My mother was a witch, or so I believed. Growing up, I would often hear whispers and rumors about her supposed magical abilities. The townspeople would whisper in hushed tones about the spells and potions she would concoct in the depths of her hidden potion room. Some even claimed to have seen her flying on a broomstick under the cover of darkness. Of course, as a young child, I was fascinated by these tales. I would watch my mother closely, searching for any signs of her mystical powers.
I'll make my residence, I'll watch your fire.
You can come with me, sweet desire.
My face is long forgot, my face not my own.
Sweet and timely whore, take me home.
I m thankful that they did, because I don t know what I d do without the songwriter s royalties of those four Diamond Head songs they ve covered Am I Evil , Helpless , The Prince and It s Electric. I m thankful that they did, because I don t know what I d do without the songwriter s royalties of those four Diamond Head songs they ve covered Am I Evil , Helpless , The Prince and It s Electric.
I would watch my mother closely, searching for any signs of her mystical powers. I would follow her around the house, trying to catch her in the act of performing a magical spell. But no matter how hard I looked, I could never find any evidence to support the rumors.
How Diamond Head gave Metallica the classic that paid for Brian Tatler's house
The New Wave Of British Heavy Metal certainly spawned its fair share of anthems during the early 80s – Iron Maiden’s Running Free, Saxon’s Wheels Of Steel etc. One gem that tends to get overlooked is Diamond Head’s mighty epic Am I Evil. In fact, some believe it’s a Metallica song, due to that band having covered it on their 1984 EP Creeping Death and having played it live regularly ever since.
According to Diamond Head co-founder/ guitarist Brian Tatler, back in 1980 a lot of work and planning went into the making of what became a metal classic.
“I can remember wanting to write a song heavier than Black Sabbath’s Symptom Of The Universe,” Tatler recalls. “So when I came up with that riff, I think we all said: ‘That’s good. We should work on that.’
“The song evolved over a period of 18 months. We seemed to keep adding to it. We added the fast section, and then I must have come up with the intro – which was kind of based on Mars from The Planets suite [an orchestral work by Gustav Holst] – and that got sewn onto the beginning.
"I can remember coming up with the ending, and the very last thing to be written was the guitar solo section, where it changes key, and the tapping. I think we started it around 1978 and finished around 1980, when we went in to record the album [Lightning To The Nations, 1980].”
To match Tatler’s heavy riffing, singer Sean Harris came up with the suitably dark lyrics, which included the most extreme opening of any metal song up to then: ‘My mother was a witch/She was burned alive/Thankless little bitch/For the tears I cried.’
“‘My mother was a witch’ was a great opening line,” Tatler says. “His mum probably took offence, but she’s probably forgiven him now. I’m not sure what the whole thing’s about. It just kind of works as a rock song. I suppose you could say it’s about evil in man – good and bad; the yin and yang.”
Shortly after the completion of the song, the group tried it out on an audience. As Tatler recalls, it immediately passed the test: “As far as I remember, it always went down well. We soon learned that slow songs didn’t work live; the faster ones would stay in the set. Am I Evil must have gone down well, because we probably would have chucked it out otherwise.”
Tatler points out that Am I Evil appeared on two different Diamond Head studio albums: “We recorded it for the White Album [aka Lightning To The Nations]. We had to re-record it for the Living On… Borrowed Time album, and it felt a bit strange doing it again. But on the White Album, I do definitely remember listening back to it and – once I’d got the guitar solo right and all the keys that change underneath the guitar solo – it just blew me away.”
Tatler also recalls how he got his particular guitar sound on Am I Evil:
“There’s a slightly strange sound on the guitar which is a wah-wah – this Morley Power Wah Boost. It was set at a cutting, ‘nasal’ position. It gave it a little more of an ‘evil’ sound, I suppose.”
While the song instantly became a favourite among Diamond Head fans, Tatler remembers the day he was introduced to Metallica’s version of it:
“We were in the studio, and Sean had gotten a copy of [Metallica’s] Creeping Death, the 12-inch single, with Am I Evil on the B-side. We listened to it, and thought: ‘It’s heavier and tighter’, but we didn’t think it was any better than our version. Because, of course, we’re proud of our own recording.
“We had no idea that Metallica were going to become the biggest band in the world. At this stage, in 1984, they were on Music For Nations, and it didn’t look like they had the potential to conquer the world – to us. We knew Lars [Ulrich, drums], and we knew how ambitious he was, but I don’t think any of us had a clue that they were going to take that style of metal and bring it to the masses in the way they did.
