A limp witch hat is a common accessory worn during Halloween to complete the look of a witch costume. It is typically made from a cone-shaped piece of fabric, often black in color, with a wide brim. However, what sets a limp witch hat apart from a regular witch hat is its lack of stiffness. Traditionally, witch hats are made to be stiff and stand upright on the wearer's head. This gives them a more dramatic and intimidating appearance. In contrast, a limp witch hat is purposely designed to have a floppy and droopy look.
Are you dressing up for Halloween? I think I only dress up as a Witch. I’m going to print some social media icons and those along with butterfly wings will be either Tim or Chuck’s costume. Although it suits Chuck the best, you know he is the social butterfly in this marriage after all.
I ll wear these with all black, don my wand and Sheath at my waist and set up a Witch s Apothecary Storefront at tonight s neighborhood Trunk-or-Treat. She claimed she was visited by Eastey s ghost, who told her she had been put to death wrongfully and was innocent of witchcraft, and that she had come to vindicate her cause.
In contrast, a limp witch hat is purposely designed to have a floppy and droopy look. The lack of structure in the hat gives it a more whimsical and comical touch, perfect for those who want a more lighthearted and less spooky witch costume. The limpness of the hat can be achieved in various ways.
With Witches Hats.
Halloween in Salem. Doorsteps decorated with grinning pumpkins and lanterns shrouded in cobwebbed netting facelift the town. The heads of scantily clad partygoers are topped by witches hats, offering some protection from an evil, biting wind. Copper leaves swirl in the afternoon breeze, mingling litter and empty coffee cups with nature’s own debris.
Ghostly blues and gravestone greys colour the clapperboard houses, emitting an air of solemnity in stark contrast to the carnival atmosphere building all around. Those who tramp and commandeer the streets in flowing black or purple robes, vary in costume. Some heads adorned with red horns, others wearing top hats, funeral style, all seem to be nodding at the darkness of All Souls. They send a shiver of foreboding though me.
As twilight begins to steal the day, elegant New England residences continue the sense of pending horror and become colonial haunted houses. Limp drapes of seasonal bunting- spiders, broomsticks, skeletons -hang from the garden railings, providing an air of anticipation.
I hurry to get downhill, towards the harbour, before the light fades. I can’t take my eyes away from those partygoers, predominantly women, who engulf the wide spaces, tumbling over one another. They resemble more hen party than a coven. But still, the foreboding persists. A black cat, yawns, turns yellow eyes to stare at me before nonchalantly crossing my path. Above my head, a creaking signpost ‘ Gont Funeral Home’ sways in the breeze. But there is no breeze, the leaves are not swirling here. Three floors of unlit windows face Hawthorne Avenue. Was it was once owned by a Yorkshireman, the apostrophe long since dismissed?
I can see why the leaves here don’t swirl, they’re plastic, draping languidly across windows, doorways and arches. Some are joined by dried red peppers, fake cobwebs, plastic black mice or silver glittering skulls.
This town is famous for its three hundred-year-old history of witch trials. The world is well used to mass hysteria and religious extremism, and it’s no surprise that it caused the deaths of fourteen women and five men, but it does seem unjust that such a bounty of commerce should be its reward.
Whatever we are used to, the story of motherless Dorcas Good, a four-year-old witch, imprisoned then released to perish in the streets of this town, is hard to understand.
Perhaps she was in the crowd watching when eighty-year-old Giles Corey was crushed, pressed to death, by heavy stones for refusing a trial. I shudder, hoping that the fate of the very old and the very young has improved in three hundred years as I follow the tourist trail to the shorefront, wondering whether evil can linger.
Down by the harbour, once the oldest seaport in Massachusetts’s Bay, wharfs and warehouses have become museums, others are advertising palm reading or an invitation to séance.
Many more of the gardens are decorated here, with animated scenes of beheading, drowning and skeletons rising from the grave. This part of town has an eerie, Disney- like feel to it as the gloom deepens. A low mist comes up from the harbour and softens the outlines of the vehicles as I approach the car park to meet my partner. I greet him, hugging close, more in relief at his being here than I care to admit. ‘ Has Halloweeen spooked you honey? ’ he remarks, his head turning towards a black hearse which has just arrived alongside us. We cease the smiley cuddling, turning grave and sympathetic. ‘ I’ll move the car before the mourners arrive, Sue.’
Before we can take action the long black vehicle glides to a respectful hush beside us and we see a small dog, a terrier wearing an orange sequinned coat, paws on the dashboard, watching from the front passenger seat.
