Taylor Swift is not only known for her hit songs and successful career in the music industry, but also for her seemingly magical powers. While it may sound like a joke, Swift's ability to captivate audiences and create a connection with her fans is undeniable. One of Swift's most prominent magical powers is her storytelling ability. Through her lyrics, she has the power to transport listeners into her world and make them feel a range of emotions. Whether she is telling a personal story or creating a fictional narrative, Swift has the unique ability to make people feel like they are a part of her experiences. Another magical power possessed by Taylor Swift is her ability to create buzz and anticipation around her music releases.
Anywhere else is hollow
Willow is also one of the few Taylor Swift s music videos, which is partly set in a natural environment, giving a less constructed and open aesthetic to the video that is, due to the magical elements, otherwise filled with visual effects. Swift, like Will Smith before her, has shied away from that mantle, which is understandable, because if I were from Pennsylvania west of, say, Broad Street in Philadelphia, I wouldn t want people to know either.
Another magical power possessed by Taylor Swift is her ability to create buzz and anticipation around her music releases. Swift has a talent for teasing her fans with cryptic messages and clues, building excitement and anticipation for her new projects. This ability to generate hype around her music is often referred to as "Swiftmas" by her fans, who eagerly await her surprises and announcements.
Taylor Swift Controls the Fate of the San Francisco Giants
Taylor Swift has magical powers. Telekinesis, for instance: Ordinarily, you’d have trouble getting me out of my seat even if the building were on fire, but throw “We Are Never Ever Getting Back Together” on the stereo and goddamn if I don’t magically leap to my feet and start dancing.
Taylor Swift also has the power to control Even Year Bullshit, the mystical force that propels otherwise unspectacular Giants teams to victory in the World Series. In 2014, Kelsey McKinney of Vox pointed out that T-Swift’s album releases of Speak Now in 2010, Red in 2012, and 1989 in 2014 were all followed by a San Francisco World Series title within the next week or so. But that leaves unanswered an extremely important question: Why?
Why did Even Year Bullshit start in 2010, not in 2008 or 2006, when T-Swift also released albums? Maybe she didn’t actually have the power to influence baseball games then. Or maybe she simply lacked the motive to use it.
This is a video of Swift, and her lovely bedazzled guitar, performing “The Star-Spangled Banner” before Game 3 of the 2008 World Series in Philadelphia. Swift was at precisely the point in her career when she might make an appearance like that. Her eponymous debut album had gone platinum, but in October 2008, she was an 18-year-old country starlet on the eve of a follow-up release that could make or break her career.
Pay attention to how she was introduced. The Fox chyron labeled her as a “Wyomissing, Pennsylvania native.” Citizens Bank Park PA announcer Dan Baker called her “one of Pennsylvania’s own” and said she was “back tonight to sing for her home team.”
Here’s her reaction to being called “one of Pennsylvania’s own”: a snap of the head toward the first-base dugout, presumably in disbelief.
And when Baker called the Phillies “her home team,” she looked up and smirked at God.
Swift duly sang a subdued and lovely rendition of “The Star-Spangled Banner,” not only wrapping it up in a tidy one minute, 37 seconds (a fraction of the time it usually takes a multiplatinum pop star) but resisting the temptation to go up the octave on “O’er the land of the free” AND YES I’M LOOKING AT YOU CHRISTINA AGUILERA. Even at 18, T-Swift was a fucking pro.
Here’s the important part: I believe it’s that smirk that swung three pennants in the next six years, and could swing this one, all out of revenge against the Phillies for highlighting her origins on national television.
It’s hard to blame Baker, because there aren’t really very many celebrity Phillies fans. There’s Tina Fey, Joe Biden, and that’s about it. Swift, like Will Smith before her, has shied away from that mantle, which is understandable, because if I were from Pennsylvania west of, say, Broad Street in Philadelphia, I wouldn’t want people to know either. But more than that, in 2008 Swift was trying to pass herself off as being from Nashville — where her family had moved when she was 14 to support her music career — and nothing ruins your country music cred like people finding out you’re from an upper-middle-class suburb of Reading.
On August 4, 2010, she released the first single, “Mine,” off her third album. On October 23, the Giants knocked off the Phillies in Game 6 of the NLCS, and two days later, Swift released Speak Now, and the Phillies haven’t won a playoff series since.
There remains the question of why Swift chose the Giants as her instrument of vengeance, and why she continued the partnership for two more albums. And I don’t know the answer for sure; God moves in mysterious Tays.
Perhaps it’s out of a sense of “if it ain’t broke, don’t fix it,” that she timed her next two album releases for the World Series. The 2014 release, 1989, is named after the last odd year the Giants reached the World Series, but Swift told people it was named after the year of her birth to throw everyone off the scent.
