Norse magic runes are ancient letters or symbols used in the Norse tradition for magical purposes. These runes were believed to hold powerful meanings and were often used in divination, spellcasting, and other forms of Norse magic. The origin of the runic alphabet can be traced back to the 2nd century AD when Germanic tribes in Northern Europe first started to use these symbols for writing. Over time, the runes gained mystical significance, transcending their original purpose as a writing system. The runic alphabet, known as the Futhark, consists of 24 symbols, each representing a different sound. Each rune also has a specific meaning associated with it, often connected to different aspects of life, nature, or the gods in Norse mythology.
This was, quite simply, an awesome time to be a cultural critic. At the Village Voice, then a feisty paragon of identity politics and primo alternative journalism, I was encouraged by a handful of highly skilled (and highly tolerant) editors to write about everything from cosmic heavy metal to posthumanist philosophy to The X-Files to the Zippies. Following the steps of my Voice pal and fellow tech journalist Julian Dibbell, I got a Panix dial-up account in 1993, and dove into the weirdness of alt groups, French theory listservs, and the social experiments of LambdaMOO, where I encountered a crew of highly intelligent and creative anarchist pagans that blew my mind. Those years were, by far, the most fun I ever had online. But the real initiation into the stream of technomagic that inspired TechGnosis occurred a couple years earlier, when I flew from New York to the Bay Area in order to attend the first and only Cyberthon, a paisley-flaked technology gathering whose speakers included Timothy Leary, Terence McKenna, and Bruce Sterling. Virtual reality, now making a belated comeback through Oculus Rift and related gamer gear, was all the rage. I strapped on dread-headed Jaron Lanier’s data-glove rig, and I toured the VR lab at NASA Ames with the deeply entertaining John Perry Barlow. I met a sardonic William Gibson, who single-handedly engineered our “collective hallucination” of cyberspace, and a standoffish Stewart Brand, whose Whole Earth tool fetishism presaged the Cyberthon’s meet-up of counterculture and cyberculture. For me, born in the Bay Area but raised and living on the East Coast, the Cyberthon was a strange kind of homecoming: one that only strapped me onto a new line of flight, a cruise that rode the growing updrafts of what would become the mass digital bloom.
I met a sardonic William Gibson, who single-handedly engineered our collective hallucination of cyberspace, and a standoffish Stewart Brand, whose Whole Earth tool fetishism presaged the Cyberthon s meet-up of counterculture and cyberculture. Phil Dick s prophecy, cited earlier in TechGnosis , is here our engineered world is beginning to possess what the primitive sees in his environment animation.
Each rune also has a specific meaning associated with it, often connected to different aspects of life, nature, or the gods in Norse mythology. Throughout history, the runes were used in various ways for different purposes. Divination was one of the most common uses of runes, where a practitioner would cast the runes and interpret the symbols to gain insight into the future or seek guidance on a specific situation.
TANTRIC TALES WRATH OF THE WRAITH
Tantric Tales: Wrath of the Wraith is a Horror Dramedy, the first of it’s kind, about three Tantrics, Anali, Manja and Suraiya. The play starts with a prologue establishing the wacky relationship of the Trinayanas, a name given to them by their fans, in one of their last exorcisms together. We see a small flash interview of the three after they have split up. We are now welcomed to the present, in a small Goanese house where we meet Leena and her rebellious daughter, Farishta. Leena has contacted Anali and Manja because they think they are being haunted. Anali and Manja fail to see a problem, other than their mental health and Anali being him, says something very hurtful and is then thrown out of the house. Suraiya is called in by Leena to save the day. The meeting of the Trinayanas is awkward at best. The exorcism that follows is a journey of healing for tortured mother and daughter, through whose relationship the Trinayanas also find growth, healing and finally get to be a family again.