Climbing down, the driver, in black mourning suit, looks unexpectedly cheerful. ‘Oh, we love Hallow’een. Booked this hearse a year in advance.’ We don’t know how to respond to this unasked-for information, offered while grappling in the passenger well for the glittering sequinned animal, tucking it under his arm.
The woman who appears from the other side of the hearse wheels a smart pink suitcase which keeps getting tangled in the hem of her long black gown. Made up like Morticia Adams, she’s clutching her witches’ hat to her head, the long purple strands of her wind-whipped hair smacking across her Goth white face.
‘He only got halfway through building the coffin when we had to leave, but we can use it next year,’ she tells us. I still can’t think what to say but He manages the ‘Happy Halloween’ with a poker straight face.
Later that evening we mingle in the hotel foyer with Bishops, Witches and mini-skirted Skeletons. Such a frivolous juxtapositioning of costumes makes me feel less spooked than I was earlier in the day and now I’m just open-mouthed curious. He is embarrassed by my behaviour, desperate for me to stop staring.’ Please Sue, it’s rude to stare, although maybe that is the least they should expect. It costs a lot of money to look that cheap.’ He’s a big Dolly Parton fan.
Outside, the streets are crowded and we decide it is time for us to join the festivities. Holding greasy cartons of American carbs, fries and hotdogs, we are swept along towards “moonlight ghost tours” and “ graveyard visitations.” All around us raucous tour guides, proud bearers of tall pikes swinging battery-operated lanterns, urge us to follow for the experience of a lifetime.
I’m keen to have the experience of a lifetime, so we pay $5 to the tour leader and fall in line. We’re joined alongside by a small plump girl laden with Wal-Mart carrier bags. She smiles shyly and greets us ‘ Happy Halloween’, through a tangle of orange and black hair which matches her tights. She looks like a cross between a shopper and a bumblebee, but perhaps that is all part of how they do Halloween here.
This tour is a novelty for us. We usually avoid those guides with flags who, stopping before inconsequential buildings, give us unnecessary facts, causing precious holiday minutes to drizzle away like sand in an egg timer.
But I don’t want to wander off on my own to explore here. I need to be with a group. We walk past the cemetery and stop in front of the Salem Witch Trials Memorial, where our guide tells the tale of witchcraft trials and subsequent hangings. It sounds bland and too well-rehearsed for my liking.
Bumblebee girl and himself move ahead slowly but I edge towards the pillar engraved with the names of those who perished. A young woman stands between me and the others. Her head is concealed with a white cap and her floor-length dark dress accessorised by a white wrap over shawl. Looking more early American Quaker than Witch. I wonder whether she will soon be joined by a Bishop or a Red Horned Devil.
I smile tentatively, anxious not to appear rude, and greet her with what I think is the convention ‘ Happy Halloween’, but I’m not really inviting conversation. She turns her head and I notice crooked teeth, some missing, and cracked lips set in a pallid face.
‘Help me, Susan,’ she says. ‘Tell Sir Williams Mary Eastey is innocent.’
‘Wait,’ I gabble. ‘Let me write it down. Tell me again.’ But when I look up she is slowly walking away. ‘Help me, Susan,’ I hear her repeat. Himself is beckoning me and I think that if I don’t join the group, I’ll be lost. ‘Did you see that woman?’ I ask. ‘She called me by my name.’
‘What woman? I’ve had enough of this twaddle, Sue, I’m off. Shall we get a beer?’
The wide-open double doorway of the nearest hotel looks welcoming and it doesn’t take long to elbow our way to the bar, where we order our Halloween spirits. Settled on a red padded vinyl armchair, I reach into my bag for the tour guide’s information leaflet.
Mary Eastey was hanged on Burrow Hill, for witchcraft. I look up and see Bumblebee girl and the woman who spoke to me at the memorial standing in the doorway looking at us. My hand is shaking as I reach for my drink. Who are they? How did that woman know my name? Have I let her down somehow? Was it a prank? I don’t care to ask, or share, that information. I think He has had enough Halloween for one day.
Late into the night, screeches of hilarity and hysterical cries, alongside the hooting of many human owls, make sleep impossible. By two in the morning we feel as though we have turned to ashes. The night porter, undoubtedly a good soul, calls for order. A deathly hush descends. ‘They must of hanged ‘em’ he remarks , rolling over and achieving the sleep of the righteous.
Mary Eastey was hanged for witchcraft in 1692, as was her sister Rebecca Nurse. A mother of eleven children, her parting words to her family have been reported as “as serious, religious, distinct, and affectionate as could be expressed, drawing tears from the eyes of almost all present.” She was hanged along with several others and on the gallows she prayed for an end to the witch hunt.
