The November witch melody carries with it a haunting beauty that seems to encompass the essence of this time of year. As the last vestiges of autumn fade away and winter looms in the distance, this melody captures the bittersweet nature of the changing seasons. There is a melancholic quality to the November witch melody, as if it is whispering nostalgic tales of days gone by. It evokes a sense of longing and reflection, as the year draws to a close and we are left to contemplate the passing of time. The notes seem to dance through the air, shifting between minor and major chords, creating a delicate balance between darkness and light. It is this juxtaposition that gives the melody its enchanting quality, drawing the listener in with its mysterious allure.
This odd weather phenomenon grows even more strange when you dig deeper into history.
It happened last year, when quickly falling temperatures on the back end of a growing storm turned rain to snow in parts of the Midwest and, in an eerie throwback to 1975, prompted forecasters to issue gale warnings for Lake Superior. On November 11, 1911, many locations in Missouri established records in terms of the largest daily temperature swing and this remarkable occurrence remains unprecedented today, wrote Guinan.
It is this juxtaposition that gives the melody its enchanting quality, drawing the listener in with its mysterious allure. The November witch melody is filled with rich, layered harmonies that ebb and flow like the changing winds. It paints a picture of a crisp, autumnal landscape, with leaves falling gently to the ground and a chill in the air.
"The Wreck of the Edmund Fitzgerald" by Gordon Lightfoot
The legend lives on from the Chippewa on down, of the big lake they call Gitche Gumee. The lake, it is said, never gives up her dead when the skies of November.
Many people are not aware that the song, The Wreck of the Edmund Fitzgerald, by Gordon Lightfoot, is associated with a real life event. Even fewer people really know where he first got the idea to write the song The Wreck of the Edmund Fitzgerald. When Gordon Lightfoot first heard about the wreck, he did so through a news article in Newsweek, and as a commemoration to the wreck and to the men, Lightfoot composed a song. The song was released in 1976 and became a top ten hit!
Gordon Lightfoot usually is very protective of this song and the wishes of the family members and is in no way "for" exploiting the victims, or their family members. He has also appeared at several 25th anniversary memorial services in support of the families and is in personal contact with many of them. Every family member that we have interviewed on this website agrees that Lightfoot is "a good guy," "a genuine man," and even "blessed."
The Wreck of The Edmund Fitzgerald
©1976 by Gordon Lightfoot and Moose Music, Ltd.
The legend lives on from the Chippewa on down
of the big lake they called "Gitche Gumee."
The lake, it is said, never gives up her dead
when the skies of November turn gloomy.
With a load of iron ore twenty-six thousand tons more
than the Edmund Fitzgerald weighed empty,
that good ship and true was a bone to be chewed
when the "Gales of November" came early.
The ship was the pride of the American side
coming back from some mill in Wisconsin.
As the big freighters go, it was bigger than most
with a crew and good captain well seasoned,
concluding some terms with a couple of steel firms
when they left fully loaded for Cleveland.
And later that night when the ship's bell rang,
could it be the north wind they'd been feelin'?
The wind in the wires made a tattle-tale sound
and a wave broke over the railing.
And ev'ry man knew, as the captain did too
'twas the witch of November come stealin'.
The dawn came late and the breakfast had to wait
when the Gales of November came slashin'.
When afternoon came it was freezin' rain
in the face of a hurricane west wind.
When suppertime came the old cook came on deck sayin'.
"Fellas, it's too rough t'feed ya."
At 7 P.M. a main hatchway caved in; he said,*
"Fellas, it's bin good t'know ya!"*
*(now: "At 7 p.m., it grew dark, it was then he said, Fellas it's bin good t'know ya!")
The captain wired in he had water comin' in
and the good ship and crew was in peril.
And later that night when 'is lights went outta sight
came the wreck of the Edmund Fitzgerald.
Does any one know where the love of God goes
when the waves turn the minutes to hours?
The searchers all say they'd have made Whitefish Bay
if they'd put fifteen more miles behind 'er.
They might have split up or they might have capsized;
they may have broke deep and took water.
And all that remains is the faces and the names
of the wives and the sons and the daughters.
Lake Huron rolls, Superior sings
in the rooms of her ice-water mansion.
Old Michigan steams like a young man's dreams;
the islands and bays are for sportsmen.
And farther below Lake Ontario
takes in what Lake Erie can send her,
And the iron boats go as the mariners all know
with the Gales of November remembered.
In a musty old hall in Detroit they prayed,
in the "Maritime Sailors' Cathedral."
The church bell chimed 'til it rang twenty-nine times
for each man on the Edmund Fitzgerald.
The legend lives on from the Chippewa on down
of the big lake they call "Gitche Gumee."
"Superior," they said, "never gives up her dead
when the gales of November come early!"
It evokes a sense of solitude, as if the melody is meant for introspection and personal reflection. As the melody unfolds, it gradually builds in intensity, reaching a crescendo that hints at the imminent arrival of winter. It is a reminder that change is inevitable, and that even in the darkest of times, there is beauty to be found. In the final moments of the melody, as the last notes drift away, there is a sense of acceptance and peace. The November witch melody serves as a reminder that life is filled with cycles and seasons, and that we must find joy in the ebb and flow of change. In conclusion, the November witch melody is a captivating composition that captures the essence of this time of year. Its haunting beauty and evocative qualities make it a fitting soundtrack for the transition from autumn to winter. Whether listened to in solitude or shared with others, this melody has the power to transport and touch the soul..
Reviews for "November Witch Melodies: A Spellbinding Serenade"
1. John Doe - 1 star: I was really disappointed with "November Witch Melody". The storyline was confusing and all over the place, making it hard to follow and connect with the characters. The writing style felt disjointed, with random jumps in time and inconsistent pacing. The author seemed to rely on clichés and overused tropes, making the plot predictable and uninteresting. Overall, I found this book to be a tedious and frustrating read.
2. Jane Smith - 2 stars: I didn't enjoy "November Witch Melody" as much as I had hoped. The characters lacked depth and development, making it difficult for me to care about their fates. The dialogue felt forced and unnatural, with unrealistic conversations that took away from the overall immersion in the story. The pacing was uneven, with long stretches of inaction followed by rushed resolutions. While the concept had potential, I felt that the execution fell flat.
3. Samantha Brown - 2 stars: "November Witch Melody" was a letdown for me. The plot was predictable and lacked any originality, feeling like a rehash of other witch-themed stories I had read before. The world-building was weak, with little explanation or exploration of the magical elements that could have made the story more intriguing. The prose was mediocre at best, with awkward phrasing and a lack of emotional depth. Overall, I found this book to be unremarkable and forgettable.
4. Michael Thompson - 1 star: I regret picking up "November Witch Melody". The writing was amateurish, with numerous grammatical errors and awkward sentence structures that made for a frustrating read. The characters were one-dimensional and lacked any real depth, making it hard to connect with them. The plot was overly predictable, with no surprises or twists to keep me engaged. I would not recommend this book to anyone looking for a well-written and original story.
5. Emily Davis - 2 stars: "November Witch Melody" was a disappointment for me. The pacing was slow and tedious, with long stretches of unnecessary detail and exposition. The dialogue felt stilted and unnatural, lacking the flow and authenticity of real conversations. Although there were some interesting ideas sprinkled throughout the story, they were not explored or developed fully, leaving the book feeling incomplete. Overall, I found this book to be underwhelming and not worth the time investment.