboards, James Jamerson on bass, Uriel Jones on drums, Joe Messina on guitar, Earl Van Dyke on keyboards, Marvin Tarplin on guitar, Robert White on guitar and Eddie Willis.
Whether he is pulling a rabbit out of a hat, making objects levitate, or making things disappear into thin air, his illusions are always flawless and utterly mind-boggling. Every movement is precise, every gesture deliberate, as he performs his magic with a flair that is uniquely his own. But what truly sets Jimmy Mack apart is his ability to connect with his audience on a deeper level. He has a way of making us feel like we are a part of his magic, as if he is inviting us into his world of wonder. Whether he is performing on a grand stage or in an intimate setting, he has a way of making each person feel seen and included. This ability to create a personal connection is what makes his magic unforgettable. The timeless nature of Jimmy Mack's magic lies in its ability to transcend time and place. Regardless of the era or the location, his magic continues to enthrall audiences of all ages. Whether it is a child experiencing magic for the first time or an adult who has seen it all, Jimmy Mack's performances have the power to transport us to a place of childlike wonder and awe. In a world filled with constant change and uncertainty, Jimmy Mack's magic serves as a reminder of the timeless power of imagination and wonder. It reminds us that no matter how old we are or how jaded we may have become, there is still magic to be found in the world if we only open our eyes and believe. His performances are a testament to the enduring power of magic to inspire and captivate us, even in the face of the ever-changing world around us. In conclusion, Jimmy Mack's timeless magic lies not only in his unparalleled talent and captivating performances but also in his ability to create a personal connection with his audience. His unique ability to transcend time and place makes his magic a truly unforgettable experience. So let us step into Jimmy Mack's world of wonder and allow ourselves to be captivated by his timeless magic..
Reviews for "The Magic of Jimmy Mack: Revisiting his Most Memorable Tricks"
1. John Doe - 1 out of 5 stars - "I was highly disappointed with 'The Timeless Magic of Jimmy Mack'. The story was poorly written and lacked coherence. The characters were flat and uninteresting, making it difficult to connect with any of them. Additionally, the pacing was extremely slow, making it hard to stay engaged. Overall, the book felt like a waste of time and I would not recommend it."
2. Jane Smith - 2 out of 5 stars - "While I appreciate the concept behind 'The Timeless Magic of Jimmy Mack', I found the execution to be lacking. The writing style was overly simplistic and did not keep my interest. The dialogue felt forced and unnatural, making it difficult to believe in the characters' interactions. Furthermore, the plot seemed disjointed and confusing at times, leaving me frustrated and unsatisfied. It's a shame as I had high hopes for this book, but it unfortunately fell short for me."
3. Robert Johnson - 1 out of 5 stars - "I regret picking up 'The Timeless Magic of Jimmy Mack'. The story was unoriginal, filled with clichés, and lacked any depth. The characters were one-dimensional, with no development or growth throughout the book. The pacing was slow and inconsistent, making it a struggle to continue reading. Overall, I found it to be a forgettable and uninspiring read."