A magic witch doll is a popular item in the realm of mysticism and witchcraft. This small doll, often made of cloth or clay, is believed to possess magical powers and can be used for a wide range of purposes. One common use of a magic witch doll is for protection and warding off negative energies. Many practitioners create their own personalized doll, adding specific herbs, symbols, and objects to enhance its protective qualities. The doll is often placed in a designated area or carried on a person to serve as a shield against harm. Another popular application of this doll is in spellcasting and manifestation.
After her massive success in Away from Her, Polley has continued to direct successful films. Her film Take This Waltz premiered at the Toronto International Film Festival to great acclaim and she is now in the works of making a 6-part mini-series based on Margaret Atwood's novel Alias Grace.
She also volunteered for the Ontario Coalition Against Poverty and the anti-nuclear organizations Canadian Peace Alliance and Performing Artists for Nuclear Disarmament. Yet she eschewed mainstream fame and gave her allegiance instead to the Canadian film industry, backing out of the star-making role of Penny Lane in Cameron Crowe s Oscar-winning Almost Famous 2000 to star in John Greyson s cryptic The Law of Enclosures 2000.
Another popular application of this doll is in spellcasting and manifestation. By adding specific intentions and energies into the doll, it is believed to bring about the desired outcome. This can be done by anointing the doll with oils, charging it under the moonlight, or focusing one's intentions while holding the doll.
Sarah Polley
On this date in 1979, actress and filmmaker Sarah Ellen Polley was born in Toronto, Canada, to Diane (née MacMillan) and Michael Polley. Her British father and her mother both had acting backgrounds. She would learn as an adult that her biological father was actually film producer Harry Gulkin, with whom her mother had had an affair. ("Stories We Tell" documentary, 2012)
Her mother had died of cancer when Polley was 11. Her home life started a downward spiral, moving from an "incredibly boisterous place, with music playing all the time, and political discussions, and books being discussed, and laughter" to life with a depressed dad in which she was basically left to her own devices and stopped going to school. By age 15, she had lived with her brother’s ex-girlfriend, her first boyfriend and then alone. (The New Yorker, March 13, 2022)
"[The Ontario Coalition Against Poverty] took me in when I was 15, living on my own, with no community. They gave me a political education and a place to belong. It's why, to this day, I don't understand why many progressives are so focused on being 'civil' and 'polite' about the war on the poor," she later wrote. (Twitter, Nov. 27, 2020)
Asked as an adult how she got into acting, Polley said that as a child of about age 5 or 6, she and her older siblings (she was the youngest) were surrounded by it. "My dad had been an actor — he wasn’t when I was a kid, he was working at an insurance company to support the family — and my mom was a casting director and produced comedy shows." (Ibid., The New Yorker)
Her first credited movie role was in Disney's “One Magic Christmas” (1985), starring Harry Dean Stanton and Mary Steenburgen and filmed in Ontario. Her first major role was at age 8 as Ramona Quimby in the Canadian TV series "Ramona" (1988), based on Beverly Cleary's books. It aired for one season before going to video. Her role in the popular series "Road to Avonlea" (1990-96) made her financially independent and she was dubbed "Canada's Sweetheart" by some in the press.
"Avonlea" was picked up by the Disney Channel for U.S. distribution. At age 12 she attended an awards ceremony while wearing a peace sign to protest the first Gulf War. Disney executives asked her to remove it but she refused, not a decision the company liked.
"The Sweet Hereafter" (1997), in which she sang three songs and co-wrote the title track, brought her to the attention of more of the public outside Canada. Subsequent roles of note included "Go" (1999), "My Life Without Me" (2003), a remake of "Dawn of the Dead" (2004) and "The Secret Life of Words," opposite Tim Robbins and Julie Christie, for which she was nominated as Best European Actress by the European Film Academy.
