The occult soundtrack refers to a collection of music and sound that is associated with occultism, a belief system and practice focused on the supernatural and mystical aspects of life. The occult soundtrack often incorporates elements of darkness, mystery, and spirituality, and is used as a means of enhancing rituals, ceremonies, and other occult practices. It is believed that certain sounds and vibrations can help to establish a connection with the spiritual realm or alter consciousness. These soundtracks can include a wide range of musical genres, including ambient, experimental, electronic, and even heavy metal. The choice of music often depends on the specific occult tradition and the individual's preferences. One characteristic of the occult soundtrack is its ability to create a certain atmosphere or mood.
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David Huckvale Format softcover 6 x 9 Pages 224 Bibliographic Info 12 photos, notes, bibliography, index Copyright Date 2013 pISBN 978-0-7864-7324-3 eISBN 978-1-4766-0205-9 Imprint McFarland. Preface 1 One The Music of the Spheres 5 Two Masonic Music 27 Three The Birth of the Demonic 44 Four Wagner s Racial Mysticism and Schoenberg s Numerical Superstition 71 Five Synesthesia 98 Six Theosophy 108 Seven Phantoms at the Opera 131 Eight Dancing with Death 150 Nine Fairy Music 161 Ten Satan Rocks Popular Music and the Occult 176 Epilogue 190 Notes 193 Bibliography 201 Index 207.
One characteristic of the occult soundtrack is its ability to create a certain atmosphere or mood. Certain sounds and melodies are believed to resonate with different spiritual energies, and these can be used to evoke specific emotions or states of mind. For example, deep, ominous tones and dissonant chords may be used to create a sense of mystery and foreboding, while ambient drones and ethereal melodies can evoke a trance-like state.
About the Book
Occult traditions have inspired musical ingenuity for centuries. From the Pythagorean concept of a music of the spheres to the occult subculture of 20th-century pop and rock, music has often attempted to express mystical states of mind, cosmic harmony, the demonic and the divine—nowhere more so, perhaps, than in the music for films such as The Mephisto Waltz, The Devil Rides Out, Star Trek, Close Encounters of the Third Kind, The Omen and The Exorcist.
This survey explores how such film music works and uncovers its origins in Pythagorean and Platonic ideas about the divine order of the universe and its essentially numerical/musical nature. Chapters trace the influence of esoteric Freemasonry on Mozart and Beethoven, the birth of “demonic” music in the 19th century with composers such as Weber, Berlioz and Liszt, Wagner’s racial mysticism, Schoenberg’s numerical superstition, the impact of synesthesia on art music and film, the effect of theosophical ideas on composers such as Scriabin and Holst, supernatural opera and ballet, fairy music and, finally, popular music in the 1960s and ’70s.
The occult soundtrack is also closely associated with symbolism and hidden meanings. Certain musical motifs or lyrical content may be chosen for their symbolic significance within the occult tradition. Lyrics may contain occult references or contain esoteric messages that are meant to be deciphered by initiates. In addition to music, the occult soundtrack may also include other sound elements, such as chants, mantras, or invocations. These vocalizations are believed to hold spiritual power and can be used to invoke or communicate with supernatural entities or forces. Overall, the occult soundtrack is an important tool in occult practices, providing a means to establish a connection with the spiritual realm and enhance the overall experience. It combines elements of music, symbolism, and spirituality to create a unique and powerful auditory experience that is deeply intertwined with the occult belief system..
Reviews for "Sonic Sorcery: The Occult Soundtracks that Mesmerize and Manipulate"
1. Marissa - 2/5 stars - I had high hopes for "The Occult Soundtrack" but I must admit, it fell short for me. The songs lacked depth and originality, with repetitive melodies that failed to evoke any emotions. Additionally, the production quality seemed subpar, making it difficult to fully appreciate the intended atmosphere of the album. Overall, I was left disappointed and wishing for more substance in the music.
2. Jonathan - 1/5 stars - "The Occult Soundtrack" was a complete letdown. The tracks felt disjointed and lacked a cohesive theme. It seemed like a random collection of unrelated songs rather than a thoughtfully composed album. The lyrics were almost nonexistent, and the few that were present felt uninspired. I found myself losing interest within the first few tracks and struggling to find any redeeming qualities throughout the rest of the album.
3. Chloe - 2/5 stars - I struggled to connect with "The Occult Soundtrack" on any level. The songs were monotonous and failed to grab my attention. I found myself constantly checking how much time was left in each track, hoping for something more engaging, but it never came. The overall lack of variety and creativity left me feeling bored and disenchanted with the album.
4. Samuel - 2/5 stars - As a fan of the occult genre, I was excited to discover "The Occult Soundtrack." However, the songs failed to capture the essence and mystique that I associate with the genre. The music lacked depth and complexity, feeling overly simplistic and generic. It felt like a missed opportunity to create a truly captivating auditory experience. I was left feeling underwhelmed and unsatisfied with the album as a whole.