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This is the path that many of these films follow with greater or lesser success, and “The Curse of La Patasola” is one of those that travel it with less success. The culprits are a group of uninteresting protagonists, poor performances, and a disastrous script. To remedy its predictability are the scares and the monster, but the scares are non-existent and the monster is disappointing.
Although The Curse of La Patasola is based on a different legend, it is not unreasonable to think that it seeks to ride the wave of recent interest in the legend of La Llorona. A lot of the conflict comes out of nowhere while some other elements are too obvious and in-your-face to take seriously, it certainly doesnt handle romance or interactions perfectly but theres an effort by the part of the actors and the director to make the material as effective as possible and while it doesnt fully work, I believe it is a worthwhile attempt that has redeeming values.
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‘The Curse of La Patasola’ review: Horror movie constantly gets in own way
The Curse of La Patasola digs itself into a hole as soon as the opening credits finish. Daniel (AJ Jones) is driving while having an argument with someone. It is definitely not his wife Sarah (Gillie Fitz) who is scrolling through her phone. As the disembodied voice responds to everything Daniel says, things become more confusing. Is Daniel talking back to a podcast? Is he practicing lines for a play he is about to star in?
When James (Patrick R. Walker) peaks his head from the back, it makes a little more sense, even if he sounds nothing like the person Daniel was having a back and forth with. Finally the big reveal; Naomi (Najah Bradley) is finally shown as the mystery debater.
Why all the mystery? Aside from bad editing, there seems to be no reason for it. This is just the first of many times The Curse of La Patasola will confuse, frustrate, and annoy audiences. The film is about two couples who go on a weekend camping trip. The first night, Naomi tells them about La Patasola, a creature from Columbian folklore that preys on those who have been unfaithful to their partners. It is a a vampire, siren, Wailing Woman mix that tries to disprove you cannot have too much of a bad thing.
The movie is constantly tripping itself up. Daniel and Naomi open The Curse of La Patasola arguing and continue to do so whenever they are on screen together. His faux machismo and her dime store feminism become unbearable within the first five minutes. It is supposed to be foreshadowing, but it is grating and near unwatchable.
The other characters are not any better. Sarah is supposed to be meek, but just comes off as whiny. It is hard to tell what The Curse of La Patasola wants to do with James, but this inconsistency usually equates to having no personality. This ends up making him the best character, by far.
The Curse of La Patasola does not seem to think film is a visual medium. A big turning point in the movie is when someone is rejected by their partner. It is is humiliating, embarrassing, and completely disrespectful. At least, that is what everyone says. What exactly happened? Who knows? Not only is the moment never shown, it is never even described.
This happens so many times that it is hard not to wonder whether the filmmakers did it intentionally. It is not uncommon for movies not to show a horrific scene and leave it up to the imaginations of those watching. In some cases, it can lead to an iconic scene.
As The Curse of La Patasola slogs on, it is clear this is not the case. Nothing is ever shown and when it actually is, it is too dark to see anything. By the end, when the film is contradicting its own lore, it does not even matter. The movie will have already lost the audience.
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Reviews for "Celebrating Festivals and Events at Mavic Fountains in Delohimum"
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