The New York Magic Expo is an annual event that showcases the world of magic and illusion. It brings together magicians, illusionists, and magic enthusiasts from all over the world to celebrate the art of magic. The main idea of the event is to offer a platform for magic professionals to showcase their skills and talents, as well as allowing magic enthusiasts to witness incredible performances and participate in various magic-related activities. The New York Magic Expo features a variety of shows, workshops, and lectures conducted by renowned magicians. These performances and workshops provide an opportunity for magicians and enthusiasts to learn new tricks and techniques, as well as gain insights from experts in the field. There are also competitions held during the expo, where magicians can showcase their talents and compete for prestigious titles and prizes.
Renowned composer Jerry Goldsmith provides a score rippling with somber strings, and eerie, warbling, carnival numbers. Goldsmith’s soundtrack is decidedly understated. Nevertheless, it works brilliantly in conjunction with the cinematography, screenplay, and powerful acting performances for a technical tour de force.
Rather, the film creates an air of mystery through its clever masquerade; the relationship between Fats and Corky doesn t become apparent until the conclusion. Rather, the film creates an air of mystery through its clever masquerade; the relationship between Fats and Corky doesn t become apparent until the conclusion.
There are also competitions held during the expo, where magicians can showcase their talents and compete for prestigious titles and prizes. In addition to performances and workshops, the New York Magic Expo also hosts a trade show, where vendors from the magic industry showcase and sell their latest products and props. This provides a unique opportunity for attendees to browse and purchase a variety of magic-related items, including props, books, DVDs, and accessories.
‘Magic’ (1978) a mesmerizing psychological thriller (review)
1978 psychological horror flick “Magic” stars Anthony Hopkins, Burgess Meredith, and Ann-Margret. The Richard Attenborough-directed horror film received a 1979 Edgar Award for Best Motion Picture Screenplay from the Mystery Writers of America, and earned Hopkins BAFTA and Golden Globe nominations for his lead role. With its superb screenplay, excellent cast, and fantastic mystery elements, 1978’s “Magic” remains an oft-overlooked horror romp.
Charles “Corky” Withers (Hopkins) is a failing professional magician. Mentor “Merlin” (E.J. Andre) advises Corky to assume a gimmick catering to show business. Flash forward a year, and Corky resurges as one of the most popular magic exhibitions. It’s his combined ventriloquist and magician act, centering on the crude-talking dummy Fats, which fostered such success.
Seasoned agent Ben Greene (Meredith) is prepared to set Corky up with his own television show. However, Corky refuses to sign the contract, and instead travels to the Catskills. Initially, it appears that Corky remains frightened of success. But after reuniting with his former high school crush Peggy Ann Snow (Margret-Ann), Corky begins to work his magic. Although Snow is married to estranged husband Duke (Ed Lauter), Corky woos her with a few card tricks.
“Magic” shines as a technical masterpiece. Hopking plays both Corky and Fats, and while his Corky is a bit stiff, Fats bubbles with personality. Additionally, Corky’s originally one-sided character radically changes as the story progresses. Over the course of the film, it’s clear that Corky is deranged.
Ann-Margret lends an inspired performance as Peggy Ann Snow. Margret plays a realistically indecisive and honest character. Her constant questioning of whether or not to leave Duke and pursue a relationship with Corky feels stikingly genuine. Peggy comes delightfully to life under Ann-Margret who plays her character with an air of charm and innocence. Similarly, Burgess Meredith is terrific as the believably energetic Ben Greene.
Renowned composer Jerry Goldsmith provides a score rippling with somber strings, and eerie, warbling, carnival numbers. Goldsmith’s soundtrack is decidedly understated. Nevertheless, it works brilliantly in conjunction with the cinematography, screenplay, and powerful acting performances for a technical tour de force.
What truly sets “Magic” apart is its sleight of hand. Repeatedly, “Magic” presents a slow boil which proceeds to defy expectations. Additionally, throughout “Magic” the viewer isn’t quite sure if there’s a supernatural element or merely madness. Its finale particularly reminds me of another 1978 horror filck, “The Legacy” starring Katherine Ross and Sam Elliott. Not because the endings are topically similar. Rather, it’s the shocking, unpredictible final scenes which parallel one another. Yet “Magic” concludes on a much bleaker note than “The Legacy.” “Magic” doesn’t pull its final trick until the third act, and there’s a massive payoff. The last shot is remarkably, and refreshingly, dark.