"I’m thankful that they did, because I don’t know what I’d do without the songwriter’s royalties of those four [Diamond Head] songs they’ve covered [Am I Evil, Helpless, The Prince and It’s Electric]. Imitation is the sincerest form of flattery, so of course we’re flattered that they covered us. They could have covered Witchfinder General, couldn’t they? [laughs]”
As Tatler told Classic Rock in 2019, "This album [Garage Inc.] came out in 1998 and sold over five million copies. It contains four Diamond Head songs, and the royalties have changed my life a lot. I bought a house with my wife, and the constant flow of royalties mean that I no longer have to work."
Having split up in the mid-80s, Diamond Head reunited sporadically throughout the 90s, before Tatler soldiered on without Harris. To this day Am I Evil remains in the set-list, and in 2020 they recorded it again. Or, as they put it, the song was "re-imagined, re-recorded and re-born."
“Every time we play it live, that riff seems to stir up something in the audience, and it’s always a winner,” Tatler says. “You just can’t fail if you fire into that riff. The crowd duly responds. It’s just got something about it. It’s fairly easy to play as well. It almost seems like, if you like rock, it’s one of the first riffs you learn. And I quite like that – it’s not some clever, complicated thing. It’s like a Smoke On The Water – a nice, simple, heavy riff that you can hum and remember.”
Perhaps unsurprisingly, Tatler agrees that Am I Evil is among Diamond Head’s best songs:
“I would say it’s one of the best, yes. It had all the ingredients – a good riff, a good chorus, it went fast, there’s a big guitar solo in it, it had good dynamics… Songs like that are hard to write. I don’t know how we did some of those songs. They don’t obey rules of songwriting; we did whatever we felt, rather than followed any rules like verse-bridge-chorus.
“There was a naïveté in the early songs. Like I said, it always works. You never play that song and think: ‘That’s a bag of shit.’”
Lightning To The Nations (The White Album) [Remastered 2021] is out now.
Perhaps unsurprisingly, Tatler agrees that Am I Evil is among Diamond Head’s best songs:
As I grew older, I started to question the truth behind these stories. Could my mother really be a witch? Or were these rumors simply a product of the overactive imaginations of the townspeople? I decided to confront my mother about these rumors and seek the truth once and for all. To my surprise, my mother laughed when I asked her about her supposed witchcraft. She explained that the rumors were nothing more than mere gossip. She had no magical powers or secret potion room. Instead, she attributed the rumors to her love of nature and knowledge of herbal remedies. As it turned out, my mother had a deep understanding of plants and their medicinal properties. She would often gather herbs and plants from our garden to create natural remedies for various ailments. The townspeople mistook her knowledge and passion for witchcraft, creating a narrative that was far from the truth. This revelation opened my eyes to the power of storytelling and how easily rumors can spiral out of control. What started as a simple interest in herbal remedies turned into an elaborate tale of witchcraft and magic. It made me realize the importance of seeking the truth for oneself and not blindly believing in rumors and hearsay. In the end, my mother was not a witch, but her love for nature and the healing properties of plants was indeed magical in its own right. She taught me the value of knowledge and the importance of questioning what we hear. Her supposed witchcraft taught me a valuable lesson about the dangers of believing in myths and the power of the human imagination..
Reviews for "The Witch's Anvil: Exploring the Magical Metallurgy of My Mother's Craft"
1. Mark - 1 star
I found "My Mother Was a Witch Metallica" to be incredibly disappointing. The storyline was confusing and poorly executed. The characters lacked depth and were difficult to relate to. The writing style was clunky and disjointed, making it hard to stay engaged. Overall, I found this book to be a complete letdown and would not recommend it to others.
2. Sarah - 2 stars
I had high hopes for "My Mother Was a Witch Metallica" based on the intriguing title, but unfortunately, it didn't live up to my expectations. The plot felt forced and often veered off in strange and unnecessary directions. The pacing was inconsistent, with slow sections dragging on and key moments feeling rushed. Additionally, the dialogue was often unrealistic and cheesy. Overall, I was left unimpressed by this book and felt it failed to deliver on its initial promise.
3. John - 2 stars
As a fan of both witchcraft and heavy metal, I was excited to read "My Mother Was a Witch Metallica." However, I was ultimately disappointed. The blending of these two elements felt forced, and the story lacked cohesion. The character development was weak, and I found it difficult to connect with any of the protagonists. The writing style was also subpar, with clunky sentences and awkward descriptions. Overall, this book didn't meet my expectations and left me unsatisfied.