The Practical Magic soundtrack record is a compilation of songs that were featured in the 1998 film Practical Magic. The film starred Sandra Bullock and Nicole Kidman as sisters who come from a long line of witches. The soundtrack includes a mix of popular songs, both old and new, that help to set the mood for the film. Some of the standout tracks include "Put the Lime in the Coconut" by Harry Nilsson, "Black Magic Woman" by Fleetwood Mac, and "This Kiss" by Faith Hill. These songs add a playful and whimsical element to the movie, helping to bring the magical world to life. In addition to these popular songs, the Practical Magic soundtrack also features some original compositions by composer Alan Silvestri.
Though at first glance we might want to be Elaine — or be with Elaine — we're aware that she's got happiness all wrong. She won't find a good marriage by sprawling across her lavender shag carpeting on a pentagram rug lined with candles, or putting up with louts, like the libertine English literature professor who immediately tries to hump her in his car. And the irony is, she's so perfect that she's inhuman, an object, a sex doll with no needs. Sure, a hunk like Detective Griff (Gian Keys) might be willing to spend a sunshine-dappled afternoon riding horses with her in matching khakis, but he's infatuated with a cartoon, not a wife.
Elaine s lair is all rich purples and blues; her favorite lunch spot, a ladies-only tea room, is all pastels, the kind of cloister where women unironically wear flower crowns. Chic, poised and sensual Elaine Samantha Robinson - fleeing a relationship which has ended badly especially for her lover - settles in a quiet Northern California town.
In addition to these popular songs, the Practical Magic soundtrack also features some original compositions by composer Alan Silvestri. These pieces help to enhance the atmosphere of the film, adding an ethereal and mystical element to the storytelling. The Practical Magic soundtrack record was a commercial success, reaching the top 20 on the Billboard 200 chart and selling over 500,000 copies in the United States alone.
The Love Witch review – glorious retro fantasy-horror
L A film-maker Anna Biller achieves an ecstasy of artificiality in this amazing retro fantasy horror, delivered with absolute conviction. It’s designed, produced, written, directed and generally auteured by Biller herself, and lit and photographed by M David Mullen – apparently without digital fabrication.
The Love Witch goes beyond camp, beyond pastiche; it ignites the pulpy surfaces of its tale and produces a smoke of bad-dream sexiness and scariness. It’s a B-movie with A-grade potency. But you have to stay with it, you have to understand its absolute seriousness before getting the comedy and the satire of the transactional politics in sex.
Samantha Robinson plays Elaine, a beautiful, dark-haired woman with a look of Barbara Eden or Diana Rigg. She is a white witch with occult powers and leaves a trail of men in her wake – woebegone, lovelorn and, indeed, dead. These handsome beefcake guys have become a gallery of castrated swains who have sacrificed themselves for Elaine, as she demurely presides over her secret occult court of predatory lust.
The Love Witch director Anna Biller: ‘I’m in conversation with the pornography all around us’ Read moreBiller creates for Elaine some showstoppingly outrageous makeup and lingerie. Her story is happening in the modern world with recognisably contemporary automobiles and technology. But otherwise it’s drenched in the Technicolor 60s: there are touches of Italian horror, Hammer and late Hitchcock, as well as the deadpan attention to period detail and convention that David and Jerry Zucker and Jim Abrahams achieved in their comedies. Biller devises a feminine sensibility for exploitation to match the macho connoisseurship of Tarantino or Rodriguez.
There is a glorious cod Renaissance “marriage” scene in which Samantha consecrates her awful destiny with the police officer who is on her trail. And, yes, of course it is ridiculous, but brilliant and, frankly, sublime. See it at midnight.
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Editor/Music/Production Designer: Anna Biller
It received positive reviews from both critics and fans, who praised the eclectic mix of songs and the way they enhanced the overall viewing experience. Overall, the Practical Magic soundtrack record is a must-have for fans of the film and lovers of magical and enchanting music. Its diverse selection of songs and original compositions make it a timeless addition to any music collection..
Reviews for "Creating Musical Alchemy: The Practical Magic Soundtrack Deconstructed"
1. Jane Doe - 2 stars - I was really disappointed with the Practical Magic soundtrack record. I was hoping for some whimsical and enchanting tunes that would transport me into the world of the movie, but instead, I was bombarded with a collection of forgettable songs. None of the tracks stood out or made me want to listen to them again. It felt like a missed opportunity to create a truly magical listening experience that would complement the film.
2. John Smith - 1 star - I found the Practical Magic soundtrack record to be utterly underwhelming. The songs chosen for the album lacked coherence and failed to capture the essence of the movie. It felt like a mishmash of unrelated tracks thrown together without any thought or consideration. I was expecting a soundtrack that would transport me back to the enchanting world of the film, but instead, I was left with a jumbled mess that completely missed the mark.
3. Emily Thompson - 2 stars - I had high hopes for the Practical Magic soundtrack record, but unfortunately, it fell flat for me. The songs on the album didn't evoke any emotions or create a cohesive atmosphere. It felt like a generic compilation of songs that could be found on any random playlist. I was expecting more magical and mystical tracks that would transport me into the film's world, but instead, I was left feeling underwhelmed and uninspired.