But “Magic,” for all its charm, does occasionally lose its charisma. As a horror film, it’s not particularly effective. That is, “Magic” lacks an atmosphere of fright. Rather, the film creates an air of mystery through its clever masquerade; the relationship between Fats and Corky doesn’t become apparent until the conclusion. Especially early on, Hopkins is a bit wooden. While it’s mostly cohesive, a few flashbacks are poorly placed, unnecessary, and create a disjointed flow.
Still, “Magic” manages to pull one over on the audience. I enjoyed the character progression, particularly from Hopkins’ Corky, and the endearing Peggy. With strong acting performances, taut writing, and a lovely twist of an ending, “Magic” is a truly underrated psychological horror flick.
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What truly sets “Magic” apart is its sleight of hand. Repeatedly, “Magic” presents a slow boil which proceeds to defy expectations. Additionally, throughout “Magic” the viewer isn’t quite sure if there’s a supernatural element or merely madness. Its finale particularly reminds me of another 1978 horror filck, “The Legacy” starring Katherine Ross and Sam Elliott. Not because the endings are topically similar. Rather, it’s the shocking, unpredictible final scenes which parallel one another. Yet “Magic” concludes on a much bleaker note than “The Legacy.” “Magic” doesn’t pull its final trick until the third act, and there’s a massive payoff. The last shot is remarkably, and refreshingly, dark.
The New York Magic Expo attracts a diverse audience, ranging from professional magicians to amateurs, as well as curious onlookers. It serves as a great platform for networking and building connections within the magic community, as attendees have the opportunity to interact with fellow magicians and enthusiasts, share ideas, and exchange experiences. Overall, the New York Magic Expo is a must-attend event for anyone interested in the world of magic. It offers a unique opportunity to witness incredible performances, learn new tricks, and connect with fellow magic enthusiasts. Whether you are a professional magician or simply a fan of magic, the New York Magic Expo is an event not to be missed..
Reviews for "New York Magic Expo: A Celebration of Wonder and Amazement"
1. John Smith - 1/5 stars:
I attended the New York Magic Expo hoping to see some incredible magic performances and learn some tricks myself. However, I was extremely disappointed with what I experienced. The performances were lackluster and amateurish, and the magic tricks taught in the workshops were basic and unimpressive. The event seemed disorganized, with long wait times and confusing schedules. Overall, the New York Magic Expo did not live up to my expectations and I left feeling like I wasted my time and money.
2. Emily Johnson - 2/5 stars:
As a magic enthusiast, I was excited to attend the New York Magic Expo and immerse myself in the world of magic. However, I was disappointed by the overall quality of the event. The performances lacked the wow factor I was expecting, and the stage setup was unremarkable. Additionally, the workshops felt rushed and not well-prepared, leaving me unsatisfied with the tricks I learned. The New York Magic Expo has potential, but it needs to step up its game in terms of performers, organization, and overall production value.
3. David Wilson - 1/5 stars:
I had high hopes for the New York Magic Expo, but those hopes were quickly dashed. The event was chaotic, with long lines for everything and a general lack of organization. The performances were underwhelming, with many tricks that could easily be figured out by anyone with basic knowledge of magic. The workshops were overcrowded and it was difficult to get personalized attention or learn any advanced techniques. Overall, the New York Magic Expo was a huge disappointment and I wouldn't recommend it to anyone looking for an authentic and memorable magic experience.
4. Sarah Thompson - 2/5 stars:
I attended the New York Magic Expo hoping to be amazed and inspired, but unfortunately, I left feeling underwhelmed. The performances lacked originality and creativity, and the magicians failed to connect with the audience. The workshops were informative, but the presenters seemed disinterested and rushed through the material. While the expo had potential, it ultimately fell short of delivering an exciting and immersive magical experience.