la pata sola

An amulet of fortune, often referred to as a lucky charm or talisman, is a popular object believed to bring good luck and positive energy to the one who possesses it. These amulets can take various forms, such as pendants, rings, bracelets, or even small objects like stones or coins. People have been using amulets for centuries, often endowed with symbolic meanings and religious significance. The concept of an amulet of fortune can be found in different cultures and religions worldwide. In many ancient civilizations, such as ancient Egypt, Greece, and Rome, amulets were commonly worn as a form of protection against evil spirits and to attract good luck and prosperity. These amulets were often inscribed with symbols or words believed to have special powers or connections to specific deities.

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

I don t see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn t recognized because he is lumped in with that kind of sound. I don t see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn t recognized because he is lumped in with that kind of sound.

These amulets were often inscribed with symbols or words believed to have special powers or connections to specific deities. Today, amulets of fortune are still widely popular among people who believe in their supernatural abilities. They are often associated with specific beliefs or superstitions, depending on the culture or individual.

Pat Travers?

Who is this cat? Listening to Rhapsody online and stumbled onto his complilation album. He can play! :

rob2001

Member

johnrea_77

PT always puts on a great show. Saw him last year at an Amphiteater in Baldwinsville, NY. Caught him in big venues opening up for bands like Blue Oyster Cult and UFO back in the 80's. Also caught a few small theater and club shows years ago as well.

Very much worth checking out if you never have.

jpftribe

Member

billm408

Member

He's been around since the late 70's. Great rockin' blues kinda stuff. Loved the band when Pat Thrall and Tommy Aldridge were playing with him. Saw him a few times back then and twice in the last couple of months at clubs locally. Go For What You Know is just a killer live album. My band still plays Snortin' Whiskey!

cr8z4life

Wow, never heard that. great stuff!

Thwap

Likely Baked

He's been around since the late 70's. Great rockin' blues kinda stuff. Loved the band when Pat Thrall and Tommy Aldridge were playing with him. Saw him a few times back then and twice in the last couple of months at clubs locally. Go For What You Know is just a killer live album. My band still plays Snortin' Whiskey!

Dickie Fredericks

Pounds.of.Sounds

Love Pat Thrall too.

ksandvik

Member

Saw him last week close to my house. Still going strong. Not that he seems to play the same set list for months, like two months' ago in San Jose.

billm408

Member

Saw him last week close to my house. Still going strong. Not that he seems to play the same set list for months, like two months' ago in San Jose.

I was at both of those shows too. Voodoo Lounge a couple of months ago and the Avalon last week. Actually I was going to skip the last show, but a friend's band was on the bill so I was out there supporting the locals.

Sal

Member

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

Rather than gush on and on I'll list some points:

* Great guitar player, singer and songwriter: listen to his rhythm work, chord voicings, use of effects and song structures. Very innovative, unique and individual.

* The Pat Travers Band!! Listen to Mars Cowling and Tommy Aldridge as a rhythm section from Heat in the Street. The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it's what separates PT from the pack. The music has so much movement and life. Listen to "Go All Night" from Heat in the Street - it's funk rock before the Red Hot Chili Peppers! And before Tommy Aldridge was in the band you can hear Nicko McBrain play on "Off Beat Ride" or "Speakeasy" from Putting it Straight. Speakeasy is a terrific, funky jazzy instrumental.

* Pat is a great keyboard player also and wasn't afraid to play things different from 70s rock. Listen to "Crash and Burn" or his cover of "Is this Love" - he wasn't afraid of trying something new and to keep his music from stagnating.

There's tons more to say about Pat. Listen and enjoy a true innovator!

rob2001

Member

He has many more hidden gems like that in his discography.

rob2001

Member

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

Rather than gush on and on I'll list some points:

* Great guitar player, singer and songwriter: listen to his rhythm work, chord voicings, use of effects and song structures. Very innovative, unique and individual.

* The Pat Travers Band!! Listen to Mars Cowling and Tommy Aldridge as a rhythm section from Heat in the Street. The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it's what separates PT from the pack. The music has so much movement and life. Listen to "Go All Night" from Heat in the Street - it's funk rock before the Red Hot Chili Peppers! And before Tommy Aldridge was in the band you can hear Nicko McBrain play on "Off Beat Ride" or "Speakeasy" from Putting it Straight. Speakeasy is a terrific, funky jazzy instrumental.

* Pat is a great keyboard player also and wasn't afraid to play things different from 70s rock. Listen to "Crash and Burn" or his cover of "Is this Love" - he wasn't afraid of trying something new and to keep his music from stagnating.

There's tons more to say about Pat. Listen and enjoy a true innovator!

I can't say it any better than that!

3 Mile Stone

xjbebop

Member

Pat Travers! To me he is completely under-appreciated. I have to disagree with the "70s bluesy kind of stuff". I don't see him as a Frank Marino type 70s player, I think his music was way ahead of its time and isn't recognized because he is lumped in with that kind of sound.

Rather than gush on and on I'll list some points:

* Great guitar player, singer and songwriter: listen to his rhythm work, chord voicings, use of effects and song structures. Very innovative, unique and individual.

* The Pat Travers Band!! Listen to Mars Cowling and Tommy Aldridge as a rhythm section from Heat in the Street. The rhythms are funky, heavy, jazzy and syncopated - to my ears completely opposite to the plodding 70s hard rock of the time, and it's what separates PT from the pack. The music has so much movement and life. Listen to "Go All Night" from Heat in the Street - it's funk rock before the Red Hot Chili Peppers! And before Tommy Aldridge was in the band you can hear Nicko McBrain play on "Off Beat Ride" or "Speakeasy" from Putting it Straight. Speakeasy is a terrific, funky jazzy instrumental.

* Pat is a great keyboard player also and wasn't afraid to play things different from 70s rock. Listen to "Crash and Burn" or his cover of "Is this Love" - he wasn't afraid of trying something new and to keep his music from stagnating.

There's tons more to say about Pat. Listen and enjoy a true innovator!

+ 1 way ahead of his time.
I still have 'heat in the street' and 'puttin it straight' on vinyl.

. and then he came out with 'crash and burn'.

Rather than gush on and on I'll list some points:

Some people believe that certain gemstones or crystals can attract wealth or love, while others may rely on religious symbols like crosses or hamsas to ward off evil and bring good fortune. The use of an amulet of fortune is highly personal and subjective. While some people genuinely believe in their power, others might see them as mere symbols or reminders of their desires and intentions. Regardless of the belief, it is important to note that the real power lies within the individual's faith and positivity. It is also worth mentioning that an amulet of fortune should not be seen as a substitute for taking practical steps to achieve one's goals. It is important to remember that luck and fortune are often the result of hard work, perseverance, and making the right choices. In conclusion, an amulet of fortune is a symbolic object believed to bring good luck and positive energy to its possessor. It has a long history in various cultures and religions and continues to be popular today. Whether it is seen as a supernatural talisman or simply a reminder of one's desires, the true power lies within one's faith and determination to achieve their goals..

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