A keen observer will note that while the Giants are in line for one of the NL wild-card positions, Swift has not announced an album for this coming fall, which means one of two things: Either Swift is planning a Beyoncé-style ambush release, or she’s planning to let the fall of an even year pass without an album for the first time since 2004, because now it’s no longer the Phillies but the Giants on her shit list.
In lieu of an album, T-Swift has stayed in the news by breaking up with two different boyfriends — Calvin Harris and actor Tom Hiddleston, whom she was totally dating for real and not just posing for photos with — and getting dunked on by Kim Kardashian West.
On July 17, Kardashian released audio of a phone conversation between her husband, Kanye West, and T-Swift in which T-Swift gives permission for Kanye to add a now-controversial line about possibly having sex with her to the song “Famous” on his most recent album, The Life of Pablo. Or at least that’s how it was explained to me.
Analyzing Kim’s Masterpiece: The Kanye and Taylor Call
It’s really the first public black eye for someone who’s managed to pull off the rare double act of being universally known and universally loved. Before this summer, the worst mainstream criticisms of T-Swift were that she was overexposed or that her music was too poppy, to which I say that while I respect your freedom to traffic in bitter rockist contrarianism, would you please take your fedora-wearing, non-TV-owning ass elsewhere when you do it.
Suffice it to say, Swift won’t take this affront lying down. She’s coming back for revenge, against Kimye and everything they touch.
The celebrity alliance that pierced T-Swift’s Teflon body armor for the first time was made official when, on October 21, 2013, Kanye proposed to Kim at no less auspicious a venue than AT&T Park, home of the San Francisco Giants.
On July 17, the Giants had the best record in baseball at 57–36. They were 5.5 games up on the second-place Dodgers, who were without super-duper-ace Clayton Kershaw and in the process of disavowing Yasiel Puig. But Swift’s vengeance was just and mighty, and delivered with such merciless alacrity that even when I wrote about Even Year Bullshit 10 days later, I hadn’t yet realized that the Giants had already had their hamstrings cut.
It’s obvious now. Since the Kardashian incident, the Giants are 20–29. They’ve fallen nearly as far behind the Dodgers as they were ahead eight weeks ago. Failing a sudden change of heart, followed by an album release, they’re done for, smote by a goddess they relied on, but later took for granted. Take a look at what you’ve done, Giants. Because now you’ve got bad blood.
In addition to this, Swift has a special power to connect with her fans on a personal level. She has a keen sense of empathy and understands the struggles and experiences that many of her fans go through. Through her music and acts of kindness, Swift has the ability to make her fans feel seen, heard, and understood. Furthermore, Swift has the power to use her platform to make a positive impact on the world. Whether it is through her charitable donations, advocacy for social justice causes, or simply using her voice to spread messages of love and compassion, Swift has the ability to inspire and influence her fans to make a difference. In conclusion, Taylor Swift may not possess actual magical powers, but her ability to create a connection with her audience, generate excitement, and make a positive impact on the world can certainly be considered magical. Through her storytelling, authenticity, and empathy, Swift continues to be a powerful force in the music industry and in the lives of her fans..
Reviews for "The Secrets of Taylor Swift's Witchcraft: How She Uses Magic to Write Her Songs"
1. John - 1 star
I was extremely disappointed with "Taylor Swift Magic Powers". The story was incoherent and the characters lacked depth. It felt like a rushed attempt to capitalize on Taylor Swift's popularity rather than a well-thought-out project. The magic elements seemed forced and out of place, further detracting from the overall experience. I would not recommend this film to anyone looking for a well-crafted story or engaging characters.
2. Sarah - 2 stars
While I am a fan of Taylor Swift's music, I found "Taylor Swift Magic Powers" to be underwhelming. The plot was predictable and offered nothing new or exciting. It felt like a mediocre attempt to create a fantasy film around the artist's brand. The magic powers aspect was poorly executed and did not add any depth to the story. Overall, I was left feeling unimpressed and wishing for more substance.
3. Michael - 1 star
I cannot understand the appeal of "Taylor Swift Magic Powers". The acting was subpar, and the storyline was convoluted and confusing. It seemed like the filmmakers were more focused on promoting Taylor Swift than creating a coherent and enjoyable film. The magic powers aspect felt tacked on and lacked creativity. I regret wasting my time and money on this disappointing movie.
4. Emily - 2 stars
As a fan of Taylor Swift, I had high hopes for "Taylor Swift Magic Powers". However, I was let down by the weak script and lackluster execution. The story lacked depth and failed to engage me. The magical powers aspect felt like an afterthought and did not enhance the overall plot. It's unfortunate to see such potential squandered in this film. I was left feeling disappointed and wishing for a more compelling narrative.
5. Mark - 1 star
"Taylor Swift Magic Powers" was a complete waste of time. The plot was predictable, the characters were one-dimensional, and the magic powers were poorly integrated into the story. It felt like a marketing ploy rather than a genuine attempt at creating an entertaining film. I would advise anyone considering watching this movie to save their money and invest it in something more worthwhile.