Polley made her feature film directorial debut with "Away From Her" (2006), for which she won the Canadian Screen Award for Best Director and was nominated for the Academy Award for Best Adapted Screenplay. In 2017 she wrote the six-part miniseries "Alias Grace," based on the 1996 novel of the same name by her longtime friend Margaret Atwood , which Polley had started adapting in 2012.
She was married to film editor David Wharnsby from 2003-08. She married David Sandomierski in 2011. He went on to become a law school professor at Western University in London, Ontario. They have three children together. She suffered a debilitating concussion in 2016 when struck on the head by a fire extinguisher hung over a lost-and-found box at her pool and community center. It would seriously affect her ability to work for over four years.
"Women Talking," written and directed by Polley, had its world premiere at the Telluride Film Festival in September 2022. It's based on Miriam Toews’ 2018 novel about several Mennonite women who come to realize they have all been drugged and raped by men in their community.
Polley admires directors Ingmar Bergman and Terrence Malick, saying that Malick's "The Thin Red Line" (1998) “single-handedly brought me out of a deep depression. It shifted something in me. I’m an atheist, but it was the first time that it gave me faith in other people’s faith.” (Toronto Life magazine, October 2006)
PHOTO: Polley at the 2009 Venice Film Festival; Nicolas Genin photo under CC 2.0 .
"I don't have faith in anything but my fellow human beings and the world around me. I have strong faith in people, but not beyond people. The world is a beautiful place, it's a beautiful enough place for me to worship and have faith in and — it's enough for me."
—Polley, quoted in "She Should Talk: Conversations With Exceptional Young Women About Life, Dreams & Success" by Erica Ehm (1994)
Compiled by Bill Dunn
© Freedom From Religion Foundation. All rights reserved.
Compiled by Bill Dunn
In some traditions, a magic witch doll can also be used for healing purposes. By placing the doll on or near the affected area, practitioners believe that the doll acts as a conduit for healing energy and can help alleviate pain or promote overall well-being. It is essential to note that the effectiveness of a magic witch doll relies heavily on the belief and intention of the user. The doll itself is regarded as a tool or a vessel for energy, allowing the practitioner to connect with their desired outcome or intention. While magic witch dolls have gained popularity in modern witchcraft and occult practices, it is crucial to approach their use with respect and understanding. It is recommended to research and learn from experienced practitioners or mentors before incorporating a magic witch doll into personal practice. This will ensure proper knowledge and guidance on how to use the doll effectively and ethically. In conclusion, a magic witch doll is a fascinating and versatile tool in the practice of witchcraft and mysticism. Whether used for protection, spellcasting, or healing, these dolls are believed to carry powerful and transformative energies. However, it should be approached with care and respect, acknowledging the need for proper knowledge and guidance to utilize them effectively..
Reviews for "The Power of Intent: How to Set Clear Goals with a Magic Witch Doll"
1. Amanda - 2 stars
I was really disappointed with the Magic Witch Doll. I found the toy to be of poor quality, with the stitching coming apart after only a few hours of play. The doll's supposed "magic" powers were also quite underwhelming. The spells it cast were extremely basic, and the instructions that came with the doll were confusing and hard to follow. Overall, I would not recommend this toy to anyone looking for a truly magical experience.
2. John - 1 star
I have to say, the Magic Witch Doll is a complete waste of money. Not only did the doll not do anything remotely magical, but it also had a really creepy look to it. The doll's eyes were sunken and had a strange glow to them that was more unsettling than enchanting. Additionally, the doll was supposed to be able to talk and interact with you, but the voice feature did not work at all. Save your money and stay away from this disappointing toy.
3. Sarah - 2 stars
I bought the Magic Witch Doll for my daughter's birthday, and she was initially excited about it. However, it quickly became clear that this doll was not worth the price. The doll's supposed magical abilities were laughable. It was less "magic" and more like a cheap parlor trick. My daughter lost interest in the doll after just a few days. The quality of the doll was also subpar, as the hair started falling out after only a few uses. I would not recommend this toy to anyone who is looking for a truly captivating and well-made magical doll.