The topic of a "Salem witch only fans" is an unusual and peculiar one that merges historical events with modern platforms for content sharing. The Salem witch trials, which took place in 1692-1693 in colonial Massachusetts, were a series of hearings and prosecutions of people accused of witchcraft. This dark period in history led to the execution of 20 individuals, mostly women. OnlyFans, on the other hand, is a subscription-based social media platform that allows content creators to monetize their work. It gained popularity in recent years, especially among creators of adult content. This platform allows creators to share exclusive content with their subscribers in exchange for a monthly subscription fee.
Occultism remains the largest blind spot in the historiography of Islamicate philosophy-science, a casualty of persistent scholarly positivism, even whiggish triumphalism. Such occultophobia notwithstanding, the present article conducts a survey of the Islamicate encyclopedic tradition from the 4th–11th/10th–17th centuries, with emphasis on Persian classifications of the sciences, to demonstrate the ascent to philosophically mainstream status of various occult sciences (ʿulūm ġarība) throughout the post-Mongol Persianate world. Most significantly, in Persian encyclopedias, but not in Arabic, and beginning with Faḫr al-Dīn Rāzī, certain occult sciences (astrology, lettrism and geomancy) were gradually but definitively shifted from the natural to the mathematical sciences as a means of reasserting their scientific legitimacy in the face of four centuries of anti-occultist polemic, from Ibn Sīnā to Ibn Ḫaldūn; they were simultaneously reclassified as the sciences of walāya, moreover, which alone explains the massive increase in patronage of professional occultists at the Safavid, Mughal and Ottoman courts in the runup to the Islamic millennium (1592 CE ). I argue that the mathematicalization, neopythagoreanization and sanctification of occultism in Ilkhanid-Timurid-Aqquyunlu Iran is the immediate intellectual and sociopolitical context for both the celebrated mathematization of astronomy by the members of the Samarkand Observatory in the 9th/15th century and the resurgence of neoplatonic-neopythagorean philosophy in Safavid Iran in the 10th/16th and 11th/17th, whereby Ibn Sīnā himself was transformed into a neopythagorean-occultist—processes which have heretofore been studied in atomistic isolation.
This article argues that esotericism is a fundamental principle underlying the composition of Ulysses , its envisaged relationship with the implied reader, and its larger socio-cultural ramifications. He is the author of The Ontology of Gods An Account of Enchantment, Disenchantment, and Re-Enchantment 2017 , Ulysses Quotīdiānus James Joyce s Inverse Histories of the Everyday 2016 , and Philosophical Meta-Reflections on Literary Studies Why Do Things with Texts, and What to Do with Them.
This platform allows creators to share exclusive content with their subscribers in exchange for a monthly subscription fee. The concept of a "Salem witch only fans" might be an attempt to create a fictionalized version of historical events and merge it with modern platforms for entertainment, possibly focusing on the portrayal of witches with a historical context. However, it is important to approach this topic with sensitivity, as it combines real tragedies with a modern concept that could be considered disrespectful or inappropriate.
Art à la the Occult: The Literary Esotericism of James Joyce’s Ulysses
JIBU MATHEW GEORGE is Professor at The English and Foreign Languages University, Hyderabad, India, and has multidisciplinary research interests. He is the author of The Ontology of Gods: An Account of Enchantment, Disenchantment, and Re-Enchantment (2017), Ulysses Quotīdiānus: James Joyce’s Inverse Histories of the Everyday (2016), and Philosophical Meta-Reflections on Literary Studies: Why Do Things with Texts, and What to Do with Them? (2019).
Search for other works by this author on: Interdisciplinary Literary Studies (2021) 23 (4): 573–596. CitationJibu Mathew George; Art à la the Occult: The Literary Esotericism of James Joyce’s Ulysses. Interdisciplinary Literary Studies 1 September 2021; 23 (4): 573–596. doi: https://doi.org/10.5325/intelitestud.23.4.0573
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