| Schedule |
| Theatre Workshops | ||
| Register a workshop | View all workshops | ||
In a recent essay for the book Excommunication, Eugene Thacker examines the constitutive role that media have played in many supernatural horror tales. In normal life, the different times and places that communication technologies tie together belong to the same plane of reality — New Caledonia may be an exotic place, but when I FaceTime someone there, I am still communicating with a locus in Terran spacetime. But in supernatural horror, media create portals between different orders of reality, what Bruno Latour would call different ontological “modes.” Examples include the cursed videotape in the J-horror classic Ringu, or the device in Lovecraft’s “From Beyond” that reveals the normally invisible beasties that flit about our dimension. The paradox of such fictions is that the remoteness of the otherworld is made immanent in the technology itself, present to hand in an actual artifact that still oozes otherness. The device it grows haunted, or weird, not because the technology breaks down, but because it works too well. Glitches, noise, and stray signals are no longer technical faults but the flip side of another order of being leaking through. Though Thacker is interested in horror fiction, a similar bleed between ontological realms occurs in some paranormal practices. Take the legions of photographers drawn to angels, ghosts, and manifestations of the Blessed Virgin Mary. Though the ubiquity of phones and post-processing techniques should, according to the rationalist rules of evidence, diminish the believability of specters or heavenly beings, some photographers have developed a rich iconography of lens flares, floating orbs, streakers, and other mysterious marks that indicate otherness. Media will always present technical anomalies, and such anomalies will always offer stages for oracular and otherworldly perception, whether or not you consider such perceptions as internally-generated apophenic projections, or as living traces of those mysterious orders of presences that seem to ghost communication.
Additionally, the runes were used in spells and rituals, where their magical properties were believed to enhance the power of the practitioner. The meaning and energy of a specific rune would be incorporated into the spell, amplifying its effects. For example, the rune "Ansuz" symbolizes communication and wisdom, so it might be used in a spell to enhance one's communication skills or seek divine guidance. In Norse mythology, the god Odin was often associated with the runes. According to legend, Odin hung himself from the World Tree, Yggdrasil, for nine days and nights, sacrificing himself to gain knowledge of the runes. As a result, Odin became the bringer of the runes, granting him great wisdom and insight. Today, Norse magic runes continue to be used by practitioners of modern Norse Paganism and Heathenry as a way to connect with their ancestral traditions and tap into the energies of the runes. Some individuals also incorporate the runes into their spiritual practices, meditation, and personal development. The study and practice of Norse magic runes can be a deeply enriching and spiritual experience, allowing individuals to explore the ancient wisdom and symbolism held within these powerful symbols. Through the runes, practitioners can tap into the mysteries of the universe and seek guidance from the deities of Norse mythology..
Reviews for "Unveiling the Mysteries of Norse Magic Runes"
1. James - 1/5 stars - I was really excited to learn about Norse magic runes, but this book was a major disappointment. The information provided was very basic and lacked depth. It was as if the author just gathered some general facts and put them together without any real understanding or expertise. I was hoping for a more in-depth exploration of the symbols and their meanings, but this book fell far short of my expectations.
2. Sarah - 2/5 stars - As someone who has a strong interest in Norse mythology and ancient runes, I was looking forward to reading "Norse magic runes". However, I found it to be quite underwhelming. The content was very simplistic and the explanations felt superficial. The book lacked the depth and insight that I was hoping for. I would recommend looking for more comprehensive resources if you want to truly understand the magic and symbolism of Norse runes.
3. John - 2/5 stars - "Norse magic runes" was a letdown for me. The information provided in this book was very basic and didn't offer anything new or insightful. I was hoping to gain a deeper understanding of the runes and their usage in Norse magic, but I felt like I barely scratched the surface after reading this book. The lack of in-depth explanations and analysis made it difficult to fully grasp the subject matter. Overall, I was quite disappointed with this book.
4. Emma - 1/5 stars - I found "Norse magic runes" to be a complete waste of my time and money. The information provided was extremely limited and didn't provide any valuable insights into Norse magic or the significance of the runes. The book felt more like a brief introduction rather than a comprehensive guide. I would strongly recommend looking for other resources if you want to delve deeper into this fascinating subject.
5. Thomas - 2/5 stars - I was expecting more from "Norse magic runes". The book didn't offer any new or unique information on the subject. The content felt repetitive and lacked depth. It seemed like the author just skimmed the surface of Norse magic without providing any real substance. I was left disappointed and wanting more after reading this book.