Mary Eastey’s last petition to the Court, of which it has been said that no more moving document has ever been addressed to any judge follows: “I petition your honours not for my own life for I know I must die and my appointed time is set but the Lord he knows it is that no more innocent blood be shed…..the Lord above that is the searcher of all hearts knows that as I shall answer at the Tribunal seat I never knew the least thing of witchcraft”.[5]
In November, after Eastey had been put to death, a young girl Mary Herrick, gave testimony about Eastey. She claimed she was visited by Eastey’s ghost, who told her she had been put to death wrongfully and was innocent of witchcraft, and that she had come to vindicate her cause. Eastey’s family was compensated with 20 pounds from the government in 1711 for her wrongful execution. Her husband Isaac lived until June 11, 1712.
The floppy hat is that wide-brimmed hat that give you the grace from another time: its long history only equals its success of chic large hat worn by Parisian women since the first sun rays. Before it became synonym of elegance and of femininity, and before it get associated to outfits of any era, this hat was a faithful companion of the farmer's world. Today, the floppy hat goes in hand in hand with all styles: with a dress or pants, summer or winter, on beautiful days or on rainy ones.
Some limp witch hats are made using softer and more pliable materials, such as felt or fabric with wire inserts, allowing them to hang down loosely on the wearer's head. Other limp witch hats are intentionally bent or crumpled to create a squashed and droopy look. Limp witch hats offer a fun twist on the traditional witch costume. They can add a touch of humor and playfulness to any Halloween outfit. These hats are particularly popular among children and those who prefer a less menacing appearance. In addition to Halloween costumes, limp witch hats can also be used as decorations. They can be placed on top of pumpkins or hung on walls to create a festive and bewitching atmosphere. Limp witch hats can be adorned with ribbons, feathers, or other embellishments to enhance their whimsical and playful appeal. Overall, a limp witch hat is a unique and creative accessory that adds a fun and unconventional twist to a witch costume. Whether worn as part of a Halloween outfit or used as a decoration, these hats are sure to bring a touch of whimsy and charm to any spooky occasion..
Reviews for "From Sleek to Slouchy: The Versatility of Limp Witch Hat Styles"
1. Alice - 1 out of 5 stars - I was extremely disappointed with "Limp witch hat". The storyline was disjointed and lacked any clear direction. The characters were shallow and undeveloped, making it difficult to connect with them or care about their fates. Additionally, the pacing was slow and there were many unnecessary scenes that added nothing to the overall plot. I found myself zoning out multiple times throughout the book and struggled to finish it. Overall, I would not recommend "Limp witch hat" to anyone looking for a captivating and well-executed story.
2. Mark - 2 out of 5 stars - As a fan of fantasy novels, I was excited to read "Limp witch hat", but unfortunately, it fell short of my expectations. The writing style was awkward and often confusing, making it difficult to follow the narrative. The world-building was also lacking, as the magical elements of the story felt underdeveloped and poorly explained. The main character, who is supposed to be a powerful witch, was portrayed as weak and indecisive, which was a disappointment. Overall, I found "Limp witch hat" to be a lackluster and forgettable read.
3. Emily - 2 out of 5 stars - I found "Limp witch hat" to be a tedious and uninspiring read. The plot was predictable and lacked any real surprises or twists. The dialogue was stilted and unnatural, making it difficult to fully engage with the characters. Additionally, the romantic subplot felt forced and unnecessary, taking away from the already weak main storyline. Overall, "Limp witch hat" failed to capture my interest and I would not recommend it to others. There are much better fantasy novels out there worth reading.
4. Jason - 3 out of 5 stars - While "Limp witch hat" had its moments, overall, I was left feeling underwhelmed. The pacing of the story was uneven, with long periods of slow development and rushed action scenes. The magic system in the book was poorly explained and inconsistent, leaving me confused at times. The lack of character development also left me feeling disconnected from the story. However, I did appreciate some of the world-building elements and the potential the book had. Unfortunately, it was not enough to fully redeem "Limp witch hat" in my eyes.
5. Samantha - 2 out of 5 stars - "Limp witch hat" had an interesting premise, but failed to deliver on its potential. The writing was clunky and overly descriptive, often bogging the story down with unnecessary details. The characters were one-dimensional and lacked depth, making it difficult to care about their struggles. The climax of the book was anticlimactic and the resolution felt rushed and unsatisfying. Overall, I was left disappointed by "Limp witch hat" and would not recommend it to others.