I am writing to inform you about the upcoming Mountzin Magic Dance Convention. This convention is a one-of-a-kind event that brings together dancers from all over the world to celebrate the art of dance and magic. The Mountzin Magic Dance Convention is set to take place from 20th to 22nd August at the prestigious Grand Dance Hall in Mountzin City. With its state-of-the-art facilities and stunning architecture, the Grand Dance Hall provides the perfect venue for this spectacular convention. During the convention, participants can expect a variety of activities and events. There will be workshops conducted by world-renowned dancers and magicians, where attendees can learn new techniques and skills to enhance their performances.
S ir Edward Evans-Pritchard’s Witchcraft, Oracles and Magic among the Azande—based on fieldwork conducted in Sudan in the 1920s and 1930s—is one of the classic texts of social anthropology. Fifty years later anthropologist John Ryle and film-maker André Singer—among the last of Evans-Pritchard’s students—revisited Zandeland, in Western Equatoria province of Southern Sudan, for Granada Television’s Disappearing World series. They recorded the continuities in Zande culture and the changes since Evans-Pritchard’s time. Among the Azande, misfortune has a human cause—there is no such thing as bad luck—and witchcraft is considered to be a constant threat. A person can be a witch—and cause others harm—without being aware of it. Effective means of diagnosing witchcraft are therefore vital to the moral order. One method is through the use of oracles. Several kinds of oracles are explored in the film: the rubbing oracle, the termite oracle and the poison oracle. The poison oracle, which involves administering benge poison to baby chickens, is also used to judge the veracity of evidence in chiefs’ courts.
S ir Edward Evans-Pritchard s Witchcraft, Oracles and Magic among the Azande based on fieldwork conducted in Sudan in the 1920s and 1930s is one of the classic texts of social anthropology. She says she bears no malice towards her co-wife and believes she is not the cause of illness, but after an oracle confirms that she is respon sible she agrees to a propitiatory ritual.
There will be workshops conducted by world-renowned dancers and magicians, where attendees can learn new techniques and skills to enhance their performances. These workshops will cover a wide range of dance styles, including ballet, hip-hop, contemporary, and more. In addition to the workshops, there will be live performances by some of the most talented dancers and magicians in the industry.
One of the crucial characteristics of witchcraft is that
1981 • Director - André Singer • Anthropologist - John Ryle • Granada TV - Disappearing World • 52 minutes • 1981 • Posted 2017 • 471 words
Synopsis
S ir Edward Evans-Pritchard’s Witchcraft, Oracles and Magic among the Azande—based on fieldwork conducted in Sudan in the 1920s and 1930s—is one of the classic texts of social anthropology. Fifty years later anthropologist John Ryle and film-maker André Singer—among the last of Evans-Pritchard’s students—revisited Zandeland, in Western Equatoria province of Southern Sudan, for Granada Television’s Disappearing World series. They recorded the continuities in Zande culture and the changes since Evans-Pritchard’s time. Among the Azande, misfortune has a human cause—there is no such thing as bad luck—and witchcraft is considered to be a constant threat. A person can be a witch—and cause others harm—without being aware of it. Effective means of diagnosing witchcraft are therefore vital to the moral order. One method is through the use of oracles. Several kinds of oracles are explored in the film: the rubbing oracle, the termite oracle and the poison oracle. The poison oracle, which involves administering benge poison to baby chickens, is also used to judge the veracity of evidence in chiefs’ courts.
The film explores the internal logic of Zande thinking through incidents in the lives of individual Azande. Hunters fail to catch wild pigs; they consult an oracle to find out why they failed. A man’s first wife is sick, so the man, Banda, consults an oracle to see if she will live. It confirms she is not in immediate danger, but he suspects his second wife of witchcraft. She says she bears no malice towards her co-wife and believes she is not the cause of illness, but after an oracle confirms that she is respon sible she agrees to a propitiatory ritual. Adultery is one of the most frequent charges brought in a Zande chief’s court. A man, Gingiti, brings a case against his wife, Gume, and his friend, Bukoyo in the court of the traditionalist Chief Soro. Chief Soro consults the benge oracle, which confirms the charge of adultery. In the past, he says, the Zande king Gbudwe used the benge poison on humans instead of chickend
The film also examines the influence of Christianity, the role of government and related changes in the social order. A young man, Joseph and his girlfriend, Atonita, undergo a purification ritual after the birth of her first child. Older people interviewed in the film see their children abandoning traditional moral values. After church on Sunday, a Zande Catholic priest discusses the coexistence of Christianity and Zande traditional beliefs. He says he one of few Azande who does not turn to witchcraft in times of trouble. Witchcraft Among The Azande provides a glimpse of Zande society in the late twentieth century, before the civil war that brought independence to South Sudan and .further social change to South Sudanese communities.
1981 • Director - André Singer • Anthropologist - John Ryle • Granada TV - Disappearing World • 52 minutes • 1981 • Posted 2017 • 471 words
These performances will feature breathtaking choreography, mind-boggling illusions, and captivating storytelling, creating a magical experience for all attendees. Furthermore, the Mountzin Magic Dance Convention will host a competition where dancers can showcase their talents and compete for prestigious awards. Judged by a panel of esteemed professionals, this competition will provide an opportunity for participants to gain recognition and exposure in the dance and magic community. Besides the workshops and performances, the convention will also have vendors selling dance apparel, props, and accessories. This will be an excellent opportunity for attendees to browse and purchase items that can enhance their performances. In order to make the convention accessible to a larger audience, the organizers have made provisions for virtual attendance. Participants who are unable to travel to Mountzin City can join the convention through a live-streaming platform, allowing them to participate in workshops and watch performances from the comfort of their homes. Overall, the Mountzin Magic Dance Convention promises to be an unforgettable experience for dancers and magic enthusiasts alike. It will provide an opportunity to learn, be inspired, and connect with fellow artists from all around the world. So mark your calendars and get ready to witness the magic unfold at the Mountzin Magic Dance Convention..
Reviews for "Enhance Your Dance Technique at the Mountain Magic Dance Convention"
1. Lily - 2/5 - I was really disappointed with the Mountzin Magic Dance Convention. The performances were mediocre at best, and the choreography seemed unoriginal and uninspired. The event felt disorganized, with long breaks between performances and a lack of clear instructions for attendees. Additionally, the venue was overcrowded, making it difficult to fully enjoy the show. Overall, I expected much more from this convention and wouldn't recommend it to others.
2. Max - 1/5 - I was extremely let down by the Mountzin Magic Dance Convention. The advertised lineup of dancers was impressive, but the actual performances were lackluster. It felt like the event was rushed, with many dancers forgetting their routines or making mistakes. The sound system was also subpar, making it hard to hear the music and appreciate the performances. Furthermore, the convention was overcrowded, and it was a struggle to find a seat or even move around freely. Definitely not worth the time or money.
3. Sarah - 2/5 - The Mountzin Magic Dance Convention was highly disappointing. The talent on display was underwhelming, with many dancers lacking precision and style. The event lacked any real excitement or energy, making it difficult to stay engaged. Moreover, the convention was poorly organized, with long delays between performances and a lack of communication with attendees. The limited seating available added to the frustration, as it was uncomfortable and hard to find a good view. I would not recommend attending this convention if you're looking for a truly magical dance experience.